A picture frame, some water, a little bit of magic—that was all it took for Eustace Scrubb’s journey of a lifetime (pattern 6). Some journeys through life have caused pain; others, a revelation (pattern 2). In C.S. Lewis’s novel The Voyage of the Dawn Treader, Eustace Scrubb was swept away into Narnia with his cousins Lucy and Edmund. Eustace’s excursion through Narnia altered him physically, mentally, and spiritually. While traveling among the Lone Islands, the three cousins, King Caspian, and his crew arrived on a mysterious island. After running away from the group, Eustace stole a gold armband, yet he did not comprehend the price he would pay, “Sleeping on a dragon’s hoard with greedy, dragonish thoughts in his heart, he had become a dragon himself.” This physical alteration caused him pain and sorrow. What little toleration the crew had for him, suddenly turned into fear and terror. His dragon physique forced him to accept the reality of the situation and change his behaviors. Aslan did not allow Eustace to return to his boy form until he repented of his sins and improved his ways. This transformation from man to beast on the journey caused Eustace to begin a conversion of the soul. …show more content…
For he told Edmund, “And by the way, I’d like to apologize. I’m afraid I’ve been pretty beastly.” The physical mutation commenced the mental transformation within Eustace Scrubb. He began to see ideas and places with a new light. After realizing who he was before Aslan turned him into a dragon, Eustace amended his ways and treated others with more respect, admiration, and humility. Eustace’s physical transformation initiated a change in his ways. Eustace began to follow Aslan and the righteous
The Chronicles of Narnia are enticing books, which offer a wonderful fictional plot line, but also a deeper philosophical importance if one analyzes the series. Many religious allusions can be found between characters in Narnia and biblical people. Deeper understanding can be found throughout the stories even in many overlooked aspects of everyday life. “The Chronicles of Narnia” is a piece of literature filled with religious symbols and allusions, such as the actions of Aslan and the personality of Peter, that enhance one’s perception and understanding of the books.
C.S. Lewis was a brilliant philosopher, theologian, and author. Many things influenced Lewis throughout his life, and inspired him to write over 30 books. Even 50 years after his death, he still continues to change people’s lives. He believed there were many dimensions to fantasy and imagination. He stated that, "Great stories take us outside the prison of our own selves and our presuppositions about reality. Insofar as stories reflect the divine maker in doing this, they help us face the ultimate Other--God himself, distinct as creator from all else, including ourselves." (Morrow). Lewis inspires people to believe in God, be creative, and never lose their imagination.
Zombie literature in its current form has been around since the early 1920’s, the concept of the “Zombie” itself originated in the nation of Haiti around the same time. Since it’s inception, the purpose of the zombie genre is to commentate on social issues during many periods of human history. These periods include World War II, the Vietnam War, and the Cold War. The zombie has represented several things from the nuclear bomb, to the collective fears of humanity in general, such as the fear of death and of dying. Zombies have also been represented as a physical manifestation of the flaws of humanity, such as mindless, joyless consumerism. (McGregor)
The epic genre has existed for centuries and it isn’t going anywhere anytime soon. However, as culture and values change so does the epic tradition. Milton played a large role in introducing the Christian worldview to the epic tradition through the epic poem Paradise Lost. Instead of continuing the tradition through humanistic values, Milton applies his faith to the epic genre and allows Christian values and truths to permeate through the text of Paradise Lost.
Dawn by Octavia Butler is a feminist take on an origin story. Due to its feminist foundations Dawn interrogates how gender, individuals, and social constructions shape people 's as well as society 's creation. The story follows the "rebirth" of Lilith Iyapo in an alien world after they 'saved ' her from the nuclear apocalypse on earth. Lilith 's journey is both mental and physical. She becomes more than human physically due to Okanali enhancements and mentally beyond the constraints of human beliefs, such as that of gender and time, due to her acceptance of the Ooloi and the Oankali way of life.
Welty, Eudora. “A Worn Path.” Literature: An Introduction to Reading and Writing. Ed. Edgar V. Roberts. 4th Compact Ed. Upper Saddle River: Prentice Hall, 2008, pp. 95-100.
Few authors have been able to demonstrate the incredible scope of different genres that Clive Staples Lewis, better known as C.S. Lewis, wrote in his career. Perhaps the first thing that comes to mind upon hearing his name is the mythical land of Narnia. Narnia is the fictional world that the widely popular series “The Chronicles of Narnia” takes place in. This series, enjoyed by adults and children alike, hosts talking animals, a God-like lion, an ice queen bearing many similarities to the Devil, and many other things. This series, like most of Lewis’ other works, is essentially a metaphor for the story of the Gospel as well as lessons for living a Christian life. In much of his writing, Lewis made an excellent and relatable argument for Christianity by his ability to write captivating stories relating to many aspects of Christian life.
