The Presentations of the Mother and the Father in Seamus Deane's Reading in the Dark The presentations of the mother and father in Seamus Deane's 'Readingin the dark' are very different and the author appears to have set them in contrast to each other. Their roles with regards to their children appear through their relationships with them, especially with the narrator himself, as his relationship with his parents is at the heart of the novel, much like the young boy in Frank McCourt's 'Angela's Ashes'. The mother has an intense relationship with her son, who takes on her anxiety, and is watchful of her, every move. Within the first scene, 'Stairs' we see her lie about the presence which she is sensing on the stairs, in order to protect her son. These acts of protection and care for her young and naïve son continue until she realises that he has begun to discover the family secret. The Father's role in the family life is holding the family together in times of crisis. There are many examples of this throughout the parts of his life, which are revealed to us. After his parents died, 'the whole world he had known was swept away in a week, two weeks. He was a child one moment; the next, he was in charge of a whole distraught family of children'. In the chapter 'Feet' we discover the sense of stability that he holds within his family, as a father, for example, his sturdiness, while comforting his wife after the death of their daughter, Una, 'She was still crying. My father's boots moved towards her until they were very close. He was saying something. Then he moved yet closer, almost stood on her shoes, which moved apart. One of his boots was between her feet. There was her shoe, then his boot, then her shoe, then his boot.' Later on in the novel we realise his strength and the extent to which he loves his wife, as he stands by her and their family during her breakdown.
Born in 1959, author Debra Oswald began writing as a teenager. She rose to prominence with the debut of Gary’s House where it was shortlisted for the NSW Premier’s Award. Many of her works features abandoned and neglected children that grow into adults to fight their own demons in the past. Oswald writes about the importance of a family’s psychology, both real and surrogate. In Gary’s House, Gary had a bad relationship with his father that lead to neglection and eventually hate but when Gary himself becomes a father he disregards his past to provide for his future child. This is the author’s intention of representing how important family is.
The Holocaust will forever be known as one of the largest genocides ever recorded in history. 11 million perished, and 6 million of the departed were Jewish. The concentration camps where the prisoners were held were considered to be the closest one could get to a living hell. There is no surprise that the men, women, and children there were afraid. One was considered blessed to have a family member alongside oneself. Elie Wiesel was considered to be one of those men, for he had his father working side by side with him. In the memoir Night, by Elie Wiesel, a young boy and his father were condemned to a concentration camp located in Poland. In the concentration camps, having family members along can be a great blessing, but also a burden. Elie Wiesel shows that the relationship with his father was the strength that kept the young boy alive, but was also the major weakness.
The association between light and darkness played a major role in the outcome of this story. Desiree the wife of Armand was always associated with things of lightness. After Desiree was recovering from just given birth to their son she laid on the couch in her “soft white muslins and lace” (Valencia Community College). When Desiree confronts her husband about the race of their child Desiree skin pigmentation is whiter than her husbands. Desiree shows Armand the letter from Valmonde, the book says she was resembled a stone image white and motionless. In October when Desiree was abandoned Armand she left still wearing the white thin garment and slippers. Armand and the baby were always associated with darkness throughout the story. Armand skin complexion was darker than his wife’s. The story also describes Armand face as being dark and handsome. The baby association with darkness came when the baby was lying across Desiree mahogany bed. Mahogany is some dark brown colored wood. Another comparison of the chi...
"One day he caught a fish, a beautiful big big fish, and the man in the hotel boiled it for their dinner" (p.191). Little did Mrs. Malins know that those words issued from her feeble old lips so poignantly described the insensibility of the characters in James Joyce's The Dead toward their barren lives. The people portrayed in this novelette represented a wealthy Irish class in the early twentieth century, gathered at the house of the Morkan sisters for an annual tradition of feast and dance. Although all of the personages had, at one point, a potential for a beautiful life, sad memories of the past and the despair that invaded Ireland had eventually boiled all true senses and desires into a dull stew, destined to rot. Of particular interest is Gabriel Conroy, whom Joyce singularly bestowed a gift of introspection, though that did not save him from becoming yet another of the living dead.
Seamus Heamey begins the poem with an image of isolation, confusion, and the loss of safety. Heaney describes what happen the night that his cousin was killed:
James Joyce is the author of Dubliners, a compilation of Irish short stories that reflect on the feelings he associates with the city of Dublin, where he grew up in a large impoverished family. After he graduated from the University College, Dublin, Joyce went to live abroad in Paris, France. This action indicates a sense of entrapment that led to his desire to escape. The situations in his stories differ significantly, but each character within these stories experiences this sense of escape that Joyce had. In “An Encounter”, two boys make their first real move at being independent by skipping school to explore Dublin. In “Eveline”, the main character has a choice between taking care of her unstable father or leaving him to lead a new life with a man she has been seeing. In Joyce’s story, “The Dead,” a young man is thrown into deep human assessment, becomes unsure of who he is, and soon after is frightened of this newly discovered truth. The stories in Dubliners implicate this need for independence through characters in different situations and experiencing the feeling of entrapment.
In Eliezer Wiesel’s novel “Night”, it depicts the life of a father and son going through the concentration camp of World War II. Both Eliezer and his father are taken from their home, where they would experience inhuman and harsh conditions in the camps. The harsh conditions cause Eliezer and his father’s relationship to change. During their time in the camps, Eliezer Wiesel and his father experience a reversal of their roles.
