A Character Analysis of Jane from Charlotte Perkins Gilman’s “The Yellow Wallpaper” In Charlotte Perkins Gilman’s “The Yellow Wallpaper,” readers watch as Jane, the dynamic main character, escapes from the confines of the wallpaper that imprisons her. While the story develops the reader discovers that she believes that she is imprisoned in the wallpaper of her room in the rest home she is at. Due to her mental instability she starts to dismiss her present dilemma. Gilman presents Jane as a mentally unstable prisoner who is in denial of her current predicament. Gilman presents Jane as being mentally unstable throughout the story. One can tell from Gilman’s biographical information and the way the story flows that Jane is mentally depressed, but in some ways one can diagnose that she is suffering more than mental depression. The reader can see Jane’s mental instability come out as she refers to herself in the third person, this is seen when she tells …show more content…
She goes from being depressed to having a split personality to being a prisoner in the yellow wallpaper eventually leading her to a definite end. Throughout each of Jane’s ailments readers can see one underlying connector that is her mental instability. Her mental instability hammers its way into every aspect of her life. Even though she may believe she is fine her mental instability leads her to an end that, as she believes, is on her own terms. Yet in reality mental illness is not something to be trifled with, it ends lives and destroys families on a daily basis. Most times people do not realize that they are living with a mental illness until it is too late. In other cases people who know either deny it, don’t believe it will change anything, and carry on, as Jane did. These are the people at risk of making the ultimate
Due to Jane’s husband enforcing a life in confinement due to her nervous breakdowns, it only takes a little time for the isolation to drive her mad. In the beginning of the story, it is clear that the narrator, Jane, suffers from post-natal depression, which is a common effect after childbirth. The way Jane sees her living quarters is much different than it actually is. She imagines the rings on the walls, the torn up wallpaper, and the bars on the windows as a nursery or a school for boys, when those features actually lead the audience to realize that it is a room for the mentally ill. Her husband, also her physician, believes that in order for her metal illness to be cured is to forbid her from exercising her imagination, working, and to keep her locked away. However, his theory proves to be wrong when her mind begins to see a world inside the wallpaper, caused by the abuse from confinement. Although her husband is doing this for what he thinks is best for her well
Jane's treatment leads her to insanity. When this story was written, there was neither the medicine nor the treatment methods that we have today. If Jane was in today's
Charlotte Perkins Gilman’s short story, “The Yellow Wall-Paper”, is a first-person narrative written in the style of a journal. It takes place during the nineteenth century and depicts the narrator’s time in a temporary home her husband has taken her to in hopes of providing a place to rest and recover from her “nervous depression”. Throughout the story, the narrator’s “nervous condition” worsens. She begins to obsess over the yellow wallpaper in her room to the point of insanity. She imagines a woman trapped within the patterns of the paper and spends her time watching and trying to free her. Gilman uses various literary elements throughout this piece, such as irony and symbolism, to portray it’s central themes of restrictive social norms
In "The Yellow Wallpaper," Gilman's point of view is expressed through first person narration, which provides her readers with brief glimpses into the other characters' perception of her and her perceptions of them (which essentially enlightens readers), as well as the main character's active dissemination of what is occurring in her mind. First person narration can at times be considered biased or naive within the context of their perceptions and projections of other characters. Not so with the woman in "The Yellow Wallpaper." She seems to offer an almost unbiased perspective of husband John, which the reader notes from the beginning as she goes back and forth from justifying his attitude and behavior towards her--"Dear John! He loves me dearly, and hates to have me sick" (324)--to eventually becoming mistrustful of him: "The fact is I am getting a little afraid of John" (326). One ends up viewing John as completely oblivious yet superior in his lackadaisical attitude and treatment of his wife. Therefore one has little sympathy for John in the end (which I believe is also intended), when he finally realize...
Every felt like someone was in control of you to where you went insane? What would you do how would you react, would you get help? Well Jane, the narrator happens to go insane because of being a submissive wife she feels she does not have the mind to think on her own, which leads Jane to find herself in the wallpaper. Yes I said she fines her in the wallpaper!
“The Yellow Wallpaper:” a Symbol for Women As the narrator presents a dangerous and startling view into the world of depression, Charlotte Perkins Gilman introduces a completely revitalized way of storytelling using the classic elements of fiction. Gilman’s “The Yellow Wallpaper” combines a multitude of story elements that cannot be replicated. Her vast use of adjectives and horrifying descriptions of the wallpaper bring together a story that is both frightening and intensely well told. Using the story’s few characters and remote setting, Charlotte Perkins Gilman presents the wallpaper as both a representation of the narrator and the story’s theme, as well as a symbol for her descent into the abyss of insanity. As the story opens, the suspiciously unnamed narrator and her husband, John, temporarily move into a new home (226).
