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Story of an hour analysis outline
Story of an hour analysis outline
Story of an hour analysis outline
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Chopin, Kate. “The Story of an Hour.” The Norton Introduction to Literature. Kelly J. Mays, ed. Portable 11th ed. New York: Norton, 2014. 278-280. Print.
This is a short story by Kate Chopin where a young wife is thought to live wonderful house, with her husband. The appearance of a happy marriage to outsiders, is not what actually is happening inside the home. The main character Louise learns of her husband’s death and even though she is upset about his untimely demise, she finds herself elated about being free for the first time in her life. She is free to do as she wants and to be her own person. When her husband shows up to their home alive and well, Louise dies herself. The doctor claims that it was due to her bad heart being unable
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In the beginning of the play Nora seems to be a spoiled housewife with no regards for money and doesn’t have a sense of savings. Later the reader finds out that she has went to great lengths to not only save her husband’s life, but to repay a debt that she accumulated without her husband’s knowledge. Helmer starts out as the loving, devoted husband, but when he finds out of his wife’s loan he turns on her and the threat to his social standing and reputation are too much for him. It’s not about his wife and her feelings it becomes all about him. Krogstad starts out as a bitter, spiteful, blackmailer, and when life starts to turn around and he finds love he also finds forgiveness and peace. Mrs. Linde begins as someone who appears able to stand on her own two feet, but later the reader realizes that she is lonely and just wants someone to care for. Dr. Rank seems to be a close family friend, but it is revealed that he only comes by out of the secret love he has for Nora (Ibsen). This is the primary source of our …show more content…
It has long been thought that reason was what moral judgment was based off of. As time changed, emotions have become influential, causally sufficient, and necessary when it comes to forming moral judgments. The authors find that both are present when forming moral judgments (Polzler). This source is credible as it was found in an academic peer-reviewed journal, and on a college sponsored database.
Sahin, Abdur Rahman, and Rizwan-ul Huq. "The identity in-between: the enquiry of apathy and existential anguish in Henrik Ibsen 's A Doll 's House." Language in India 2012: 287. Literature Resource Center. Web. 2 May 2016.
The authors of this article discuss the contrasts between individuality and social values. The metamorphic transformation of each character is described. The consequences of the metamorphosis are looked at in detail. The details in the story that are responsible for beginning the change in each character is looked at in depth. Nora’s character is looked at in depth as to why and how she began as one type of woman and transformed into a completely different woman (Sahin, & Hug). This source is credible as it was found in an academic peer-reviewed journal, and on a college sponsored
Deneau, Daniel P. "Chopin's the Story of an Hour." The Explicator 61.4 (2003): 210-3. ProQuest. Web. 3 Apr. 2014.
The Romantic movement of the nineteenth century in Europe involved those who wished to express their disapproval of industrialism. Romantics focus on individualism as well as images and ideas created by the imagination. Romantics are very centered around a certain beauty and power of nature as opposed to material objects. Romantics stay away from the more realistic part of life, this is greatly expressed in Romantic literature and art. Specifically, in Arthur Rimbaud’s “Ophelia” it is evident to see the fascination with nature as well as the individual. He states, “On the calm black wave where the stars sleep/ Floats white Ophelia like a great lily,/ Floats very slowly, lying in her long veils . . .”(891). Here there is evidence of a Romantic’s
Chopin, Kate. "The Story of an Hour." Heritage of American Literature. Ed. James E. Miller. Vol. 2. Austin: Harcourt Brace Jovanich, 1991. 487. Print.
... of equality in marriage. When Nora began to understand Helmer didn’t love her, he loved the idea of her as a pretty woman he was married to, Nora realizes how degrading her role as a woman in the household was. She saw the freedom of Mrs. Linde to be able to obtain a job in her husband’s bank, and the freedom of being a single woman to think, act, and do what she wanted to do, not what her Father wanted her to do, or her husband. Nora realized her identity was solely in her Father, and in Helmer, and the unhealthiness of this reality. Nora wanted to be treated as a human being and not as an object. To be accepted as such would be the struggle of women in the 1800’s and early 1900’s. Nora thought in leaving Helmer she was leaving the problem of feeling like an object all together. Little did she realize she was going to have to face the other Helmers in society.
Chopin, Kate. “The Story of an Hour”. The Seagull Reader: Stories. Ed. Joseph Kelly. New York: W. W. Norton & Company, Inc, 2001. 65 – 67.
Chopin, Kate. "The Story of an Hour." Introduction to Literature: Reading, Analyzing, and Writing.2nd ed.
Chopin, Kate. "The Story of an Hour." The Harper Anthology of Fiction. Ed. Sylvan Barnet. New York: HarperCollins, 1991.
Chopin, Kate. A. “The Story of an Hour.” Baym 1609-1611.
Ibsen writes his play A Doll House to explain the life of a housewife and her struggles with her own actions. Ibsen examines the emptiness in the lives of Nora and Torvald as they lived a dream in a Doll House. Both awaken and realize this emptiness and so now Torvald struggles to make amends as he hopes to get Nora back possibly and then to restore a new happiness in their lives. Ibsen examines this conflict as a rock that breaks the image of this perfect life and reveals all the imperfections in the lives of those around.
Nora engages in a mutually dependent game with Torvald in that she gains power in the relationship by being perceived as weak, yet paradoxically she has no real power or independence because she is a slave to the social construction of her gender. Her epiphany at the end at the play realises her and her marriage as a product of society, Nora comes to understand that she has been living with a constr...
Chopin, Kate. "The Story of an Hour." Perrine's Literature: Structure Sound & Sense. 11th ed. Belmont: Wadsworth, 2010. 541. Print.
Chopin, Kate. "The Story of an Hour." The Compact Bedford Introduction to Literature. 4th ed. Ed. Michael Meyer. Boston: St. Martins, 1997. 12-15.
In the short story, “The Story of an Hour,” author Kate Chopin presents the character of Mrs. Louis Mallard. She is an unhappy woman trapped in her discontented marriage. Unable to assert herself or extricate herself from the relationship, she endures it. The news of the presumed death of her husband comes as a great relief to her, and for a brief moment she experiences the joys of a liberated life from the repressed relationship with her husband. The relief, however, is short lived. The shock of seeing him alive is too much for her bear and she dies. The meaning of life and death take on opposite meaning for Mrs. Mallard in her marriage because she lacked the courage to stand up for herself.
...egaining her husband and all of the loss of freedom her marriage entails. The line establishes that Louise's heart condition is more of a metaphor for her emotional state than a medical reality.” (Koloski) It is ironic that she accepts the death of her husband and is joyous and free, and then he ends up being alive after she walks out of the room with a sense of power. The ending of The Story of an hour by Kate Chopin implies that maybe the only true resolution of conflict is in death.
A contrasting difference in the characters, are shown not in the characters themselves, but the role that they play in their marriages. These women have different relationships with their husbands. Torvald and Nora have a relationship where there is no equality. To Torvald Nora is an object. Hence, she plays the submissive role in a society where the lady plays the passive role. Her most important obligation is to please Torvald, making her role similar to a slave. He too considers himself superior to her.