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The role of women in the glass menagerie
Role of woman in glass menagerie
The role of women in the glass menagerie
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Amanda Wingfield is the overly-doting mother of Laura and Tom. She had been deserted by her husband. Amanda is a lonely woman who lives only for her children and wants to see them prosper in life. Laura is the elder of Amanda's children. She is a slightly crippled, shy and nervous individual. Laura lives in her world of glass animals and feels as though she is ill-equipped to face the world. Tom is Amanda's son and the narrator of the play. He loves going to the movies. Tom is torn between his poetic inclinations and the responsibility of supporting a deserving mother and an elder, unmarried sister. He works for a shoe company and is the only breadwinner in the house. The relationship between Amanda and Laura is marked by incessant nagging. Amanda treats her daughter like a baby. She is of the view that Laura should remain pretty for gentlemen callers. Amanda worries that Laura will never be able to provide for herself, since she has no specific special skills. Amanda believes the best thing for Laura is for her to find a husband. She constantly tells stories about her romantic past. Laura has the complete opposite temperament of her vivacious mother. Laura always wants to please her mother. Her mother makes her feel guilty about being shy and fearful. She lies to her mother about dropping out of Business School because she cannot bear to see her mother's pain and disappointment over the news. Amanda does not consider her daughter's feelings. She refuses to see and accept Laura as a crippled young woman. Laura is always offering apologetic explanations to her mother about not being able to gain a husband. Laura does not like confrontation, and usually bows to her mother's requests. She likes to disentangle herself from quarrels with her mother. Tom, on the other hand is very aggressive. He does not shy away from any confrontation with his mother. He believes his mother's stories about her past, are overbearing. Amanda nags her son and he encourages conflict with her. Tom feels a tremendous burden having to support his mother and sister, and escapes from the reality of his existence by smoking cigarettes. The pressure he feels makes him resents his mother's criticisms and her nagging nature. Tom is of the view that his mother is obsessive with the idea of Laura having a gentleman caller. Amanda treats Tom as though he is still a child.
Tom is perhaps the most vain and inhuman of the characters, always lusting after more of the forbidden fruit, never having his full share. Even when the knowledge of it reaches his wife, Tom still returns to his cuckolding ways. Early in the book when Daisy explains how unhappy her life truly is, she describes the feeling she had after the birth of her first daughter saying, “Well, she was less than an hour old and Tom was God knows where. I woke up out of the ether with an utterly abandoned feeling...” (31). In that moment readers are finally privy to the ugly, greedy, truth that is Tom, out philandering for pleasures purely his own, while his wife gives birth to their child.
...e on her part. Throughout the story, the Mother is portrayed as the dominant figure, which resembled the amount of say that the father and children had on matters. Together, the Father, James, and David strived to maintain equality by helping with the chickens and taking care of Scott; however, despite the effort that they had put in, the Mother refused to be persuaded that Scott was of any value and therefore she felt that selling him would be most beneficial. The Mother’s persona is unsympathetic as she lacks respect and a heart towards her family members. Since the Mother never showed equality, her character had unraveled into the creation of a negative atmosphere in which her family is now cemented in. For the Father, David and James, it is only now the memories of Scott that will hold their bond together.
Amanda is also well characterized by the glass menagerie. The glass sits in a case, open for display and inspection for all. Amanda try’s to portray herself as a loving mother, doing everything she can for her children, and caring nothing for herself, when in fact, she is quite selfish and demanding. Amanda claims that she devotes her life to her children, and that she would do anything for them, but is very suspicious of Tom’s activities, and continually pressures Tom, trying to force him in finding a gentleman caller for Laura, believing that Laura is lonely and needs a companion, perhaps to get married. Like the glass, her schemes are very transparent, and people can see straight through them to the other side, where ...
Tom is Daisy's wealthy husband. He is a shallow, egotistical, rude man and the living personification of the shallowness and carelessness of the wealthy He plays with cars and race horses, has many affairs, and treats Daisy like a meaningless object.
She is a shy, quiet girl who keeps herself at a distance. She loves glass figurines and prides herself on them. To her brother, she is seen as crippled because she cannot walk well and is socially awkward. This results in Laura’s reality being different than the rest of the family’s because she closes herself off into a space where it is only her. Amanda wants the best for Laura, for her to have a husband or finish business school, because she wants Laura to get out of the house and get living. However, Laura does not want to live in that world, and it is shown when she skipped her business classes and through her interaction with Jim, her high school crush. Jim is the only person who is able to take Laura out of her own weird reality, and bring her into the reality of an ordinary girl. Laura breaks through her reality when she talks about the unicorn horn that Jim broke off her glass figurine, she tells Jim that, “It doesn’t matter. . . . [smiling] I’ll just imagine he had an operation. The horn was removed to make him feel less—freakish!” (Williams, 2009). Therefore, Laura being with Jim makes her feel a little less odd. This brings Laura out of her own reality for a bit, but then she retreats back into it when she finds out that Jim is engaged to someone else right after he kisses her. He broke her free of her own reality for a bit, just like how he broke the horn off of the
Laura's mother and brother shared some of her fragile tendencies. Amanda, Laura's mother, continually lives in the past. Her reflection of her teenage years continually haunts Laura. To the point where she forces her to see a "Gentleman Caller" it is then that Tom reminds his mother not to "expect to much of Laura" she is unlike other girls. But Laura's mother has not allowed herself nor the rest of the family to see Laura as different from other girls. Amanda continually lives in the past when she was young a pretty and lived on the plantation. Laura must feel she can never live up to her mothers expectations. Her mother continually reminds her of her differences throughout the play.
used to go after their own personal goals. Tom is a character who desires to leave his house to
Tennessee Williams employs the uses of plot, symbolism, and dialogue to portray his theme of impossible true escape, which asserts itself in his play, The Glass Menagerie. Each of his characters fills in the plot by providing emotional tension and a deep, inherent desire to escape. Symbolism entraps meaning into tangible objects that the reader can visualize and attach significance to. Conclusively, Williams develops his characters and plot tensions through rich dialogue. Through brilliant construction and execution of literary techniques, Williams brings to life colorful characters in his precise, poignant on-stage drama.
