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Importance of art explain
The importance of art
The importance of art
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English painter Joseph Wright’s uncontested masterpiece is his work The Widow of an Indian Chief Watching the Arms of Her Deceased Husband. The painting depicts a lone native woman under a tree, mourning her loss. The weather above mirrors her distress: the sky an ominous purple, spiderwebbed with white lighting, while a volcano in the foreground threatens to boil over. With head cradled in hand and shoulders caved downwards, the widow grieves on. It’s her posture that’s most familiar to me. It’s the embodiment of resignation, of defeat. It’s a posture so broken it’s something you see only when the world’s at its worst. I know that slump; I’ve seen it on my closest friend Morgan. It’s the shape she sank into, years ago, when Eric Garner’s …show more content…
Playing a role in the fight for social justice is not nearly as immediate or direct a positive change. Matters of life and death are much more simple than those concerning the complex socioeconomic and political nuances of racial and gender inequality. My help might offend; it’s easy to see how good intentions can seem condescending and empty when someone offers to engage and empower another whose very disempowerment benefits the former. The losses of black women are essentially my gains, and any apologetic gesture could ring hollow and …show more content…
The painting starts a conversation; it sheds light on an important issue. It’s an endeavor to capture and understand the grief of a downtrodden community. However unwieldy or indelicate its execution, it does not appear to have been done with malice; Indian Widow instead offers a chance to start a meaningful discourse on subjugation and oppression. In the same way, my attempts to contribute to the progress black women are making will be flawed, but that doesn’t foreclose the need for me to make them. So although I may feel torn between the desire to do right by my sisters and the fear of saying the wrong thing, at least I’m trying. And I have to try, if for no one else, for
How does one embrace the message and soul of artwork when you can’t get passed the color of skin in the portraits? Two barrier breaking retrospective artists born with more than 2,899 miles between them have beat down the walls in the art world opening up endless opportunities for female artist today. Carrie Mae Weems and Lorna Simpson specialize in catching the viewer’s eye and penetrating their feelings towards issues of culture, politics, equality, and feminism. It is well established that these woman specialize in identifying problems in their artwork, both artists seem to struggle with not being able to avoid the ignorant eye of stereotyping because they use African American Models in their artwork. Carrie Mae Weems doesn’t see her artwork
The composition of this painting forces the eye to the woman, and specifically to her face. Although the white wedding dress is large and takes up most of the woman’s figure, the white contrasts with her face and dark hair, forcing the viewer to look more closely into the woman’s face. She smokes a cigarette and rests her chin on her hands. She does not appear to be a very young woman and her eyes are cast down and seem sad. In general, her face appears to show a sense of disillusionment with life and specifically with her own life. Although this is apparently her wedding day, she does not seem to be happy.
While volunteering and advocating for social justice are things that have always been important to me, I would like to become more involved in community movements and advocacy groups that promote gender equity. The article, “Why gender matters in activism: feminism and social justice movements”, by Bhattacharjya et al. (2013), emphasized the importance of community and mutual involvement in working towards gender parity within social movements, concluding that such equality is best achieved when supported by a whole, resulting in unification between males and females in the decision-making
Native American Indians were often the focus of this insulting artwork, as demonstrated through another painting called “Death of Jane McCrea”. This 1809 work depicts a clear indictment of Native Indian culture. The painting is based on events which occurred in 1777, at the height of the American Revolution. In it, two native men have kidnapped a white woman, and are restraining her. One of the men seems to be holding a hammer, and is about to execute the woman. His face expresses intense anger. The woman, depicted with great beauty, has eyes filled with fear in her final moments. Additionally, the use of darkness in the background of the image adds to the overall negative
Equality (1999) is a mixed media assemblage. Equality shows Aunt Jemima as the media had portrayed the African American woman with the word equality. Saar is showing that even the so-called Aunt Jemima needs equality. Equality is supposed to be for everyone and this piece illustrates that great truth. Pour Vous Madame (1999) is a mixed media assemblage. The title of this piece is French for “For you ma’am.” This work shows two servants and one is handing grenades to the other. This artwork is a direct satire of the age of slavery in American. The piece is symbolizing empowerment to all African American people. Grandma’s house (1972) pays homage to Saar’s grandmother. Saar spent summers with her grandmother when she was young and it was there that she found a lot inspiration for her art work. Keep for Old Memoirs (1976) is a mixed media assemblage. Saar was famous for making collages from things that she had found. She would collect things that she found at in her grandmother’s yard when she was young and make gifts for her family. The joy that she got from doing this carried over to many of her artistic pieces such as this one. Eye of the Beholder (1994) is a mixed media artwork. This piece is visual form of the old adage “Beauty is in the eye of the beholder.” Historically, African American people were not considered beautiful or handsome and this dates back to early European monarchies. Europeans thought that pale skin and light hair was the only real form of beauty. Saar is challenging this ancient and misguided belief about beauty. Long Memory (1994) is a mixed media work. This piece demonstrates that African Americans have had a very long and rough past that included slavery and prejudice. Unfortunately, a lot of prejudice still exists in today’s society. The hand in this
The benefits of this communication are varied perspectives influenced by one’s social class, gender, age and moral values. Within the painting all in attendance are from the same social class as shown by their clothes and hair styles. Both men and women are present ranging in age from the older gentleman on the right to the young girl. Most importantly, their facial expressions depict their varying reaction to an ethical issue. The young girl and her crying mother are the most illuminated in the entire painting representing their level of
When first approaching this work, one feels immediately attracted to its sense of wonder and awe. The bright colors used in the sun draws a viewer in, but the astonishment, fascination, and emotion depicted in the expression on the young woman keeps them intrigued in the painting. It reaches out to those who have worked hard in their life and who look forward to a better future. Even a small event such as a song of a lark gives them hope that there will be a better tomorrow, a thought that can be seen though the countenance by this girl. Although just a collection of oils on a canvas, she is someone who reaches out to people and inspires them to appreciate the small things that, even if only for a short moment, can make the road ahead seem brighter.
