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William Blake and religion
William blake's tyger
William blake's tyger
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Throughout the career and life of William Blake, he was known for many things, such as printmaking, painting, and poetry. While his artwork brought him quite a bit of notoriety, he was quite possibly best known for his poetry. Two of these poems, The Lamb and the Tyger, which have a heavy backing of religion, especially that of Christianity are from a published series of poems he called Songs of Innocence, and of Experience, which falls in exceptionally with the themes of both of these poems. While the Lamb falls more into the category of innocence, almost that of a child, the Tyger falls more into a darker category, like a more knowledgeable adult questioning about God. While these poems have a plethora to offer, the most standout parts of this story would have to be religion, the voice speaking, and the theme of the poems. The easiest place to begin with these poems would most certainly have to be the religion aspect, as both these poems make direct references to Christianity, or at least to a higher power. The name of the poem the Lamb itself is a reference to Christianity, as Jesus was referred to as a lamb in the Bible. And after the narrator seems to ask whomever he is speaking to, which is somewhat implied to be Jesus, he continues on to say that the lamb is meek and mild, and became a little child, (Blake, The Lamb) which is a reference to the birth of Jesus in the Bible, as the Lamb, or God, was born and became a little child. The Tyger references religion, or at least a reference to a higher power in a somewhat more serious manner, asking what immortal hand or eye could frame thy fearful symmetry, (Blake, The Tyger) in other words referencing what God could create such a fearsome creature, and almost seems to... ... middle of paper ... ...rds, and completely avoids any song like quality, making mentions of hammers, chains, anvils and furnaces, giving the image of a blacksmith, working away in a hot room, lighted by a furnace, pounding of metal, almost giving the feeling of a dark pit, like that of Hell. Taking these poems for all they’re worth, they could be taken as Blake’s evolution as a Christian, starting out like that of a young innocent child, and slowly evolving into that of a more learned Christian, almost evolving to a state of questioning some of Gods intentions, or maybe even reaching an Agnostic like state of belief. In any case, these poems certainly contain views of religion at very different angles, and different perceptions of what God really is. Both poems seem to be an attempt at trying to personify God and bring him down to a level that would be easier understood by Man.
Blake's poems of innocence and experience are a reflection of Heaven and Hell. The innocence in Blake's earlier poems represents the people who will get into Heaven. They do not feel the emotions of anger and jealousy Satan wants humans to feel to lure them to Hell. The poems of experience reflect those feelings. This is illustrated by comparing and contrasting A Divine Image to a portion of The Divine Image.
These poems have many other interpretations that can be seen, and these authors are noted for their ability to produce such works with multiple meanings. Although there are many different readings, the religious aspect that was covered in these two works was apparent. They both wrote in a time of religious prosperity that was much like the revival occurring today. Each writer showed their ability to master the concepts of the Bible and put their own twist on the creation story to produce a train of thought relevant to the point they were creating.
Blake emphasizes the connection of which the child is naturally aware, when he writes, "I, a child, and thou a lamb, We are called by his name"(p.1289). The tone, however, is the genuine simplicity of a child's speech. The first verse is a series of questions addressed to the lamb, which represents Jesus. The second stanza begins with the child being able to answer those questions. Blake writes, "Little Lamb, I'll tell thee"(p.1289). Meaning that the child understands Christ being the savior. These questions are asked purely for the satisfaction that it gives the child in answering and to show the child's understanding of God. Blake shows Christ in a way that is innocent like the child. Blake writes this poem using the example of the lamb found in nature to represent Christ and uses the child to represent man trying to understand God. Blake uses the lamb to represent Christ in nature in the same way that Coleridge uses the albatross to represent Christ in nature.
William Blake is a literature genius. Most of his work speaks volume to the readers. Blake’s poem “The Mental Traveller” features a conflict between a male and female that all readers can relate to because of the lessons learned as you read. The poet William Blake isn’t just known for just writing. He was also a well-known painter and a printmaker. Blake is considered a seminal figure in the history of poetry. His poems are from the Romantic age (The end of the 18th Century). He was born in Soho, London, Great Britain. He was the third of seven children. Even though Blake was such an inspiration as a writer he only went to school just enough to read and write. According to Bloom’s critical views on William Blake; one of Blake’s inspirations was the Bible because he believed and belonged to the Moravian Church.
The theme of authority is possibly the most important theme and the most popular theme concerning William Blake’s poetry. Blake explores authority in a variety of different ways particularly through religion, education and God. Blake was profoundly concerned with the concept of social justice. He was also profoundly a religious man. His dissenting background led him to view the power structures and legalism that surrounded religious establishments with distrust. He saw these as unwarranted controls over the freedom of the individual and contrary to the nature of a God of liberty. Figures such as the school master in the ‘schoolboy’, the parents in the ‘chimney sweeper’ poems, the guardians of the poor in the ‘Holy Thursday’, Ona’s father in ‘A Little girl lost’ and the priestly representatives of organised religion in many of the poems, are for Blake the embodiment of evil restriction.
