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Climate change effects on civilization
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Until commercial air travel began flying between Lima and Arequipa (a southern Peruvian city) in the late 1920’s, one of the Nazca most beautiful mysteries was still completely in the dark. Nazca lines have puzzled virtually anyone who has taken interest in their true meaning. Archeologists, anthropologists, scientists, and historians have still to this day never figured out the exact reason for these huge desert-drawings, but there are some very promising theories. When I first saw the pictures of the geolyphys (lines and figures in the sand) my initial thought was: who could see these? They didn’t have planes when these were first made (around 200 B.C)? Because of the lack of technology then, I figured it must have been for their ‘God’ or ‘Deity’ to see and enjoy. What I did not realize is the topography of Peru is very mountainous, and each drawing is done in an area where viewing from a mountain is sufficiently high enough. Academics have theorized and tried to explain the Nazca lines in multiple ways. Some explanations are reasonable, such as; Inca roads, irrigation plans, and to be enjoyed from primitive hot air balloons. Some of the “less” reasonable theories are drawn from virtually no evidence and have gone as far as saying that the lines are actually landing strips for aliens spaceships.
As we know for many indigenous groups- the Nazca’s included- water has always been something crucial to life. The northern region of Chile and the coastal region of southern Peru are actually some of the driest places on earth. Fortunately, the Nazca culture is said to have began in a ‘protected basin’ of sorts. The reason this area was able to house an up-and-coming civilization is all thanks to the mountains and the lush river system...
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...ame scarce in the area, which may have also been a contributing factor that ultimately led to the Nazca’s demise. I think it is clear that we may never know the exact reason the Nazca lines were created, but it is definitely an anomaly that people have enjoyed studying ever since the lines were discovered. It is also possible that these ancient lines may have influenced modern forms of ‘art’, such as crop circles and earth art.
Works Cited
Hall, Stephen S. "Spirits in the Sand: The ancient Nasca lines of Peru shed their secrets." National Geographic Mar. 2010: 8. National Geographic Magazine. Web. 15 Jan. 2014.
Krystek, Lee . "The UnMuseum - The Lines of Nazca." The UnMuseum - The Lines of Nazca. N.p., n.d. Web. 20 Jan. 2014. .
"Líneas de Nasca." Travel to Nasca Per RSS. http://www.nascaperu.com (accessed January 16, 2014).
The Mystery of Chaco Canyon introduces viewers to a very complex structure that was built by Ancient Pueblo Indians. Although there is no language to explain the structure’s meaning and purpose, researchers were able to read their architecture as a language. Four themes that were extracted from the structure were, the native’s immense understanding of astronomy, the use for the structure, the level of spirituality that the structure represents, and migration from Chaco Canyon.
Varner, John G. and Jeanette Varner., trans., ed. The Florida of the Inca. Austin: U of Texas P, 1951.
Jane Wheeler, an American archaeozoologist, discovered the secret hidden within the alpaca mummies over a decade ago. She researched the alpaca mummies and performed DNA and skin tests on the alpaca mummies. It was a startling discovery when she realized how perfectly preserved and intact the mummies were. These alpaca mummies had been buried beneath house floors for nearly 1,000 years. These same animals grazed El Yaral’s pastures an astounding 500 years before the rise on the Inca empire. The alpaca’s unusual burial site was due to the sacrificial ritual performed by the inhabitants of El Yaral. It is assumed that the inhabitants of El Yaral sacrificed the animals whose fiber wasn’t considered to be of use.
Chavin de Huantar was located in Peru and developed around 900 B.C. late in the Initial Period. At an elevation of 3,150 m., Chavin de Huantar was situated at the bottom of Cordillera Blanca’s eastern slopes, approximately halfway between tropical forests and coastal plains. At the intersection of major routes, Chavin de Huantar was in the position to control the routes, increase their exchange with others, and receive goods that were not natural to their area. Chavin de Huantar was an agricultural society, home to a fairly large population.
Provincial centers served as both the focal economic and administrative points of the Inca Empire. The impact the Inca Empire’s multiple uses, such as collecting and preserving, of their provincial centers will live on for all of eternity. The Incan pottery was not only manufactured by the Inca empire but traded among the “distant regions through state channels”(Gyarmati) as well. The discoveries regarding “Paria’s size and density of surface finds with the settlement sizes and the finds densities of the Late Intermediate Period”(Gyarmati) reveal the immense growth of demand for Incan pottery vessels.