Two prominent artists that engage in issues of gender and race are Faith Ringgold and Murray DePillars. When looking at Faith Ringgold’s work, specifically her Slave Rape Series one can see that she does not shy away from the painful history of black womanhood. When looking specifically at Slave Rape Series: Fight: To Save Your Life, 1972 we see Ringgold’s use of the female nude to confront stereotypes of black women. She paints a pregnant black woman with a surprised look on her face holding her pregnant stomach with one hand and a hatchet in the other. She also paints her surrounded by plants, thus further suggesting that she is a slave running away to save her own life and the life of her unborn child. This painting (done on a quilt) acknowledges the vulnerability of this woman but it also acknowledges her struggle and her resistance to her oppressor (an assumed slave owner). Because such a horrific subject like slave rape is painted on an object usually associated with comfort and safety, Ringgold forces her audience to consider the
When people talk about the civil rights movement, the first thing that comes to mind is the famous speech “I have a dream” by Martin Luther King. His dream in short was to have equality among human beings. For the past thirty years, this country has been revolutionizing humanitarianism because there is greater concern for human welfare than one hundred years ago. The revolution began during the 1960’s, and during that era this country was drastically involved in changing the civil rights of minority groups. From this concern, a program called affirmative action evolved. Like other civil right movements, the affirmative action movement was implemented to promote equality.
In movements today and in circles and discussions around social justice today we like to entertain the idea of liberation; whether collective or individual, the endgame is liberation for all. Although the goal has seemingly changed in today’s movements – from achieving equality and reform to all-out liberation – the methods to achieving this new goal have not necessarily changed. They have not changed because the idea remains that it may be possibly to gain liberation through equality. Equality is a more tangible goal for most movements; it’s easier to demand, it’s easier to imagine and describe. Liberation, not so much. Most might consider that equality has a reasonable timeline where liberation will be a very long process that involves the deconstruction and the decolonization of centuries of oppression. So, in the meantime while waiting for liberation, maybe we should fight for equality as it will put us that much closer to liberation.
There are many social justice issues to deal with, a huge list. They range from racism, to poverty issues to heterosexism. All these examples have been covered and discussed profusely recently, in the media and on the internet. People are very focused on these issues, and there is nothing wrong with that, those issues deserve to be brought to light, but those issues do not involve me or affect me. The social justice issue that does affect me is not discussed at all and seems to be the taboo topic of the year. It is anti-Semitism, something that still occurs in the United States to this day, and something that I am very invested in and interested in changing.
The opening of the poem the woman is explaining why painting her nails red is sophisticated “Because a bit of colour is a public service”(1). In line two Satyamurti calls attention to the role of women in the society and in the family- that while they are not being paid for work they do everyday of their lives, it should not be neglected. She acknowledges by “Because I am proud of my hands”, she is explaining that women ar...
Capeheart, L., Milovanovic, D. (2007). Social Justice: Theories, Issues and Movements. USA: Rutgers University Press
He begins with a brief acknowledgement of Dr. Dorothy Pearson and her incredible contributions to social work. He then moved into discussing social justice and social equity to lay a definitional foundation for his lecture. He went on to say social justice is a process and not
...ll backgrounds to rise as leaders, to fight for justice, to create greater equality, but most of all care for those around them. The positive changes in the environmental movement of the 1960s and 70s driven by people like Rachel Carson, Lois Gibbs, and Erin Brockovich, and communities like Warren County remind us of just how powerful unity and identity can be. It is not to say that if you have no connection to a situation you won’t care about it, because we as humans are all inclined to feel some degree of empathy towards helping those around us. However, that personal connection makes us fight with the war of passion and rage inside of us and makes people underestimate just how powerful a united community can be. If we do not stand up for our communities, for what is right, and for what we inherently believe in then who will be willing take on the responsibility?