We learn that Jane is a young girl who is a victim of emotional and
The Yellow Wallpaper by Charlotte Perkins Gilman can be perceived in a few different ways. Greg Johnson wrote an article describing his own perception of what he believed the short story meant. In doing so, it can be noticed that his writing aligns well with what can be perceived from Charlotte Perkins Gilman’s story. The narrator Jane, experiences many things throughout Gilman’s story, which Johnson describes thoroughly. It is because of these descriptive points that allow Johnsons article to be a convincing argument. The main ideas that Johnson depicts that are supported and I agree with from the story include Janes developing imaginative insight, her husband and sister-in-law’s belief on domestic control, and her gained power through unconsciousness.
In literature, women are often depicted as weak, compliant, and inferior to men. The nineteenth century was a time period where women were repressed and controlled by their husband and other male figures. Charlotte Gilman, wrote "The Yellow Wallpaper," showing her disagreement with the limitations that society placed on women during the nineteenth century. According to Edsitement, the story is based on an event in Gilman’s life. Gilman suffered from depression, and she went to see a physician name, Silas Weir Mitchell. He prescribed the rest cure, which then drove her into insanity. She then rebelled against his advice, and moved to California to continue writing. She then wrote “The Yellow Wallpaper,” which is inflated version of her experience. In "The Yellow Wallpaper," the main character is going through depression and she is being oppressed by her husband and she represents the oppression that many women in society face. Gilman illustrates this effect through the use of symbols such as the yellow wallpaper, the nursery room, and the barred windows.
The setting of these two stories emphasize, on visually showing us how the main characters are based around trying to find freedom despite the physical, mental and emotional effects of living in confinement. While on the other hand, dealing with Psychology’s ugly present day behavior showing dystopia of societies views of women during the time period they lived.
In “The Yellow Wallpaper”, the author, Charlotte Perkins Gilman, through expressive word choice and descriptions, allows the reader to grasp the concepts she portrays and understand the way her unnamed narrator feels as the character draws herself nearer and nearer to insanity. “The Yellow Wallpaper” begins with the narrator writing in a journal about the summer home she and her husband have rented while their home is being remodeled. In the second entry, she mentions their bedroom which contains the horrendous yellow wallpaper. After this, not one day goes by when she doesn’t write about the wallpaper. She talks about the twisting, never-ending pattern; the heads she can see hanging upside-down as if strangled by it; and most importantly the
The short story titled, “The Yellow Wallpaper” is given its name for no other reason than the disturbing yellow wallpaper that the narrator comes to hate so much; it also plays as a significant symbol in the story. The wallpaper itself can represent many various ideas and circumstances, and among them, the sense of feeling trapped, the impulse of creativity gone awry, and what was supposed to be a simple distraction transfigures into an unhealthy obsession. By examining the continuous references to the yellow wallpaper itself, one can begin to notice how their frequency develops the plot throughout the course of the story. As well as giving the reader an understanding as to why the wallpaper is a more adequate and appropriate symbol to represent the lady’s confinement and the deterioration of her mental and emotional health. In Charlotte Perkins Gilman’s “The Yellow Wallpaper”, the color of the wallpaper symbolizes the internal and external conflicts of the narrator that reflect the expectations and treatment of the narrator, as well as represent the sense of being controlled in addition to the feeling of being trapped.
"The Yellow Wallpaper," by Charlotte Perkins Gilman, depicts a woman in isolation, struggling to cope with mental illness, which has been diagnosed by her husband, a physician. Going beyond this surface level, the reader sees the narrator as a developing feminist, struggling with the societal values of the time. As a woman writer in the late nineteenth century, Gilman herself felt the adverse effects of the male-centric society, and consequently, placed many allusions to her own personal struggles as a feminist in her writing. Throughout the story, the narrator undergoes a psychological journey that correlates with the advancement of her mental condition. The restrictions which society places on her as a woman have a worsening effect on her until illness progresses into hysteria. The narrator makes comments and observations that demonstrate her will to overcome the oppression of the male dominant society. The conflict between her views and those of the society can be seen in the way she interacts physically, mentally, and emotionally with the three most prominent aspects of her life: her husband, John, the yellow wallpaper in her room, and her illness, "temporary nervous depression." In the end, her illness becomes a method of coping with the injustices forced upon her as a woman. As the reader delves into the narrative, a progression can be seen from the normality the narrator displays early in the passage, to the insanity she demonstrates near the conclusion.
The ideas expressed by Gilman are femininity, socialization, individuality and freedom in the short story “The Yellow Wallpaper” by Charlotte Perkins Gilman. Gilman uses these ideas to help readers understand what women lost during the 1900’s. She also let her readers understand how her character Jane escaped the wrath of her husband. She uses her own mind over the matter. She expresses these ideas in the form of the character Jane. Gilman uses an assortment of ways to convey how women and men of the 1900’s have rules pertaining to their marriages. Women are the homemakers while the husbands are the breadwinners. Men treated women as objects, as a result not giving them their own sound mind.
In The Yellow Wallpaper, the wallpaper is that which separates Jane from her latent desires for agency and equality in her relationship with her husband. Through a close reading of the final two pages of Charlotte Perkins Stetson’s short story, one can examine the relationship that Jane has with the woman in the wallpaper, who is representative of Jane’s inner self, and the relationship between Jane and her husband John. This examination is key to understanding the way that power dynamics manifest themselves in the narrative and how they impact Jane’s quest for agency.