Lightness and darkness have very different meanings in the human psyche in that lightness is synonymous with innocence and naïvety while darkness coincides with all things daunting and evil. Throughout the memoir, many situations are repeated but to different degrees of severity. For example, on pages 113 and 145, Marjane is arguing with her mother. However, the first instance is simply a minor act of preteen rebellion while the second alludes to the possibility of state-sanctioned rape and execution. At first glance, these pages are very similar; Marjane’s mother is obviously angry and invades upon her daughter’s personal space as she lectures and ...
At the outset, Atwood gives the reader an exceedingly basic outline of a story with characters John and Mary in plotline A. As we move along to the subsequent plots she adds more detail and depth to the characters and their stories, although she refers back with “If you want a happy ending, try A” (p.327), while alluding that other endings may not be as happy, although possibly not as dull and foreseeable as they were in plot A. Each successive plot is a new telling of the same basic story line; labeled alphabetically A-F; the different plots describe how the character’s lives are lived with all stories ending as they did in A. The stories tell of love gained or of love lost; love given but not reciprocated. The characters experience heartache, suicide, sadness, humiliation, crimes of passion, even happiness; ultimately all ending in death regardless of “the stretch in between”. (p.329)
In their own way, these two narratives cross and share a common end point. In each case, it is the cohesive, independent female identity that has the potential to dissolve the figure of the patriarch. The egotism and self-conciousness of Gabriel and Woolf’s patriarch alike are absorbed and replaced by a grey, impalpable, indifferent world. Both the outcome of Woolf’s reality and Joyce’s fiction are uncertain. The future is hopeful but may just prove a bleak continuation of the present. The fog and ambivalent snow may disperse and melt, and a system of difference will remain.
Kinnell, Galway. “After Making Love We Hear Footsteps.” The Norton Introduction to Literature. Portable 10th ed. Ed. Alison Booth and Kelly J. Mays. New York: Norton, 2011. 490-491. Print.
A collection of short stories published in 1907, Dubliners, by James Joyce, revolves around the everyday lives of ordinary citizens in Dublin, Ireland (Freidrich 166). According to Joyce himself, his intention was to "write a chapter of the moral history of [his] country and [he] chose Dublin for the scene because the city seemed to [b]e the centre of paralysis" (Friedrich 166). True to his goal, each of the fifteen stories are tales of disappointment, darkness, captivity, frustration, and flaw. The book is divided into four sections: childhood, adolescence, maturity, and public life (Levin 159). The structure of the book shows that gradually, citizens become trapped in Dublin society (Stone 140). The stories portray Joyce's feeling that Dublin is the epitome of paralysis and all of the citizens are victims (Levin 159). Although each story from Dubliners is a unique and separate depiction, they all have similarities with each other. In addition, because the first three stories -- The Sisters, An Encounter, and Araby parallel each other in many ways, they can be seen as a set in and of themselves. The purpose of this essay is to explore one particular similarity in order to prove that the childhood stories can be seen as specific section of Dubliners. By examining the characters of Father Flynn in The Sisters, Father Butler in An Encounter, and Mangan's sister in Araby, I will demonstrate that the idea of being held captive by religion is felt by the protagonist of each story. In this paper, I argue that because religion played such a significant role in the lives of the middle class, it was something that many citizens felt was suffocating and from which it was impossible to get away. Each of the three childhood stories uses religion to keep the protagonist captive. In The Sisters, Father Flynn plays an important role in making the narrator feel like a prisoner. Mr. Cotter's comment that "… a young lad [should] run about and play with young lads of his own age…" suggests that the narrator has spent a great deal of time with the priest. Even in death, the boy can not free himself from the presence of Father Flynn (Stone 169) as is illustrated in the following passage: "But the grey face still followed me. It murmured; and I understood that it desired to confess something.
In “The Dead,” James Joyce presents the Irish as a people so overwhelmed with times past and people gone that they cannot count themselves among the living. Rather, their preoccupation with the past and lack of faith in the present ensures that they are more dead than they are alive. The story, which takes place at a holiday party, explores the paralyzed condition of the lifeless revelers in relation to the political and cultural stagnation of Ireland. Gabriel Conroy, the story’s main character, differs from his countrymen in that he recognizes the hold that the past has on Irish nationalists and tries to free himself from this living death by shedding his Gaelic roots and embracing Anglican thinking. However, he is not able to escape, and thus Joyce creates a juxtaposition between old and new, dead and alive, and Irish and Anglican within Gabriel. His struggle, as well as the broader struggle within Irish society of accommodating inevitable English influence with traditional Gaelic customs is perpetuated by symbols of snow and shadow, Gabriel’s relationship with his wife, and the epiphany that allows him to rise above it all in a profound and poignant dissertation on Ireland in the time of England.
Joyce is a master of style, and readers can find a different one for each of his major works (Magill’s 1342). This excerpt from Magill’s is an excellent way to describe James Joyce’s writing because it is a true statement.Throughout many of his works he use many different themes to make his stories more interesting to the reader, and one of those is his use of institutions. Throughout Dubliners Joyce make many hints about views on religion, what he thinks about the world, and views about politics. These thoughts and views are found in three short stories found in Dubliners. The first story is “A Mother” which gives the reader a view of the musical world seen in Dublin (Magill’s 1343). I “A Mother” it talks about a man further named Mr. Holohan who is trying to organize a concert in Dublin which would feature a young well-...
James Joyce's fragment of a novel, Stephen Hero, leaves the reader little room to interpret the text for themselves. The work lacks the narrative distance that Joyce achieves in his later works. Dubliners, a work Joyce was writing concurrently, seemingly employs a drastically different voice. A voice which leaves the reader room to make judgments of their own. Yet it is curious that Joyce could produce these two works at the same time, one that controls the reader so directly, telling not showing , while the other, Dubliners, seems to give the reader the power of final interpretation over the characters it portrays.