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Metaphors used in the road not taken
Robert Frost analysis of the road not taken
What does “the road not taken” suggest about the choices we make in life
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A particularly prominent challenge of the human experience is that of decision making, as, in practice, the process is often far more complex than initially considered. This theme is explored in the poem “The Road Not Taken”, which was written in 1916 by the renowned American poet Robert Frost. He was born in March 26, 1874 and passed away in January 29, 1963 – during his life he received four Pulitzer Prizes, which, in America, is regarded as the highest national honour in literary achievements. Frost also has many other successful pieces; he generally provokes deeper thought under social and philosophical domains. In relation to ‘The Road Not Taken’, this is indeed the case. The poem is simply constructed, however, beneath the surface lies …show more content…
At first glance the theme is seemingly obvious, but, after delving deeper into the piece, there is an indirect theme that is entertained. The poem also portrays the common human emotion of regret, which is due to the individual not being able to take every opportunity that lays before them – not always knowing the answers to the ‘what if’ questions. One rather appealing feature of the poem is the use of the sustained metaphor, which encourages readers to gain a further understanding of the points the poet is making – this is most evident as Frost creates a double perspective on the concept of decision making, while allowing readers to understand his views using this language …show more content…
This, in a sense, reinforces the point that the challenge of decision making is a common human experience, and this in itself is perhaps a more significant point than worrying about which path to follow. As the poem continues, Frost restates the difficulty in the decision that must be made: “And both that morning equally lay / in leaves no step had trodden black.” When the speaker assesses the paths for this particular decision, he notices that both of them look to be “untravelled”. This could suggest that this is the first time that the speaker has, personally, had to make a decision about this certain experience in life. Even though others may have come before him and made their own decisions, as an individual, he still has to forge his own way; it really has no bearing what choices others may have made - in this sense, both paths will “equally
The poem is set in the fall when the leaves are changing colors and beginning to cover the ground. The speaker of the poem is faced with an unfamiliar fork in the road and is forced to decide which direction he or she must go. As the speaker is deliberating, he is “sorry” he cannot just travel both and it appears to be because the speaker has a fear of picking the wrong one (Frost 2). Although he “looked down one as far as I could” there was no seeing the end (4). Just like in a life, it is possible to have an idea of what will happen and there is no telling which choices will turn out beneficial and which will not. The speaker knows that although the paths are similar the outcome of picking the wrong one could be life changing. Even though he is upset he must trust in himself to know which one would be best for him in the long run.
The central image that Frost presents, which is the path, provides a clear picture that the reader can focus on in order to reveal something about the poem. The “two roads diverged in a yellow wood'; vividly portray the fact that it is always difficult to make a decision because it is impossible not to wonder about the opportunity that will be missed out on. There is a strong sense of regret before the choice is even made and it lies in the knowledge that in one lifetime, it is impossible to travel down every path that one encounters. In an attempt to make a decision, the traveler "looks down one as far as I could." The road that will be chosen leads to the unknown, as does any choice in life. As much as he may strain his eyes to see how far the road stretches, eventually it surpasses his vision and he can never see where it is going to lead. It is the path that he chooses that sets him off on his journey and determines where he is going and what he will encounter.
Frost realizes that had he taken the other road he would not be where he is today. He was adventurous and choose the road that had been traveled the least recently and that one decision changed his life
In this poem, Frost illustrates that every person has his own opinion. He states “Then took the other, just as fair, and having perhaps the better claim” (line 6-7). What make it better was “it was grassy and wanted wear” (line 8). It was something that was obviously not for everyone because it seems that the other people take the more popular one. “And both that morning equally lay/ In leaves no step had trodden black” (line 11). No one had yet to pass by on this road since the leaves have fallen. “I kept the first for another day” (line 13). The desire to travel down both paths is expressed and is not unusual, but “knowing how way leads onto way” (line 14). The speaker of this poem realizes that the decision is not just a temporary one, and he “doubted if I should ever come back”
...fall of snow and the unremitting “sweep” of “easy wind” appear tragically indifferent to life, in turn stressing the value of Poirier’s assessment of the poem. Frost uses metaphor in a way that gives meaning to simple actions, perhaps exploring his own insecurities before nature by setting the poem amongst a tempest of “dark” sentiments. Like a metaphor for the workings of the human mind, the pull between the “promises” the traveller should keep and the lure of death remains palpably relevant to modern life. The multitudes of readings opened up through the ambiguity of metaphor allows for a setting of pronounced liminality; between life and death, “night and day, storm and heath, nature and culture, individual and group, freedom and responsibility,” Frost challenges his readers to delve deep into the subtlety of tone and come to a very personal conclusion.
In his celebrated poem "The Road Not Taken," Robert Frost describes the decision one makes when reaching a fork in the road. Some interpret Frost as suggesting regret on the part of the traveler as to not choosing the path he forgoes, for in doing so he has lost something significant. Others believe he is grateful for the selection, as it has made him the man he is. The diverging roads are symbolic of the choices society is faced with every day of life. Choosing one course will lead the traveler in one direction, while the other will likely move away, toward a completely different journey. How does one know which is the right path; is there a right path? The answer lies within each individual upon reflection of personal choices during the course of life's unfolding, as well as the attitude in which one looks to the future.
