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Lack of Independence
During the late nineteenth century, the time of protagonist Edna Pontellier, a woman's place in society was restricted to caring for her children and submitting to her husband. Kate Chopin's novel, The Awakening, covers the frustrations and the success in a woman's life as they attempt to cope with these strict cultural demands. It supports and encourages feminism as a way for women to obtain freedom, financial independence, and individual identity. Challenging the stereotype of a Victorian women, Edna Pontellier battles the pressures of 1899 that command her to be a devoted housewife who subdues to her husband.
In the society that Creole women lived in, they were fit to be only a wife and mother. In The Awakening, Victorian Creole women were to be loving mothers and a wife dedicated to making those they loved happy. During that time in Louisiana, women were their husbands property and once married, they should be a devoted and a dutiful wife. In the book, Adele Ratignolle is the perfect Creole woman. Kate Chopin never indicates that Adele has other interest or passions other than being a housewife. Adele idolizes her children and her husband, she centers her life around caring for them and fulfilling her domestic duties around the house. That was expected from women during that time. Even though Adele appears to be proper, she also portrays Creole manners. Her self-image was based on material and how she looked; she relies completely on her beauty and ability to attract people with charm, “There was nothing subtle or hidden about her charms; her beauty was all there, flaming and apparent” (Chopin, 17). Mademoiselle Reisz was the opposite of Adele, she was someone who followed her own desires and ...
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... decides to drown herself in the ocean. While swimming farther and farther out in the ocean she thinks "of Leonce and the children. They were a part of her life. But they need not have thought that they could possess her, body and soul" (Chopin 114). No matter what she is capable of, Edna believes society just could not accept her new, 'awakened' state.
Society was the strongest force that attempted to mold Edna Pontellier into the woman that was “acceptable” in the society, but through her suicide, Edna is finally able escape this controlling life. Leonce and society owned her soul, telling her to be subservient, to tend house, adore her children and keep up appearances, but it was her children, Raoul and Etienne who imprisoned her body, reminding her constantly of the torture of motherhood. It was her desire for individuality and freedom that led her to her death
Throughout Kate Chopin’s novel The Awakening, the main protagonist Edna Pontellier, ventures through a journey of self-discovery and reinvention. Mrs.Pontellier is a mother and wife who begins to crave more from life, than her assigned societal roles. She encounters two opposite versions of herself, that leads her to question who she is and who she aims to be. Mrs. Pontellier’s journey depicts the struggle of overcoming the scrutiny women face, when denying the ideals set for them to abide. Most importantly the end of the novel depicts Mrs.Pontellier as committing suicide, as a result of her ongoing internal
The irony of the story is the Edna learns how to swim ,yet she used the sea to take her own life. When the author states’ “But it was too late, the shore was far behind her, and her strength was gone. She looked into the distance, and the old terror flamed up for an instant then sank again”(135). In this quote the author ,Chopin, chose to show irony to end Edna’s character because Edna had faced her fears,and learned to swim and not fear the water. However ,the climax is also shocking for the readers because the author had shown Edna’s character as a strong women who had faced her fears and learned how to swim. By Edna killing herself the author shows us that Edna never changed and she is still that weak broken women who is trapped in life that she was so desperate to get out
Society, although undoubtedly necessary, perpetuates an unduly restrictive set of expectations that few can live up to. In her novel The Awakening, Kate Chopin explores the psychological rebirth of protagonist Edna Pontellier, who comes to realize her dissatisfaction with her domestic role in nineteenth-century society. She cares for her husband Leonce and their two children, but seeks greater independence, risking Leonce’s disapproval by moving out of the house to pursue painting. In contrast, Edna’s friend Adele Ratignolle thrives as a housewife and mother, finding enjoyment in piano playing to benefit her household. In her attempt to achieve freedom, Edna finds inspiration in the reclusive pianist Mademoiselle Reisz, who advises Edna to rescind her societal ties in favor of becoming a true artist.
When Kate Chopin's "The Awakening" was published at the end of the 19th Century, many reviewers took issue with what they perceived to be the author's defiance of Victorian proprieties, but it is this very defiance with which has been responsible for the revival in the interest of the novel today. This factor is borne out by Chopin's own words throughout her Preface -- where she indicates that women were not recipients of equal treatment. (Chopin, Preface ) Edna takes her own life at the book's end, not because of remorse over having committed adultery but because she can no longer struggle against the social conventions which deny her fulfillment as a person and as a woman. Like Kate Chopin herself, Edna is an artist and a woman of sensitivity who believes that her identity as a woman involves more than being a wife and mother. It is this very type of independent thinking which was viewed as heretical in a society which sought to deny women any meaningful participation.
In her article, Maria Anastasopoulou writes how ‘’Edna…is an individual who undergoes a change of consciousness that is designated by the concept of the awakening in the title of the novel’’ (19). The novel, as Anastosopoulou continues, is about the ‘’emerging individuality of a woman who refuses to be defined by the prevailing stereotype of passive femininity’’ (20). At the beginning, Chopin writes how her husband looked at Edna ‘’as one looks at a valuable piece of personal property which has suffered some damage’’ (4). Edna accepts this submissive position, unlike Margaret. She goes about her life rather passively, a subordinate to her husband. Her first awakening into a defiant, back-boned character, begins in chapter three. ‘’It was strange and unfamiliar; it was a mood’’ (15) is how Chopin describes the stirring of her awakening. When she looks out, the sea is described as a ‘’seductive, never ceasing, whispering, clamouring, murmuring-‘’ (34) creature. A symbol of her soul, it was now rising. Like Margaret Hale, she had resisted social normal, but, unlike Margaret, Edna was quiet about her beliefs. The more Edna becomes her true self, the more atmospheric the novel becomes. Chopin differs from other novels in the way the novel develops from realism to more of an atmospheric
Leonce Pontellier, the character portraying Edna’s husband was a man very traditional in his thinking. He was self-absorbed and honestly did not see the fault in his own ways. He sincerely believed that Edna was the most important person in his life. However we notice throughout the story that his behavior was in direct contrast with that statement. Edna is only important to him, as in how she effects him and the effect her actions has on his life.
