The Underneath Conflict is everywhere. Everyone’s life has conflict. There is no greater conflict than the conflict of Love vs. Hate. The characters in this book on the side of Hate, stood alone, they wouldn’t let anyone in and always lost their battles. The characters on the side Love, always stood together, and were never selfish, and never left anyone behind. Although the Love side stood together, they were the underdogs. They never could catch a break, but because they always worked together, they overcame their obstacles, and that's why they were classic underdogs. The main character of this story, was a big underdog. She always lost those she loved and was blinded by pain. Grandmother Moccasin, the main character, caused lots of pain because of her losses. She caused pain with her revengeful poison. She could be viewed as a character that believed in Hate, but she was really on the side Love. …show more content…
Night Song, Grandmother’s daughter, was very young. She knew nothing about surviving. Grandmother taught Night Song all the tricks of the trade, what was best to eat, where to sleep, how to float on the alligators and how to stay safe. Grandmother Moccasin never told Night Song she could be human, but Grandmother Moccasin, as a human, had seen danger and wanted to protect her daughter from that. Grandmother knew that it was wise for Night Song to stay a snake, so that's why she kept this information from her. This protection is full proof of love. The second reason Grandmother Moccasin was a love character was the Alligator King. The Alligator King was Grandmother’s best friend. She went to him for advice, and she liked to spend time with him. When Night Song died, she went to him for comfort. Usually, when you are sad, you need someone you love to support
In the story, “Brownies” by Z.Z. Packer the two main characters create different and clear ideas that shape the story. Notably, the character, Arnetta is very effective and manipulative, much the opposite of the frequently disregarded and ignored, flat character Laurel. These two characters are oppositional of one another but carry the central theme of racism and human cruelty in the story. Resulting in Laurel understanding that retribution has no boundaries and that one person alone cannot change this.
...ave begged for her son and grandchildren life instead of trying save her life. The type of literary element shown here is conflict. The type of conflict that is shown is man versus man because the grandmother is constantly trying to convince someone in doing something else. It also shows conflict because the grandmother was begging for her life, but at the end that did not work because she ended up getting killed either way.
Conflict between the main characters in fictional stories can be so thick, you need a razor-sharp knife to cut it; that is definitely the case in the two literary texts I recently analyzed titled “Confetti Girl” by Diana Lopez and “Tortilla Sun” by Jennifer Cervantes. In the first text, tensions mount when a social butterfly of a teenage girl and her oblivious father lock horns over the subject of homework. In the second passage, drama runs high when a lonely child and her career-driven mother battle over the concept of spending the summer apart. Unfortunately, by the end of both excerpts, the relationships of these characters seem damaged beyond repair due to their differing points of view - the children end up locked behind their barrier-like
Although this story is told in the third person, the reader’s eyes are strictly controlled by the meddling, ever-involved grandmother. She is never given a name; she is just a generic grandmother; she could belong to anyone. O’Connor portrays her as simply annoying, a thorn in her son’s side. As the little girl June Star rudely puts it, “She has to go everywhere we go. She wouldn’t stay at home to be queen for a day” (117-118). As June Star demonstrates, the family treats the grandmother with great reproach. Even as she is driving them all crazy with her constant comments and old-fashioned attitude, the reader is made to feel sorry for her. It is this constant stream of confliction that keeps the story boiling, and eventually overflows into the shocking conclusion. Of course the grandmother meant no harm, but who can help but to blame her? O’Connor puts her readers into a fit of rage as “the horrible thought” comes to the grandmother, “that the house she had remembered so vividly was not in Georgia but in Tennessee” (125).
First we will take a look at grandmother. She is made to look like the saint in this story. Her, in contrast to the rest, is the good person, always looking out for the best of others. She is not going on vacation, she is going to visit her "connections" in Tennessee. While on the drive, to their destination, she sits and admires the scenery as the others are more interested in the funny papers or the sports section. She brings the cat along on the trip for the good of the cat. She didn't want the cat to accidently kill himself by turning on the gas on the stove or something. She is the "Christ-like" figure of this story, and this is more relevant at the end of the story when she confronts the Misfit. Just like in so many other O'Connor stories the grandmother, the good character, is going to take the hardest fall.
"Love" is a word, a signifier, tied to many meanings, all different in context, cultures, and ideologies. Love is used numerous ways in Allison's Bastard Out of Carolina, by many characters. In the character of Bone, love is a confused thing, always changing, as Bone uses it to fit her life on the fly. In relation to parental love, Bone wants Daddy Glen to love her. However, early in the book, Bone's conception of "love" is that of a child, obviously. On page 52, she says, "I wanted him to love us. I wanted to be able to love him. I wanted him to pick me up gently and tell Mama again how much he loved us all." This idea of love is simple, involving hugs, smiles, and friendliness, the sort of "love" Bone gets from Anney. However, as Bone's relationship with Glen changes, so does her perception of "love". On page 108, Glen asks Bone, "'Don't you know how I love you?'" Bone thinks to herself, "No, I did not know." This is near the beginning of Bone's confusion about love, what it means, and what it does. At the time he asks her, he is molesting her. It is no wonder that Bone was confused, having love expressed simply, from her mother, and sexually (if indeed it is "love") from Glen. This confusion leads bone to question the idea of love, and to look elsewhere for it, perhaps to compare. Love, she finds, is a prominent idea in the Southern Baptist church.
