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The meaning of life and death in literature
Buggin out character analysis
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Recommended: The meaning of life and death in literature
The girl stormed out of the apartment still wearing her white slippers and dressing gown. Then made her way to roof top of the hectic apartment complex in fury at her parents. She consider the roof top her place. Her place to sit and forget. Her place of peace when misery, anger and disappointment was wrapped around her. She sat on the edge swinging her feet of side. She was thinking of the future and what it would be like, trying to bring some self-hope of happiness into it.
All of a sudden the girl gasped as she watched her shoe fall from the roof of the ten storey apartment building. Her hazel brown eyes widened in horror when her slipper didn't hit the cold cement ground below as predicted. Instead it landed abruptly upon the head of a handsome young man that was walking past.
The young man stumbled backwards rubbing his head over his new found injury, while him nearly falling over by the sudden assault on his head. The still dazed man looked around for what had hit him and found a simple but father strange, singular fluffy white slipper with a pink bow attach to the top. He ...
The author illustrates the “dim, rundown apartment complex,” she walks in, hand and hand with her girlfriend. Using the terms “dim,” and “rundown” portrays the apartment complex as an unsafe, unclean environment; such an environment augments the violence the author anticipates. Continuing to develop a perilous backdrop for the narrative, the author describes the night sky “as the perfect glow that surrounded [them] moments before faded into dark blues and blacks, silently watching.” Descriptions of the dark, watching sky expand upon the eerie setting of the apartment complex by using personification to give the sky a looming, ominous quality. Such a foreboding sky, as well as the dingy apartment complex portrayed by the author, amplify the narrator’s fear of violence due to her sexuality and drive her terror throughout the climax of the
Lily’s idea of home is having loving parent/mother figures who can help guide her in life. Because of this desire, she leaves T. Ray and begins to search for her true identity. This quest for acceptance leads her to meet the Calendar Sisters. This “home” that she finds brightly displays the ideas of identity and feminine society. Though Lily could not find these attributes with T. Ray at the peach house, she eventually learns the truth behind her identity at the pink house, where she discovers the locus of identity that resides within herself and among the feminine community there. Just like in any coming-of-age story, Lily uncovers the true meaning of womanhood and her true self, allowing her to blossom among the feminine influence that surrounds her at the pink house. Lily finds acceptance among the Daughters of Mary, highlighting the larger meaning of acceptance and identity in the novel.
Although Alexandra begins working the land to fulfill her father’s dying wish, no one in her early life ever realizes that perhaps she had other dreams and other wishes. “You feel that, properly, Alexandra’s house is the big out-of-doors, and that it is in the soil that she expresses herself best,” an...
Sixth grader Jodee enrolled at a private academy and the first few months were without incident. Jodee reveled in having friends and tried to do everything right to stay in good standing. The trouble started when she called her mother to leave the party early. Jodee begged her mother not to tell her what was going on with the twelve-year-olds—but they were all caught in the act. Monday morning at school she found her favorite suede shoes floating in a toilet bowl of urine with a note attached—“Bitch, this is just the beginning.”
Esperanza wishes she could change where she lives. Even though Esperanza moved to a nicer house, she still does not like the house on Mango Street. Esperanza’s parents made the house they were moving to seem luxurious. Upon arrival, Esperanza realized “the house of Mango Street is not the way they told it at all. It’s small and red with tight steps in front and windows so small you’d think they were holding their breath” (4). Even though the house on Mango Street is an improvement, it is still not good enough for Esperanza. Esperanza says, “I knew I had to have a house. A real house. One I could point to. But this isn’t. the house on Mango Street isn’t it” (5). She dreams of one day having a bigger and better house. The new and improved house will be a place for others to come and stay, “some days after dinner, guests and I will sit in front of a fire. Floorboards will squeak upstairs. The attic grumble. Rats? They’ll ask. Bums I’ll say, and I’ll be happy” (87). Dreaming of moving to a new house not only gives Esperanza the feeling of control and independence, but makes her
Under the orders of her husband, the narrator is moved to a house far from society in the country, where she is locked into an upstairs room. This environment serves not as an inspiration for mental health, but as an element of repression. The locked door and barred windows serve to physically restrain her: “the windows are barred for little children, and there are rings and things in the walls.” The narrator is affected not only by the physical restraints but also by being exposed to the room’s yellow wallpaper which is dreadful and fosters only negative creativity. “It is dull enough to confuse the eye in following, pronounced enough to constantly irritate and provoke study, and when you follow the lame uncertain curves for a little distance they suddenly commit suicide – plunge off at outrageous angles, destroy themselves in unheard of contradictions.”
