The Narrators Perspectives In Raymond Carver's Cathedral

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In the short story, Cathedral by Raymond Carver, the narrators’ perspectives undergo massive change. The narrator of the story starts out being “blind” towards a person’s true character, and he also lacks insight and self-awareness. Ironically a blind man named Robert helps him truly see again. The narrator isn’t actually blind but he has a hard time seeing and understanding perspectives that aren’t his. But throughout the night, Robert and the narrator get to know each other and end up enjoying each other’s company. By the end of the story, the narrator finally accepts Robert for who he is, and could put his feet into Roberts shoes and the narrator learns how to truly “see” from a blind man. Almost in the beginning of the story the narrator …show more content…

Robert helps the narrator see the world in a different light. Physical blindness does not necessarily mean mental blindness; Robert has given the narrator more insight, a better outlook on life without having eyesight himself. In the beginning, the narrator was closed minded, he didn’t want to look at a situation any other way then his own, but Robert opened him up, opened his brain up to the possibility that people are not always who you think they will …show more content…

It expresses that the women behind the wallpaper has no control over the situation, and same goes with the narrator. The women behind the wallpaper cannot get out from behind it, she cannot break it or tear it. While the narrator cannot get out of her husband’s controls, she cannot have the things that she wishes. It started out being that she hated the wallpaper, then she slowly starts to see this formless figure, to now where she believes that there is a woman stuck behind it. Slowly she starts to rip off the wallpaper to help free the women behind it, and she finally becomes the woman behind the wallpaper. She frees herself from the confined room, and her controlling

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