Noble, D. G. (1985). Understanding the Anasazi of mesa verde and hovenweep. Pgs. 35-37. Santa Fe: Ancient City Press.
them. A logical explanation can be granted through the mixture of Peru’s society and the
The Maya relied largely on the replenishment of water in their reservoirs for their water supply. Seasonal rain was vital for the Maya to maintain a sustainable water reserve. Water was their most valuable element and most crucial resource. In Global Warming Focus, “the rise and the fall of the Mayan civilization is an example of a sophisticated civilization failing to adapt successfully to climate change” (“The Collapse,” 2012, p.220),
Peru has three main drainage systems. One comprises about 50 torrential streams that rise in the sierra and descend steeply to the coastal plain. The second comprises the tributaries of the Amazon River in the mountain region. The third principal feature is Lake Titicaca, which drains into Lake Poopo in Bolivia thought the Desaguadero River
Not too far away from the town of Montignac, in the western Massif Central and Northern Pyrenees, the cave of Lascaux was discovered. Four teenage boys and their dog discovered it. The four boys, Marcel Ravidat, Jacques Marsal, Georges Agnel and Simon Coenccus, were out on an expedition, but they found more than they bargained for that day. Their dog wandered away and they searched for him. In the process, the four boys discovered a cave that had been right below their feet for the past 17,000 years. They were not able to venture down into the 250-meter deep cave on the first day so they came back the next day prepared to enter the cave. When the boys first wiggled their way down into the cave they did not find anything. It was not until they reached an oval room that they first discovered paintings on the walls. These boys had uncovered paintings dating back to the Aurignacian (30,000-18,000 B.C.E.) (Laming, 34-41) and Magdalenian (15,000-10,000 B.C.E.) periods. It is believed that many of the paintings found in Lascaux were created between 16,000 and 14,000 B.C.E. The boys could no longer keep this cave a secret, so they told one of their teachers, Monsieur Laval. After accompanying the boys down to the cave, M. Laval started alerting historians to this new discovery. Within five days three historians were already on their way to visit the site. On September 17, 1940 three experts on Paleolithic art, Abbé Breuil, Dr. Cheynier and Abbé Bouyssonnie, crawled down into the cave; it was at this point the cave became authenticated.
For the ancient Maya, the world was alive and full of sacred spaces such as caves and mountains, and “The architecture of ritual space replicated the features of sacred geography – the forest, the mountain, and the cave” (Schele and Freidel 72). Classical Maya kings invested a great deal of resources into pyramid construction, and the form of these buildings was carefully calculated. The shape of the pyramid emulated that of a mountain. The external layout, a series of landings and plazas of increasing size, enforced the social hierarchy by controlling the number of people in attendance and their proximity to the sacred spaces (Schele and Frei...
From my earliest childhood I remember the open country between the Nueces River and the Rio Grande; the vast expanse of territory that our early historians do not mention in the days of early history. Sometimes I have wondered why it is that our forefathers who helped with their money, their supplies, and their own energies have been entirely forgotten. (Zamora O’Shea n.p.)
Machu Picchu is a physical symbol of the culture that created it. It is located in the Andes Mountains in Peru, South America, high above the Urubamba River Canyon Cloud Forest. The Incan capital, Cuzco, the closest major city, is forty three miles northwest of this landmark. Machu Picchu is five square miles and eighteen square kilometers in size. This ancient civilization has an altitude of eight thousand feet and is surrounded by towering green mountains. Although covered in dense bush, it had many agricultural terraces that were sufficient enough to feed the population. Due to water from the natural springs as well as the agricultural terraces, it had the ability to be self-contained. Machu Picchu was created by the Inca culture for the purpose of religious observance.
The Nazca Lines are ancient geolyphs lines made by Nazca people that had an ancient prehistoric culture. They are located in the Nazca Desert in Southern Peru. There are many interesting things about these lines and their incredible structure.
Agriculture was a necessary means of sustaining a healthy society in all types of civilizations across the globe. Fishing and agriculture were the primary means for subsistence to the Moche. The Moche civilizations was w world plagued with droughts and El Nino” (Fagan, 1999, p.3). The need for consistent yields from the crops meant that the people could maintain their economic lifestyles and continue to flourish and survive. It is interesting that the irrigation systems that sustained