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Ambiguity in the stranger
Literary devices english 3
Symbolism in the stranger existentialism
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The Stranger, by Albert Camus, begins with Meursault receiving a telegram informing him of his mother's death. He attends the funeral and shows no remorse during it, but he complains about how hot it is. After returning, he goes on a date with Marie Cardona, a former co-worker, and has a sexual relationship with her. The day after he encounters an alleged pimp, Raymond Sintes. Raymond asks Meursault to write a letter to lure his mistress back so he can torment her after he found out she was cheating on him. Meursault feels that there is no reason to not write the letter, so he agrees to do it. Marie visits Meursault and questions his love for her. He doesn't say that he does and when he is asked to marriage he responds indifferently, but says if she wants to they can. While at a beach house Meursault shoots Raymond's mistress's brother for no reason, killing him.
The second half of the book begins after Meursault is put in jail and is awaiting his trial. Rather than being on trial for the crime, he is on trial for his values, like the lack of grievance for his mother's death. Meursault is found guilty and he is convicted and sentenced to the guillotine because of his lack of moral feeling. While awaiting his execution, he thinks about how his life has no meaning besides just living and how death does not scare him. When asked to reform to Christianity, Meursault grabs the chaplain in rage and tells everything on his mind. He comes to the realization that life is meaningless and the world is irrational. This suddenly makes him happy and he accepts his death.
One meaning of the title of the novel, The Stranger, is that if you live a life different than what society accepts, then you are a stranger; an outcast, and will be punished by the rest of society. In other words, the title means that Meursault is a stranger to society. Nothing discussed in Meursault's trial had anything to do with the murder. It was all about the way he acted and how different he was. This was used to prove that people who are different are judged by their character over their actions. Also, most of the society was Christian in the book and held Christian values. They believed in an after life and a heaven while Meursault did not, since he was an atheist.
Chapter 6 of part I of The Stranger concluded with Meursault’s conscious decision to shoot an Arab because of the physical discomfort the Arab’s knife caused him. The significance of the ending of part I is that it was the first demonstration of Meursault’s awareness of the possible consequences of the act that he committed. This awareness continues into the second part of the novel as he is arrested and trialed. The reason for Meursault’s trial is the murder of the Arab. His insensitivity towards Maman’s death and lack of a social conscientious are factors that contributed to support further investigations, but are not reasons to trial him because they have not ‘harmed’ society on a way that he could be arrested for. For example, if Meursault
In Part One of The Stranger, Albert Camus avoids religious confrontations with Meursault in order to subconsciously place blame on Christ for his criminal actions. Camus restricts Meursault’s relationships to further distance him from his mother. Meursault then alienates himself from the typical spiritual ceremonies and actions to demonstrate his distrust of religion. Simultaneously, Camus uses diction of clear and bright elements to characterize people in the novel, excluding Meursault. Camus associates dark colors with Meursault to depict a sadistic persona. To conclude, Camus places Meursault in recurring situations which result in him being distracted by “the light”. Camus uses these literary techniques in The Stranger to demonstrate man’s condemnation of God.
Albert Camus has his own toolbox of literary devices when it comes to accentuating the theme of The Stranger, one of them being his unique sense and use of secondary characters. Whether major or minor, every character in the book serves a purpose, and corroborates the theme in some form of fashion. Camus describes his secondary characters as foiling Meursault in one aspect or another, and thus, shining light on Meursault’s characteristics. Whether through close connections like familial relationships (Maman) and friendships (Salamano, Raymond, and Marie), or through bonds as distant as people he briefly converses with (Chaplain), or even so much as complete strangers (Perez and unidentified lady at the restaurant), characters that Meursault encounters foil and therefore, emphasize many aspects of his nature. Furthermore, because Meursault aptly embodies Camus’s ideology of Absurdism, emphasizing Meursault through secondary characteristics simply highlights Camus’ doctrine and theme of the book.
The book that I read was called The Stranger written by Albert Camus. The book is globally famous and was translated to many different languages and texts. The original was called L’Étranger which was written in French in 1942. The plot of this story involved a man in his late twenties or early thirties. The man's name is Meursault. In the beginning of the novel, Meursault is notified that his mother had passed away in the nursing home that he occupied her to. Meursault’s income could not afford to take care of his mother any longer; therefore, he put her in a nursing home. Meursault took off of work and went to the nursing home where she passed away to pay his respects and attend the funeral ceremonies. When he arrived at the nursing home, the funeral director brought Meursault to his mother’s coffin. The director asked if he wanted to see her and he quickly replied to keep the coffin shut. Meursault sat in the room and nearly went through an entire pack of cigarettes while blankly watching his mother’s coffin. At the actual funeral, Meursault shows no signs of normal emotion which would normally be induced at such an event.