She wants Laura, if not herself to be taken care of. At that moment in the play Tom is the breadwinner in the family and up to this point Tom is the underpriviledged child that wants to move on. He wants to pursue his dream, a more adventurous life. Tom was a likable character until we find out he didn't pay the electric bill with the intended money. When Jim is over and he says "I paid my dues this month, instead of the light bill".
Amanda Wingfield is mother of Tom and Laura. She is a middle-aged southern belle whose husband has abandoned her. She spends her time reminiscing about the past and nagging her children. Amanda is completely dependent on her son Tom for finical security and holds him fully responsible for her daughter Laura's future. Amanda is obsessed with her past as she constantly reminds Tom and Laura of that " one Sunday afternoon in Blue Mountain when she once received seventeen gentlemen callers" (pg.32). The reader cannot even be sure that this actually happened. However, it is clear that despite its possible falsity, Amanda has come to believe it. Amanda also refuses to acknowledge that her daughter Laura is crippled and refers to her handicap as " a little defect-hardly noticeable" (pg.45). Only for brief moments does she ever admit that her daughter is crippled and then she resorts back into to her world of denial and delusion. Amanda puts the weight of Laura's success in life on her son Tom's shoulders. When Tom finally finds a man to come over to the house for diner and meet Laura, Amanda blows the situation way out of proportion. She believes that this gentlemen caller, Jim, is going to be the man to rescue Laura. When in fact neither herself nor Laura has even met this man Jim yet. She tries to explain to Laura how to entertain a gentleman caller; she says-talking about her past " They knew how to entertain their gentlemen callers. It wasn't enough for a girl to be possessed of a pretty face and a graceful figure although I wasn't slighted in either respect.
Part of Tom’s desire to leave is this treatment at the hands of his mother. In the beginning of the play, he loses his appetite because of his mother’s “constant directions of how to eat it” (923), and at one point she said that, in reference to books that she took from Tom, she “took that horrible novel back to the library,” (931) and that she “won’t allow such filth brought into [her] house!” (931). Part of Tom’s desire to leave is this treatment at the hands of his mother; another part is his job, and how monotonous and stagnant it is at the workshop. [PP2] Together, they leave Tom feeling trapped in his lifestyle of struggling through the days. He mentions to seeing a magician show at the movies, which sums up his feelings of
As Winfield 's wife, Amanda is worthy of love and respect. Amanda is a southern lady, when she was young, she had an attractive appearance and graceful in manner, and her families were also quite rich. These favorable conditions made her the admiration of many men. Still, her final choice was a poor boy. She did not hesitate and bravely to choose her own love. Though her marriage was not as good as she had imagined the happiness of life, and the husband, Winfield meager income also drinking heavily, finally abandoned Amanda and two young children, but she still remembered and loved her husband. Her husband 's weakness did not make Amanda fall down; instead, she was brave enough to support the family, raising and educating of their two young children. Daughter Laura was a disability to close her fantasy world, and she was collection of a pile of glass small animals as partners. Amanda knew Laura sensitive, fragile, she was always in the care and encourages her daughter. Because of her shortcomings, Laura sometimes frustrated and Amanda immediately replied that "I 've told you never, never to use that word. Why, you 're not crippled, you just have a little defect". Amanda for the care of the children was more reflected a mother 's strong from the play that Amanda paid money to send Laura to typing school. She hoped daughter have a better future and married a good man to take care of the family, and encouraged her daughter, prompting her to go out of the glass menagerie to experience her real life, but Amanda placed more expectations for his son Tom because her husband left home, Tom is the only man and the mainstay of the family. She wanted Tom to realize that is a kind of family responsibility, also is a kind of essential social
Later, Amanda once again harrasses Tom for jeopardizing his job and the family’s security, all to go to the movies and drink liquor. Foreshadowing his own leaving, Tom angrily gestures to his father’s picture on the wall saying to his mother, “you say self [myself], self’s all I ever think of. Why, listen, if self [myself] is what I thought of, Mother, I'd be where he is - GONE!” (3. Tom) To elaborate, Tom is saying that if he was truly as selfish as his mother describes, he would have left long ago, just like his father. Throughout The Glass Menagerie, Tom remains hateful to his mother, and even names her a witch during one of their arguments. It is safe to say that Amanda is the one person that really drives Tom
The three family members are adults at the time of this play, struggling to be individuals, and yet, very enmeshed and codependent with one another. The overbearing and domineering mother, Amanda, spends much of her time reliving the past; her days as a southern belle. She desperately hopes her daughter, Laura, will marry. Laura suffers from an inferiority complex partially due to a minor disability that she perceives as a major one. She has difficulty coping with life outside of the apartment, her cherished glass animal collection, and her Victrola. Tom, Amanda's son, resents his role as provider for the family, yearns to be free from him mother's constant nagging, and longs to pursue his own dreams. A futile attempt is made to match Laura with Jim, an old high school acquaintance and one of Tom's work mates.
Aunt Polly- Tom’s guardian. She has trouble balancing her love for Tom, and her responsibility to discipline him.