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Love and marriage in othello
Types of love in othello
How does jealousy play a role in othello
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Recommended: Love and marriage in othello
The Theme of Jealousy in Othello by William Shakespeare
Othello is a unique tragedy in that it focuses on the destruction of love through sexual
jealousy. Jealousy is not inherited in a person, but developed from the fatal factors of their
character. Othello is plagued with his ego and pride which contributes to his demise. Othello is,
however, a truly romantic character because he is very passionate and full of deep feelings. It keeps
a person wondering what could have possibly brought the sweet Desdemona to be his wife. Was it
because he has lived a life of adventure and war and he is somewhat exotic due to his origins and
dark complexion? On the other hand, is it because she fell head over heels in love with him because
he represented all that was noble and strong. She tells her father, Brabantio, that she fell in love
with his character and the wonderful stories that he has told her about his life. Whatever the case
may be, Desdemona represents the innocence, truth and goodness of the play. She truly represents
the goodness and light associated with "true love." Her father troubled by her love for Othello
insists that she abandon her love for the Moor and obey his wishes. She tells Brabantio how she
loves him according to her bond. "My father I do perceive here a divided duty. To you I am bound
for the life and education; My life and education both do learn me How to respect you. You are the
lord of duty; I am hitherto your daughter. But here's my Husband, And so much duty as my mother
showed To you, preferring you before her father, So much I challenge that I may profess Due to
the Moor my lord!" This young beautiful and bold women asks the Duke if she c...
... middle of paper ...
...at kind of behavior in his Lieutenant. Desdemona
pleads his case to Othello, because she knows him to be a good man. Iago uses the fact that
Desdemona is interceding on Cassio?s behalf, to further convince Othello that Desdemona is
cheating on him, with Cassio. He hopes this will remove Cassio and open up the way for him to
become Lieutenant.. Othello could always wonder if Desdemona really loved him, or if she was
just using him to rebel against her father. With Iago constantly putting these ideas in his head,
Othello was convinced to kill his wife. Often, reputations and a person?s true character are very
different. People rely on their previous experiences or knowledge of others to make judgments
about them. Iago used this to his advantage to manipulate everyone.
Bibliography:
1. Funk and wagnalls new encyclopedia
But as concerns you, my daughter, who are so dear to me / I would be liable to great blame and reproach / If I were to lead you on the beaten path, / Seeing that your heart is born into virtue.
she was just using him to rebel against her father. With Iago constantly putting these
her love in relation to their filial bond. Although her father views this as a
The play, Othello is one of the most famous tragedies composed by William Shakespeare during the Renaissance period. It powerfully portrays a world where the acts of evil ultimately vanquishes fidelity, nobility and integrity. The central themes jealousy and manipulation embodies the foretold tragedies and the downfall tragedies of the characters due to one’s insecurities. Through the use of literary techniques and figurative language, Shakespeare has effectively explored the themes of jealousy and manipulation.
Before coming directly to the forming of the love-theme that differentiates Othello from other Shakespeare plays that utilize the same theme, I turn arbitrarily to Iago to inspect a distinguishing mark of his of which the relevance to thematic form in the play will appear a little later. When Iago with unperceived scoffing reminds Roderigo, who is drawn with merciless attraction to the unreachable Desdemona, that love effects an unwonted nobility in men, he states a doctrine which he “knows” is true but in which he may not “believe.” Ennoblement by love is a real possibility in men, but Iago has to view it with bitterness and to try to undermine it. (333-34)
The love between Othello and Desdemona is a great venture of faith. He is free; she achieves her freedom, and at a great cost. Shakespeare, in creating the figure of her wronged father, who dies of grief at her revolt, sharpened and heightened, as everywhere, the story in the source. Her disobedience and deception of him perhaps cross her mind at Othello’s ominous ‘Think on thy sins.’ If so, she puts the thought aside with ‘They are loves I bear you.’ . . . Othello is a drama of passion and runs to the time of passion; it is also a drama of love which, failing to sustain its height of noon, falls at once to night. (141)
Brabantio is a Venetian Senator with definite ideas on the subject of his daughter. He wants to choose a husband for her who he feels is of her caliber and who can provide her a good life, as well as raise the family's esteem in Venetian society. At that time, this was his right as Desdemona's father. Then, when life expectancy was short, Brabantio would have wanted a son of a rich house who could inherit the family wealth, and was only a couple years older than his daughter, so she would not be widowed or have to return to her father's dependence.