Edna Pontellier’s character in The Awakening has been the source of the novel’s controversial assessment by critics since it’s publication in 1899. The author, Kate Chopin, officially began writing in 1885 and composed novels that challenged the many conflicting social standards in that time period. The late 1800s, predominantly known for the Industrial Revolution, served as a beacon of opportunity for women during this era. Chopin wrote The Awakening to be used as an instrument to eradicate the accepted impression of gender roles in society: women are more than submissive tools to their oppressive counterparts in this masculine dominated world. Chopin’s ideology originated from the lessons and wisdom of her great-grandmother who encouraged her to read unconventional concepts: women were capable of obtaining and maintaining a successful career as well as a thriving family and social life. Although The Awakening was widely banned and condemned in national presses, critics cannot deny the underlying theme of sexism and its effect on gender roles. Some critics even suggest there is a distinct correlation between Edna’s character and Chopin herself. According to critics, Kate Chopin encumbers The Awakening with incidents of a single woman's hunger for personal and sexual identity as a mechanism to display Edna Pontellier’s deviations from societal standards.
In The Awakening, Kate Chopin tells a story during the upbringing of the feminist movement, the movement was masked by the social attitudes entering into the 1900’s. She tells this story in the form of a novel, in which is told in a third person view, that is very sympathetic for Edna Pontellier, the protagonist. This is a review of the journey Edna takes in her awakening and evaluate the effectiveness this novel takes in introducing, continuing, and ending Edna’s awakening.
Leonce’s stifling dominance over Edna pushes her to sacrifice her place in the relationship in order to retain her integrity. When Leonce confronts Edna on the hammock, he gives her many reasons as to why she must go inside the house. Edna does not wish t...
very upset and insists that they must observe less convenance if they want to keep up with society. He tries to get her to attend her sister's wedding, but she refuses. Leonce goes to New York on business, but Edna refuses to go with him. The children are with their grandparents so Edna enjoys her time alone. She starts an affair with Alcee Arobin. He introduces her to the importance of sex, which she did not enjoy with her husband. She closes up her house and moves to a smaller one. Upset, her husband puts a notice in the newspaper, which says that their house is being remodeled. He tries to hide Edna's strange behavior from his friends.
“The Awakening is…an excruciatingly exact dissection of the ways in which society distorts a woman’s true nature” (Wolff). As stated by literary critic Cynthia Griffin Wolff, Kate Chopin’s novel, The Awakening, portrays Edna Pontellier’s awakening and the reality of what it was like to be a woman living in the 1800s. Edna spends her summer in Grand Isle where she is confronted by a Creole society which she has never experienced before. As the summer ends, Edna finds herself questioning her sexual and artistic nature, parts of herself that she had abandoned after getting married. Edna is constantly pressured by her friends, her husband, and her lovers to conform to what each of them, or otherwise known as society, expects of her. Edna fails to find a way of pleasing everyone, which leads her to a rude awakening in the sea. Edna’s awakening poses the
Kate Chopin's The Awakening tells the story of Edna Pontellier, a young wife and mother living in the upper crust of New Orleans in the 1890s. It depicts her journey as her standing shifts from one of entrapment to one of empowerment. As the story begins, Edna is blessed with wealth and the pleasure of an affluent lifestyle. She is a woman of leisure, excepting only in social obligations. This endowment, however, is hindered greatly by her gender.
...instead, she chooses to succumb to death (Boren 181). On the other hand, choosing the solitude of the sea is a triumph of Edna’s artistic soul. In life, there is no real solitude; Edna fearlessly swims out to face the solitude of death.
Critics of Kate Chopin's The Awakening tend to read the novel as the dramatization of a woman's struggle to achieve selfhood--a struggle doomed failure either because the patriarchal conventions of her society restrict freedom, or because the ideal of selfhood that she pursue is a masculine defined one that allows for none of the physical and undeniable claims which maternity makes upon women. Ultimately. in both views, Edna Pontellier ends her life because she cannot have it both ways: given her time, place, and notion of self, she cannot be a mother and have a self. (Simons)
Chopin repeats the image of the sea in order to symbolize that the sea acts as a figurative place that allows Enda to liberate herself from society. In her first awakening, Enda discovers her position within society, “She would not join the groups in their sports and bouts, but intoxicated with her newly conquered power, she swam out alone. She turned her face seaward to gather in an impression of space and solitude, which the vast expanse of water, metting and melting with the moonlit sky, conveyed to her excited fancy. As she swam she seemed to be reaching out for the unlimited in which to lose herself” (Chopin 48) Water is often associated with cleansing and baptism. As the sea serves as the setting for Edna’s suicide, it offers the promise and glory of independence as she defies against society. By constantly swimming in the sea, Edna is able to discover her strength and the pleasure