The first metaphor Frost uses in this poem can actually be found in the first line: “Two roads diverged in a yellow wood.” The two roads splitting in the woods is a metaphor for a choice you must make when presented with two different options. Wherever the speaker’s life has taken him so far, he has come to the point where he must make an important decision to go any further (Schmoop). The second metaphor Frost uses can be found in lines four and five: “And looked down one as far as I could / To where it bent in the undergrowth.” Looking down the road is a metaphor for the future; when making a decision, we can only predict so much. Just like how the speaker can only see the path in the woods for so far we can only see the consequences of our decision in the near future. A third metaphor can be found in lines 13 through 15: “ Oh, I kept the first for another day! / Yet knowing how way leads on to way, / I doubted if I should ever come back.” Here, it’s clear the speaker wanted to take both roads; however, he realizes that he will probably never be able to come back to this crossroads. This is a metaphor for a decision that changes everything; a decision you have made where you have reached a point of no
This poem by Robert Frost was first read to me in the last year of my high school experience. Back then, not only did I have absolutely no interest in any literary work, but moreover, had no intension to lye there and analyze a poem into its symbolic definitions. Only now have I been taught the proper way to read a literary work as a formalistic critic might read. With this new approach to literature I can understand the underlying meaning to Robert Frost's "The Road Not Taken". In addition to merely grasping the author's intension, I was able to justly incur that this poem, without directly mentioning anything about life's decisions, is in its entirety about just that.
The two roads in the poem relate to various paths one might be faced with in life. One path “bent in the undergrowth” (5) which means it had taken many times. However, the other path “was grassy and wanted wear” (8). This is the path in one’s life, which seems “unpopular” at the time. Not many people choose the path that is not typically chosen by others. This is what Frost is doing in his poem as he uses these solid metaphors: challenging his readers to “go against the flow” as the man did.
Choices are never easy, facing hundreds upon thousands of them in our lifetime, man has to make decisions based upon these choices. Some decisions are clear while others are sometimes not clear and more difficult to make. The poem "The Road Not Taken" by Robert Frost is a prime example of these choices in life. This poem is a first person narrative that is seen by most people as being told by Frost. The poem opens up with the narrator encountering a point in the woods that has a trail diverge into two separate paths. In the poem Frost presents the idea of man facing the difficult predilection of a moment and a lifetime. I believe this idea in the poem is embodied in the fork in the road, the decision between the two paths, and the decision to select the road not taken.
Some people go through their lives without reflecting about how their decisions have shaped them as a person. The poems “Fire and Ice” and “The Road Not Taken” by Robert Frost both use the importance of decision making and its effects on the way we live to highlight how our path through life is defined by our choices. At the same time, Frost uses the extreme opposites in “Fire and Ice” and the similarities of the choices in “The Road Not Taken” to explore human nature and permanence of decisions.
Robert Frost’s “The Road Not Taken” and “Stopping by Woods on a Snowy Evening” both portray weighing of choices in life. The former is about youth and experiencing life and the latter is about old age, or more probably, an old spirit wearied by life. In both poems the speaker is in a critical situation where he has to choose between two paths in life. In “The Road Not taken” the speaker chooses the unconventional approach to the decision making process, thus showing his uniqueness and challenging mentality while in “Stopping by Woods on a Snowy Evening” the speaker seeks a life without any pain and struggle but at the end, he has to comply with social obligation, which reflects his responsibility towards the society.
The main theme of the poem that Frost attempts to convey is how important the decisions that one makes can be, and how they affect one’s future. In lines 2-3, he expresses the emotions of doubt and confusion by saying, “And sorry I could not travel/ And be one traveler, long I stood”, which explains how the speaker contemplated their decision of which road to take. In the closing, line 20 of the poem further reestablishes the theme when it states, “that has made all the difference”, meaning that making the decision of which road to take for themselves is the important key for a successful future. Frost helps to express this theme by using symbolism to portray a road as one’s journey of life. Using symbolism, Frost suggests that the speaker of this poem is taking the harder of the two roads presented before them, because the road the speaker chooses, “leaves no step had trodden black” (12...
The vivid imagery, symbolism, metaphors make his poetry elusive, through these elements Frost is able to give nature its dark side. It is these elements that must be analyzed to discover the hidden dark meaning within Roberts Frost’s poems. Lines that seemed simple at first become more complex after the reader analyzes the poem using elements of poetry. For example, in the poem Mending Wall it appears that Robert frost is talking about two man arguing about a wall but at a closer look the reader realizes that the poem is about the things that separate man from man, which can be viewed as destructive. In After Apple Picking, the darkness of nature is present through the man wanting sleep, which is symbolic of death. It might seem that the poem is about apple picking and hard work but it is actually about the nature of death.
This poem is one of many written by Frost in 1916 and it is commonly used in high school writing classes. It has been written about frequently and often analyzed because of the connection people feel to the poem for the reason that everyone has to make life choices. The reading of the poem touches a wide variety of readers because each one can identify with the writers predicament of having to make a choice, with two different options, as in the poem which road to take either the well-traveled path or as he decides the less journeyed. As an outcome of this choice, the writer states, that his life was profoundly different than it would have been had he taken the other road. The other road the more traveled and seemingly the safer of the two makes the reader seem more fearless to except what the unknown has to offer thus making his own way in the world. In reading further the roads are almost the same both being beautiful and equally passable. The writer tries to explain why things happened the way they did and that is a significant moment in his life. One might pick the road that gets them to w...