When many people decided to sit down and read a book or a play it is because the title or summary entices them. As the story comes to an end it is decided whether or not the person related to or understood the point of the literature. Great authors and playwrights know this and set in place concepts. Many different concepts, to catch different audiences attention and to deepen the understanding of the literature. In order to understand Shakespeare’s play Othello, it is necessary to examine the emotions of jealousy, manipulation, being consumed by something, and gender.
As explained in the last paragraph, love is one of the major emotions in Othello. In the play, the actions committed by characters consumed by love are greatly amplified. Two characters that exemplify this are Othello and Desdemona. Throughout the first two acts, some of their actions are unrealistic for a couple in love. Take this quote, for example: ?Brabantio: Raise all my kindred! Are they married, think you? / Roderigo: Truly I think they are. / Brabantio: O heaven! How got she out? O treason of the blood!? (I:i:166-168). Othello and Desdemona are so consumed by love that they elope with no intention of telling anyone else, as evidenced by Brabantio?s reaction in the quote. They just acted according to their love without thinking of the effects of their elopement. Roderigo is also a prime example of how an emotion like love has near complete control of the characters? actions in the play. Roderigo is in love with Desdemona, and it seems that his actions are almost solely dri...
As the details of her recent marriage to Othello unfold, Desdemona appears to be a woman driven by emotions. She marries a man because he has shared his stories of grand adventure. In order to do so, she elopes from her loving father’s house in the middle of the night. These seem like actions of emotion stemming from her love – or possibly infatuation – for Othello. Contradictory to this, when asked to speak about her willingness to enter the marriage, she responds with a very clear and sensible reason for staying with Othello:
As Othello is known in the play as the Moor, he often faces discrimination that his peers did not face. When Brabantio finds out that Othello married his daughter, he claims that Othello must have “enchanted her” (1.2.64) and that his daughter “…t’incur[ed] a general mock,” (1.2.70) by “run[ning] from her guardage to the sooty bosom.” (1.2.71) In other words, Brabantio is saying that he is in disbelief as to why Desdemona would marry a Moor when her socioeconomic status was so much higher. As a result of being treated as an inferior due to skin colour, Othello puts more weight on honour and reputation. Since his high ranking position in the army set him apart from other Moors, he uses it as compensation towards many aspects of his life such as marriage. For example, Othello associates the “…services which [he] has done the seignniory” (1.2.17) to Brabantio’s criticisms about him. Othello knows that his position holds power, and he is able to confidently articulate why he is suitable candidate to marry Desdemona. Unfortunately, Othello’s confidence does not last later in the play when his honour is suddenly threatened by presumptions that Desdemona is engaged in unfaithful acts. Soon thereafter, he loses his
From the beginning, Othello is noble, quick to act, judicious, trusting, and gives much weight to the importance of duty. These are all traits that serve to make him great at the beginning of the play, and later, ironically, become key elements in his downfall. These aspects can be considered the internal causes of Othello’s tragic flaw. “Othello's nature is all one piece. His trust, where he trusts, is absolute.
The tragedy of Othello, written by William Shakespeare, presents the main character Othello, as a respectable, honorable, and dignified man, but because of his insecurities and good nature, he is easily taken advantage of and manipulated by his peers and alleged friends. The dynamic of Othello’s character significantly changes throughout the play. The contrast is most pronounced from the beginning of the play to its conclusion, switching from being calm and peaceful to acts of uncontrolled venomous rage. Othello’s motivation in the play appears to be his love and concern for his wife Desdemona, which ironically, ends up being his downfall in the end.
Shakespeare’s famous play Othello is a play of love that has turned bad by the unfounded jealousy of the protagonist character Othello. Arguably the contribution of Othello’s susceptibility to manipulation, his weaknesses and the manipulation of other characters tactics such as Iago each contribute to the downfall of Othello. However, to the extent of which each is more significant varies and this is what will be analysed in this essay.
Consoling her grandmother she says, “Amma, I’m here, I’m your daughter, Amma, I’m your son, I’m here with you, Amma, I’m here . . .” (233).And with her accommodation to break and abutment her grandmother, Aru accepted her grandmother’s beforehand assertion, “Daughters don’t belong. All three of you birds will fly away to your own nests” (198), wrong and validates her declaration, “I’m not going anywhere, Amma” (198). She demonstrates that ‘daughters as well belong’ and if bearing demands they can cut beyond the borders of their gender role. They are as well able of administration all array of plan done by man. They can reside on their own, after any advice or support from their