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The Merchant of Venice Critical Essays
Critical analysis of The Merchant of Venice
The Merchant of Venice in character of Portia
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Racism is used in society by many people throughout the renaissance era. Since Shakespeare uses many scenes in the Merchant of Venice to display discrimination, it is plausible to claim that he himself is supremacist too. The prejudice set upon Jews and colored people during this time paints an accurate and precise picture to enhance the cruelty and ruthlessness of racism. The Merchant of Venice endorses racism because of its double standards and discriminatory attitude throughout the play which is illustrated in the prejudice towards religious beliefs, the conflicts, and the malicious actions taken by society and their people.
For example, the lovely Portia who exhibits features that are typical of a heroine in Shakespeare’s plays is no stranger to discrimination. By emphasizing her lack of choice in the matter of her marriage, the dialogue left no more place for Portia to deny her discomfort with the color of Morocco's skin. Also her choice of the word fair, indicating to light-skinned, is intentionally cruel because she knows of Morocco’s concerned about his appearances. Further...
The early modern definition of race very much differs from the current usage and definition of race today, according to Margo Hendricks, “the word race referred not to the linking of character with physical appearance, but to family and lineage” in addition to cultural customs. In Shakespeare’s Othello, Othello is esteemed for his military power; he is welcomed by Barbantio, and invited into his homes to tell of his adventures. Yet, in many instances the fact that he is a moor takes precedence over any military prowess he may possess. As a general in the Venetian Army, it is expected that utmost respect be shown at all times, yet this is not the case for Othello. Regardless of his acclaimed position of general in the Venetian military, the prejudices held by Iago and Barbantio outweigh his credentials as a civilized human being. His ally Barbantio questions his methods of getting Desdemona to marry him, and concludes that it had to be of some sort of Moorish witch craft or drug. Othello is also disrespected by Iago, a trusted confidant; his very essence is degraded and compared to that of a wild animal while Desdemona is seen as a pure white lamb, whom Othello has corrupted. Iago purposely uses the preconceived notions about Moors to convince others that his culture represents chaos, sexual immorality, and corruption. Iago also preys on Othello's jealousy to twist Othello’s emotions and convince him that Desdemona has been unfaithful.
Shakespeare frequently features in his plays a character who is outwardly different from the rest, designating him clearly as “other.” By introducing individuals who differ in some observable way from the cultures they inhabit, Shakespeare forces his audience to question the nature of humanity and our definitions of difference. Why do we create the categories that we do? Why do we associate one physical quality with other social and moral ones? Are these categorizations rational? Through his black characters in Titus Andronicus and Othello, Shakespeare demonstrates that the main culture uses racial stereotypes to blame the “other” for society’s problems while failing to see the causes of the same problems in themselves. Such prejudices therefore endanger both the “other” and the main culture that exhibits prejudice. By portraying Aaron and Othello as complex human characters who share more in common with white characters in similar situations than they do with each other, Shakespeare shows that racism undermines the humanity that unites us all.
Being the only different person in the room is hard; constantly being judged, and never actually fitting in; it can drive even the most normal person insane. The Tragedy of Othello by William Shakespeare is a play about a general who is different: the only one who’s black. No one else in Venice is from Africa, and with such a high position in the Venetian military, Othello’s race is almost non-existent, he appears to actually fit in along with the rest of the fair-skinned people. In this play, Shakespeare develops the motif of racism as a seed that grows, and eventually creates a sociopath full of hatred. Overall, racism is a viral disease that encircle us, and subconsciously controls our actions.
Texts and their appropriations reflect the context and values of their times. Within Shakespeare’s Othello and Geoffrey Sax’s appropriation of Othello, the evolution of the attitudes held by Elizabethan audiences and those held by contemporary audiences can be seen through the context of the female coupled with the context of racism. The role of the female has developed from being submissive and “obedient” in the Elizabethan era to being independent and liberated within the contemporary setting. The racism of the first text is overtly xenophobic and natural, whilst the “moor” is unnatural whereas the updated context portrays Othello’s race as natural and racism as unnatural. Therefore these examples show how Shakespeare’s Othello, and it’s appropriation, Geoffrey
Judgment is necessary for the self-preservation of humans solely when applied with original intent; however, overused and abused, judgment can mutate into prejudice. Frequently, openly addressing the issues of prejudice is more effective than suppressing it, facilitating optimum understanding while enabling capacity for change. Successfully employed, satire may enlighten hearts and minds to the ridiculousness of prejudice, while opportunely comical. Humorously, Alison exhibits loquaciousness, manipulation, sexual incontinence, indecisiveness, deceitfulness, and countless additional stereotypes in the prologue and tale, while she clarifies that sovereignty over husbands is the exclusive womanly desire. Auspiciously, Geoffrey Chaucer’s theme illustrates the absurdity of female stereotypes by utilizing satirical expression, ironically upholding the irrational presence of misogynistic
Othello, from the onset, is shown to us a play of love and jealousy. There is however more to this play than just love and jealousy; there is underlying racism, hate, deception, pride, and even sexism between these pages. Othello is a transcendent play, one that will survive the perils of time simply because it is still relevant. Even today, over 400 years later, there are still issues of racism and sexism. Hate is as natural as love in humans and Othello gets right to the root of that. We witness this from the very first scene, “…you’ll have your daughter covered with a Barbary horse/ you’ll have your nephews neigh to you” (I.i.112-14); to the very last, “Moor she was chaste. She loved thee, cruel Moor” (V.ii.258). Moor however is used as an insult all throughout the play; not so much the word itself but the feel of the word. Between these pages we see many different ways as to how the cultural differences between Othello and the other characters.