“The Stranger” is an appropriate title for the novel’s main character because when you think of a stranger you think of avoiding them because of safety concerns. Meursault is a type of person that you’d avoid if you saw him randomly in the streets. He’s always looking up at the sun and is very socially awkward. When Meursault is asked if he’d been traveling for a long time after discovering he had been leaning against a soldier on the bus while asleep he simply says “‘yes’… so [he] wouldn’t have to say anything else” (Camus 4).
Meursault (the narrator) in The Stranger only sees and only wants to see the absolute truth in society. The readers first encounter with him...
... mother, he does not react in a way most people do. He does not cry but instead accepts what has happened and realizes that he can not change it. He goes back and does physical things he would do on a normal day. When the caretaker offers him coffee, he accepts it, he smokes a cigarette and has sex with a woman he just met. Meursault also does not lie to escape death. He refuses to conform to society and lie. He would rather be seen as an outsider than do something that he does not believe in. Finally, Meursault, will not believe in G-d or Christianity just because it is the only thing to turn to before he is put to death. When Meursault decides not to cry at his mother’s funeral, he accepts himself as an outsider. When he is considered an outsider, it does not matter if he is guilty or innocent; at the end of the day he guilty just for being different.
“But from the moment he knows, his tragedy begins.” Meursault is not unlike Sisyphus. In the novel, The Stranger, by Albert Camus, we watch this character change from a carefree man who loves being alive and free to a man who is imprisoned for a meaningless murder he commits but who eventually finds happiness in his fate.
In The Stranger, Albert Camus describes the life of the protagonist, Meursault, through life changing events. The passage chosen illustrates Meursault’s view during his time in prison for killing the Arab. In prison, one can see the shifts in Meursault’s character and the acceptance of this new lifestyle. Camus manipulates diction to indicate the changes in Meursault caused by time thinking of memories in prison and realization of his pointless life. Because Camus published this book at the beginning of World War II, people at this time period also questions life and death similar to how Meursault does.
In Albert Camus’ novel, The Stranger, the protagonist Meursault is a character who has definite values and opinions concerning the society in which he lives. His self-inflicted alienation from society and all its habits and customs is clear throughout the book. The novel itself is an exercise in absurdity that challenges the reader to face the nagging questions concerning the meaning of human existence. Meursault is an existentialist character who views his life in an unemotional and noncommittal manner, which enhances his obvious opinion that in the end life is utterly meaningless.
The Stranger written by Albert Camus is an absurdist novel revolving around the protagonist, Meursault. A major motif in the novel is violence. There are various places where violence takes place and they lead to the major violent act, which relates directly to the theme of the book. The major violent act of killing an Arab committed by Meursault leads to the complete metamorphosis of his character and he realizes the absurdity of life.
After only a few days of trial, the jury in The Stranger declares that the main character, Meursault, is to be executed by guillotine in the town square. The trial and its verdict are one of the important parts of the novel, as Albert Camus uses them as a metaphor to summarize the two main tenets of absurdism. Camus uses the trial and persecution of Meursault to express his belief that the justice system is flawed because of his absurdist ideals that truth does not exist, and human life is precious. In order to reform the justice system, Albert Camus believes that capital punishment needs to be abolished.
Camus' philosophy of absurdism is important to his fiction; his essay "The Myth of Sisyphus" details the specifics. Understanding “MoS” helps put into context “The Stranger”. Camus starts from a perspective of nihilism: the universe is without any intrinsic meaning, and in return all of our actions are equally without intrinsic value. For Meursault, this means that things happen, his mother dies, he accepts marriage, he kills someone, nothing fazes Meursault, and he just is. Here's where Camus' Absurdist philosophy comes in: the universe may be meaningless, but it is foolish to leave it at that. Meursault's story takes us through the necessary steps for accepting the absurd; he shows us that in order to properly embrace the meaninglessness of the universe, you must first recognize that meaninglessness. We crave meaning, but Camus knows there is none to be found; meaning must be made. What this means for the novel is that Meursault is to be pitied, but not indefinitely, as his imprisonment forces him, and us, to re-address views.
...rent and apathetic man to a human who has accepted his fate and role in the world. During this momentous transformation, Camus clearly brings his Absurdist philosophy to light. In this way, The Stranger could be seen as a tragedy. A man whom society fails to understand is condemned and is treated like an outcast because of his character. But it can also be viewed as a happy story instead. A man finally accepts the world as what it is, is content with what society views him as and is happy to have lived his life no matter what had happened in it. In any case, The Stranger by Albert Camus is a brilliant work of art that should be enjoyed as a hearty philosophical tome about man and his self-realization.
Albert Camus wrote The Stranger during the Existentialist movement, which explains why the main character in the novel, Meursault, is characterized as detached and emotionless, two of the aspects of existentialism. In Meursault, Camus creates a character he intends his readers to relate to, because he creates characters placed in realistic situations. He wants the reader to form a changing, ambiguous opinion of Meursault. From what Meursault narrates to the reader in the novel, the reader can understand why he attempts to find order and understanding in a confused and mystifying world.