Blake’s poetry focuses on imagination. When Blake created his work, it gained very little attention. Blake’s artistic and poetic vision is reflected in his creations. Blake was against the Church of England because he thought the doctrines were being misused as a form of social control, it meant the people were taught to be passively obedient and accept oppression, poverty, and inequality. In Blake’s poems “The Lamb,” “The Tyger,” and Proverbs of Hell, he shows that good requires evil in order to exist through imagery of animals and man.
Blake had an uncanny ability to use his work to illustrate the unpleasant and often painful realities around him. His poetry consistently embodies an attitude of revolt against the abuse of class and power that appears guided by a unique brand of spirituality. His spiritual beliefs reached outside the boundaries of religious elites loyal to the monarchy. “He was inspired by dissident religious ideas rooted in the thinking of the most radical opponents of the monarchy during the English Civil War “(E. P. Thompson). Concern with war and the blighting effects of the industrial revolution were displayed in much of his work.
However, keep in mind that this poem was published in 1794. A renowned movement in history had just taken place a few years before this poem was published. That movement was The First Great Awakening. Christine Heyrman of The Univeristy of Delaware describes the First Great Awakening as “a revitalization of religious piety that swept through the American colonies between the 1730s and the 1770s.” (Heyrnman 1). This means that just before Blake published his poem, a revamping of Christian culture was being taken place in The United States. This is essential information to keep in mind because Blake, less than thirty years later, questions Christianity in its entirety through a poem called “The
The poem “The Tyger” by William Blake is a poem about two different personalities. The Lamb is the innocent mankind, whereas the Tyger is a much more wild, mysterious and ferocious animal capable of great good and terrifying evil. The author of this poem William Blake is a man who takes pride in knowing about his religion. He has written this poem in his collection of poems called Songs of experience. In this poem he talks about creation of evil. The poet uses a very powerful rhyming scheme along with a lot of Allusions referring to both Christian views of God, and Greek/roman God’s and Goddesses throughout the poem. The poem itself presents a sort of strange view on one central question that he repeats twice in the poem referring to the evil of the Tyger. “Could frame thy fearful symmetry?”
In “The Tyger,” William Blake questions the possibility of whether God not only loves us unconditionally but also can have wrath and bring down justice on the people of earth. In “The Lamb”, Blake shows the soft and Pre-K side of God- how loving and sweet he is, to send His small Lamb down for our sins so we may have eternal life, but in contrast this poem goes deeper- the Lamb is allowed to be slain by the same God who created it. A tiger is intimidating and deadly; it naturally kills not because it has a desire to but because it was created to do so, as it can be explained in line four when Blake describes it as “fearful
During the British Romantic period, some writers used material from the Bible or imitated the Bible in style of writing or content. William Blake, a Romantic writer, engraver, and painter, believed that “the Bible was the greatest work of poetry ever written” (Barker 2004). The Bible influenced him throughout his life, specifically influencing both his writing and his art. There are many references to Biblical themes within his writing, and there are also many references to specific passages of Scripture (Barker 2004). The lines “O thou, with dewy locks, who looked down / Thro’ the clear windows of the morning. . .”
“The Tyger” poem also deals with the unknown. God is powerful, mysterious and sometimes scary. For example, In Psalm 25:14 it says,” The secret of the LORD is with them that fear him, and he will shew them his covenant.” In other words to love God is to fear him. Which is very similar to the Tyger. When the stars threw down their spears
William Blake’s 1793 poem “The Tyger” has many interpretations, but its main purpose is to question God as a creator. Its poetic techniques generate a vivid picture that encourages the reader to see the Tyger as a horrifying and terrible being. The speaker addresses the question of whether or not the same God who made the lamb, a gentle creature, could have also formed the Tyger and all its darkness. This issue is addressed through many poetic devices including rhyme, repetition, allusion, and symbolism, all of which show up throughout the poem and are combined to create a strong image of the Tyger and a less than thorough interpretation of its maker.
In William Blake’s poem “The Lamb” the speaker begins with the ultimate question, “Little Lamb, who made thee?/ Dost though know who made thee?/” (Blake lines 1-2). The speaker then continues to elaborate on the question in a playful, innocent, singsong manner describing the kindness and thoughtfulness that the creator put in to producing this ever so gentle lamb. The tone of this poem is soft and lulling, the tender, calm rhyme scheme puts the reader in a soothing, dreamlike state. “The words and images presented - stream, mead, delight, softest, tender and rejoice - are positive and pastoral. One can picture a lamb frolicking in the green grass…” (Smith).
In “The Lamb,” the speaker asks the lamb about how it was made, the clothing of its wool and its “tender voice.” The speaker then answers its own question and bestows the blessing of the lamb. The Lamb can symbolize a child, innocence, meek, or vulnerability. Also, it can be perceived as Jesus. “The lamb is also a metaphor for the child speaker, who belongs to Christ's ‘flock.’ In Christianity, Jesus is compared both to a lamb going to the sacrifice and to a shepherd who protects his flock of lambs and sheep” (Shmoop). At the beginning of this poem, it starts out with the question of “Little Lamb, who made thee… I a child and thou a lamb” (Line 1, 17). It refers to the saying in the Bible, “…in the beginning when god created the heavens and the earth. God made the wild animals of the earth of every kind” (Mazur). The narrator only calls himself a child because we are all “children of god” as many say. In line 18, “We are called by his name,” reinforces the idea that the lamb...