Born and raised in a family of storytellers, it’s no wonder that this author, Louise Erdrich became a prolific writer. Louise was born in Little Falls, Minnesota. She grew up in Wahpeton, North Dakota, near the Chippewa Reservation with her mom, who had Native American roots and her dad who was of German descent. Her parents encouraged and challenged her at an early age to read, also to write stories and even paid her a nickel for each one that she wrote. Lorena Stookey states that Louise Erdrich’s style of writing is “like William Faulkner, she creates a fictional world and peoples it with multiple narrators whose voices commingle to shape her readers’ experience of that world” (Stookey 14). Louise writes this moving story “The Shawl” as she is haunted by the sorrows of the generations of her people, the Anishinaabeg. I initially saw this tale as a very complex reading, but after careful reading and consideration, saw it as a sad and compelling story.
She sacrificed almost all her personal pleasure for studying, but she did not see the point why she should make such sacrifice since she found the class reading as well as essays hardly arouse her interests. As she finally laid her eye on the bookshelf, seeing all the certificates and awards she had earned, Jennifer suddenly thought of what her father had told her, “school always comes first”. Tiredly and aimlessly, Jennifer signed and looked at a picture of her father. Slowly closing her eyes, she temporarily forgot about all the things like a tough life and overwhelming schoolwork which could make her stressful, and let her beautiful childhood memories of balloons, carousels and her father’s smiling face come into
cold, harsh, wintry days, when my brothers and sister and I trudged home from school burdened down by the silence and frigidity of our long trek from the main road, down the hill to our shabby-looking house. More rundown than any of our classmates’ houses. In winter my mother’s riotous flowers would be absent, and the shack stood revealed for what it was. A gray, decaying...
The blocks of concrete sidewalk in between two rusty, red brick buildings prickle my skin. I lay out my piece of brown corrugated cardboard and am comforted by its smoothness. It provides insulation on a breezy summer night. I curl up, cramped, in the fetal position; my limbs grow limp as my eyelids weigh down over two chocolate eyes. I can feel my fuzzy black dreadlocks falling down the nape of my neck and into the collar of my thin cotton t-shirt. I pull my white tube socks up to my knees with the help of my toes; only the space between them and the bottom of my shorts is now left uncovered and open to the wind. I deliberately position myself in an attempt to conserve energy before morning comes and invites my stomach to turn into a ferocious growling beast. The storeowner will harp about me finding another stoop by prodding my body with a cobweb-infested broom. I will worry about that tomorrow. For now, I escape into a deep, silent slumber. I begin to dream of another life with a different social setting.
Everyone seeks the comfort of the stability in their own home. Ellen Foster knows her home is rather abnormal. Enduring physical, mental, and sexual abuse from her family, Ellen learns early on that what she wants is what she cannot seem to find: a loving home. Through challenging adversities in the novel, Ellen finally found a family that suited her needs, in a foster home. Once she had at last found her place that she felt fit, her first thought was to invite her best friend, Starletta, to present her pride of her new, blissful, life. This passage, references to history, repayment, and equality serve to emphasize Ellen’s desire to atone for thinking she was better than Starletta in the past. Ellen’s journey of finding a stable home life leads to her discovery of the love of her true friend.
Marie’s grandparent’s had an old farm house, which was one of many homes in which she lived, that she remembers most. The house was huge, she learned to walk, climb stairs, and find hiding places in it. The house had a wide wrap around porch with several wide sets of stairs both in front and in back. She remembers sitting on the steps and playing with one of the cats, with which there was a lot of cats living on the farm...
...fe, but the ending it what ties the rest together. The father and daughter have a ruff relationship. The daughter hasn’t seen where the father lived and they don’t seem as if they are very comfortable in the presence of each other. They don’t have a relationship people strive for. However, we saw the father take responsibility for his family. They we young and he stayed with them. He knew it was his job and he didn’t leave them alone. In the end you could tell it didn’t last. The last line shows that the cold or problems got in. The mom wasn’t in present day story. Telling you something went wrong. It wasn’t truly a happy ending. People use moment to live and we strive to do our best, but problems occur. How can you make your life worth the troubles? Be prepared and make compromises. Life isn’t perfect and you have to prepare or your life will be filled with no one.
...ndurance of poverty, as we witness how Walls has turned her life around and told her inspiring story with the use of pathos, imagery, and narrative coherence to inspire others around her (that if she can do it, so can others). Jeannette made a huge impact to her life once she took matters into her own hands and left her parents to find out what life has in store for her and to prove to herself that she is a better individual and that anything is possible. Despite the harsh words and wrongful actions of Walls’ appalling parents who engage her through arduous experiences, she remained optimistic and made it through the most roughest and traumatic obstacles of her life at the age of three. Walls had always kept her head held high and survived the hardships God put upon her to get to where she is today; an author with a best selling novel to tell her bittersweet story.
Mare and her family lived in New York City. Her mother was a single parent who tried all her best to make sure that her children had all that the need. Sometimes Mara’s mother Shana didn’t have money, so they went to bed without food. Mara’s life was not how she wanted it to be. She wanted a big house, a father, and a happy big family. Instead her life was the opposite. Her dad died when she was only seven. When her father died, it ruined the family. Her father was the backbone of th...