Defined as “divine guidance or care,” providence is found in the person of Aslan. His involvement in both subtle and visible avenues drives the series (“Providence”). Perhaps the biggest example of Aslan’s guidance is the fact that he decides when the children are piloted into Narnia. Even in The Lion the Witch and the Wardrobe, the wardrobe was not a reliable door into Narnia. At the end of the book, the Professor advises the Pevensie children by saying, “‘Don’t try to get there at all. It’ll happen when you aren’t looking for it’” (Lewis, The Lion the Witch and the Wardrobe 206). Professor Kirke recognized that the only way for the children to get into Narnia was for Aslan to call them.
C.S. Lewis was the 20th century’s most popular proponent of faith based on reason. As a child, he created an imaginary world where personified animals came to life, and later, he wrote the book, Chronicles of Narnia. How did he transform from a boy fascinated with anthropomorphic animals into a man of immense faith? His transformation to the Christian religion happened as his fame began to flourish. People wrote him, asking him about his claims about the truth of Christianity (Belmonte, Kevin). As I attended the drama of Freud’s Last Session, I was engrossed into the plot of the play and was constantly thinking about how it pertained to the objectives of the World Literature class. I not only connected the content of the play to its context, but I also reached out to apply the context to a discussion on a broader scale. I then discovered why the context of literature is imperative for true understanding of the w...
Lawall, Sarah N. “The Odyssey.” The Norton Anthology of Western Literature. 8th ed. Vol. 1. New York: W.W. Norton, 2006. 206-495. Print.
In “Once More to the Lake,” E.B. White expresses a sense of wonder when he revisits a place that has significant memories. Upon revisiting the lake he once knew so well, White realizes that even though things in his life have changed, namely he is now the father returning with his son, the lake still remains the same. Physically being back at the lake, White faces an internal process of comparing his memory of the lake as a child, to his experience with his son. Throughout this reflection, White efficiently uses imagery, repetition, and tone to enhance his essay.
John Steinbeck's The Pearl tells the story of a pearl diver named Kino. Kino lives a simple life, and adores his family. At the beginning of the story Steinbeck shows how content Kino’s family is. Everything seems to be going perfect for Kino and his family that is until the discovery of the most wonderful pearl in the world changes his life forever. As the story advances Kino’s newborn, Coyotito gets bitten by a scorpion. Kino’s wife, Juana insists that they take Coyotito to the town’s doctor. Inevitably the doctor refuses to help Coyotito because Kino is unable to make a payment.
To the Lighthouse is an autobiographical production of Virginia Woolf that captures a modern feminist visionary thrusted in a patriarchal Victorian society, as embodied by Lily Briscoe. Lily’s unique feminist vision and her ability to transcend artistic and patriarchal conventions progressively allows her to locate her quest for identity as an aestheticized epiphany journey. However, no matter how Woolf attempts to present Lily’s aestheticized exploration of her identity as a radical opposition to patriarchy alone, therein lies a specific aspect of feminism that Lily secretly wants to achieve. Therefore, I argue that although Lily is a symbolic rebel of patriarchal conventions who strives for women individuality, she brings her struggles a
This critique is about the film “The Hobbit: Battle of the Five Armies”. It is a heavy designed film that definitely had a long research and design process. There is more than one designer in each area of the following; scenery, costume, lighting and sound. Instead of talking about each designer’s accomplishment in the film. I will be talking only about their work. There were so many participants in the creating of the film it would be hard to reference each design element to an artist. The following are the mentioned artist, The Art Directors Simon Bright and Andy Mclaren, Set decoration by Myktya Brazhnyk, Simon Bright, and Ra Vincent, Costume design by Bob Buck, Ann Maskrey, and Richard Taylor, Music by Howard Shore, and many more creators
There have been many different interpretations of John Milton's epic, Paradise Lost. Milton's purpose in writing the epic was to explain the biblical story of Adam and Eve. Although the epic is similar to the Bible story in many ways, Milton's character structure differs from that of the Bible's version. Through-out the epic Milton describes the characters in the way he believes they are. In book II of Paradise Lost, Milton portrays Satan as a rebel who exhibits certain heroic qualities, but who turns out not to be a hero.