Racism is based on the belief that one’s culture is superior to that of others, and this racial superiority provides justification for discrimination. Racism begins with categorising by race, and therefore stereotyping particular cultures. A simple definition of prejudice given by St Thomas Aquinas states prejudice as “thinking ill of others without sufficient cause” (1. pg 21). Racism is a major issue in today’s society, affecting a large number of the world’s population and causing political and social turmoil. To evaluate the true meaning, effects and views concerning racism in today’s world, a number of literature sources were researched including novel, films, short stories, poetry, song lyrics, textbooks and magazine articles.
In the Sixteenth century, as we see clearly from Othello and other works of both Shakespeare and Cinthio's original version of Othello, race was a topic of great debate and discussion. Today, in the twenty-first century the debate retains its controversy and passion. However, attitudes towards race have taken a dramatic turn during the last century. In the developed world people are now living in an increasingly cosmopolitan society would undoubtedly be more tolerant and would reject or even be offended by racial discrimination to any person or sections of the community. Openly 'racist' people today are seen as outcasts. Taking this into account, the way a modern audience would react to race and racism in Othello is dependent upon the way in which that modern audience would interpret 'Othello'. This prompts the questions of what sort of message Shakespeare wanted to send to his audience and was Othello the moor portrayed as a tragic hero or did his character eventually come to resemble the prejudices of which he was a victim. Shakespeare also discusses the issue of race with other characters such as the hateful Iago and the prejudices hidden deep in Barbantio.
In reading Shakespeare, minds of readers are expanded due to his use of Early Modern English and extensive vocabulary. Shakespeare’s works also provide readers with great entertainment whose portrayal of the human condition transcends the generations. The Merchant of Venice contains many witty lines and sub-plots. “Prejudice feeds on ignorance” (Leggatt 215). If teachers do not teach their students the origin of such stereotypes, then they are developing ignorant students who will forever believe that Jews are incarnations of the devil. Considering the Jewish Stereotype that is supported and developed in Shakespeare’s The Merchant of Venice, the play is, indeed, still useful as a high school reading experience because, due to its sensitive topics, assists in eliminating innocence and creates a more discerning eye for world issues in students.
By not even recognizing the black population as human beings, society is instilling long-term psychological effects on a person. Racism creates feelings of inferiority, destroys self-identity, and damages mental health. Studies of discrimination and mental health indicate effects of “depression, anxiety, post-traumatic stress disorder, and psychological disorder” (Ruma 35). Othello’s deterioration from a rational, peaceful, and calm man to an irrational, violent, and impulsive man was driven by the color prejudice and racism. The negative images associated with the black color has long-lasting effects on the self-esteem of the victims. It is imperative that racism is minimized in society to save any more innocent lives from being physically, mentally, and emotionally destroyed by racism, as the lives of Othello, Desdemona, Emilia, and Roderigo serve truth to this fact. Psychological effects of racism is not temporary, it has affected the lives of the black population in the past and continue to do in the present. The injustice of racism is a prevalent problem, as the forms of racism has taken different forms in accordance with the changing times, but the long-lasting psychological effects of racism is painful and
Speaking of the reasons of Othello’s tragedy, the opinions have been various. Some people believe that racial discrimination contributes to the tragedy; some deem that Othello’s character defects causes the tragedy; some think that the instability of their love leads to the tragic end……
In the play The Merchant of Venice by William Shakespeare, there is a concept of otherness throughout the play. Many characters had roles in which they were examples of the outsiders, that occurred during the time the play was written. If not all but in most plays by William Shakespeare, there is always a character who is categorized as the outsider. However, The Merchant of Venice took the concept into a deeper level, instead of depicting differences in social class as otherness, the play included race and religion, instead of social class. These beliefs shaped not only the way the play was written, but how the characters treated certain individuals in the play and how the personality of each character
...ivisive agent, actually been voided, or only cast aside? Is Shylock and Antonio’s code of honor truly obsolete? A sense of false sincerity permeates the final scene. The temporal ambiguity between night and day with which the play ends suggests that a complete resolution has not been achieved. In being neither night nor day, it ends in a kind of dramatic unreality. Metatheatrical in its elevation of words and language, The Merchant of Venice is consciously distinct from the realism of the off-stage world. And yet in the course of its five acts, the play fails to define a solid dramatic “otherworld,” in which new values and authorities are introduced and made permanent. Rather, it seems to end ambiguously, and fragmented. It falls short of true resolution, and concludes with a statement of shortcoming, informing us that there are still “two hours to day” (V.i.325).
Firstly, Othello’s race and the racism around him ruined his marriage with Desdemona. Othello and Desdemona was a good couple, but you know what they say, all good things must come to an end. Almost everybody had a problem with their relationship. In that time, interracial relationships and marriage wasn’t allowed. While Brabantio was sleeping, Iago and Roderigo woke him up out of his sleep saying that Othello was having sex with his daughter Desdemona at that very moment. Brabantio didn’t believe them at first, but when he found out that they were telling the truth and his white daughter was with “the Moor” Othello, he didn’t take it lightly. He couldn’t believe that she would want to be with someone like Othello. He said that Othello must’ve used some type of magic to get Desdemona to fall in love with him. At that time it had to be a miracle for a black person to be with a white person, it was unheard of. Then he started calling Othello a Moor to his face and orders his guards to get him.
Shakespeare’s Merchant of Venice contains many themes and elements that are considered timeless or universal. Samuel Taylor Coleridge defines a timeless or universal element as a “representation of men in all ages and all times.” A universal element is relevant to the life of every human being – it is universal. The first major theme that plays an important role in the play is the Christians’ prejudice against the Jews. A second important theme is the attitude toward money. Perhaps the most important theme of the play is the love between people. This love can occur between the same sex, or the opposite sex, platonic or romantic. In Merchant of Venice, the three timeless elements are prejudice, money, and love.