In The Underdogs written by Mariano Azuela, we are introduced to a character that strongly symbolizes the fuel of the Mexican Revolution. Heroes like Demetrio Macias brought the Serrano’s hope of giving them what they felt they truly deserved. Although Demetrio Macias, the general (colonel) of a rebel army is hunting down the army of Pancho Villa, he seems to have the same ideals as the enemy. In addition to Demetrio Macias, we meet women like Camilla and War Paint who represent the different roles that women played during the Mexican Revolution.
The theme that has been attached to this story is directly relevant to it as depicted by the anonymous letters which the main character is busy writing secretly based on gossip and distributing them to the different houses. Considering that people have an impression of her being a good woman who is quiet and peaceful, it becomes completely unbecoming that she instead engages in very abnormal behavior. What makes it even more terrible is the fact that she uses gossip as the premise for her to propagate her hate messages not only in a single household but across the many different households in the estate where she stays.
They may even often immolate the same exact thing they see or hear from an adult. However, O’Connor puts the focus on the grandmother’s bad behavior to highlight her fate at the end of the story. Readers think the grandmother is a good person character because they relate her to their own grandmother. The grandmother puts her hand on the Misfit at the end of the story because she wants to try one also time to beg for her life. When she went on about the Misfit being a good person she was also begging fir help because she knew she was
With these two divergent personas that define the grandmother, I believe the ultimate success of this story relies greatly upon specific devices that O’Connor incorporates throughout the story; both irony and foreshadowing ultimately lead to a tale that results in an ironic twist of fate and also play heavily on the character development of the grandmother. The first sense of foreshadowing occurs when the grandmother states “[y]es and what would you do if this fellow, The Misfit, Caught you” (1042). A sense of gloom and an unavoidable meeting with the miscreant The Misfit seem all but inevitable. I am certain that O’Connor had true intent behind th...
Flannery O’Connor is a Southern author that writes about very violent and strange stories. O’Connor establishes a much need style of writing that capture reader feeling and emotions. This paper will identify some of the author’s hidden emotion and state of imagination to keep the reader on edge. This story is clearly more about the grandmother start from the beginning to end expressing her point of view. The grandmothers discuss her role and religious experience when she meets the Misfits. I think all critics will focus on the grandmother to identify all problems and to have a religious connection with God.
What conditions, influences or events caused “Topdog/Underdog” plot to revolve around the differences in the standards and views of two brothers? How or why did it become what it is? In “Topdog/Underdog”, Parks uses language, sentence structure, tone, and other writing style details to display the difference between two brothers who have grown up and are now independent with contrasting views on life. One of the key details that I believe influenced the poem is that the main characters, Lincoln and Booth, were raised in a broken home. The pattern of differences between Lincoln and Booth change the analysis of the play by making the reader pay close attention to the dialect differences, the change in attitude, and the way they stimulate the audience senses through the way Parks writes each character.
There exists no power as inexplicable as that of love. Love cannot be described in a traditional fashion; it is something that must be experienced in order for one to truly grasp its full enormity. It is the one emotion that can lead human beings to perform acts they are not usually capable of and to make sacrifices with no thought of the outcome or repercussions. Though love is full of unanswered questions and indescribable emotions, one of the most mystifying aspects of love is its timeless nature. Love is the one emotion, unlike superficial sentiments such as lust or jealousy, which can survive for years, or even generations. In the novel The Gargoyle, the author, Andrew Davidson, explores the idea of eternal love between two people, a union that spans over centuries spent both together and apart. Davidson, through the use of flashbacks, intricate plot development and foreshadowing, and dynamic characterization, creates a story that challenges the reader’s preconceived notions regarding whether eternal love can survive even when time’s inevitable grasp separates the individuals in question.
It deals with obstacles in life and the ways they are over come. Even if you are different, there are ways for everyone to fit in. The injustices in this book are well written to inform a large audience at many age levels. The book is also a great choice for those people who cheers for the underdogs. It served to illustrate how the simple things in life can mean everything.
In "A Good Man is Hard to Find" the Grandmother is a main character that symbolizes a savior. O' Connor describes the Grandmother as a savior with grace, who is saving the Misfit from evil. ." O’Connor determinues that the Grandmother shall be the Misfit’s savior, even though she may not seem so in the story” (Bandy, 151). She reaches out to the Misfit with a "touch of grace" because she is portrayed as the "good character" in the story. The Grandmothers purpose is trying to save the Misfit, or the "evil character." At the end of the story, when she was talking to the Misfit after she realized that he was going to kill her she murmurs, "'Why you're one of my own babies. You're one of my own children!' She reaches out and touches him on the shoulder. The Misfit sprang back as if a snake had bitten him and shot her three times through the chest" (O'Connor). Here the significance is that the Misfit was offered grace from the Grandmother, but denies it. “When the Misfit shoots the grandmother he is recoiling from whatever grace she offers. He is rejecting not just any warmth conveyed in the touch, but also th...