The Jealous Heathcliff of Wuthering Heights
Throughout Wuthering Heights, Heathcliff's personality could be defined as dark, menacing, and brooding. He is a dangerous character, with rapidly changing moods, capable of deep-seeded hatred, and incapable, it seems, of any kind of forgiveness or compromise. In the first 33 chapters, the text clearly establishes Heathcliff as an untamed, volatile, wild man and establishes his great love of Catherine and her usage of him as the source of his ill humor and resentment towards many other characters. However, there are certain tensions, contradictions, and ambiguities present in Chapter 34 that establish the true intensity Heathcliff's feelings towards Catherine; feelings so intense that they border on a jealous obsession.
Chapter 34 begins with a tension in regard to Heathcliff's disposition. Since Heathcliff's countenance has seldom expressed anything but a sullen disposition, certainly nothing even remotely resembling joy, it comes as somewhat of a surprise when in the last chapter, young Cathy, upon seeing Heathcliff, reports that he looks, "almost bright and cheerful -- No, almost nothing -- very much excited, and wild and glad (276)!" This is entirely unlike the Heathcliff that has been established up until this point. Even Nelly, who is well-accustomed to Heathcliff's personality and dark moods is taken aback by the sudden change, so uncharacteristic of his usual temper --"...anxious to ascertain the truth of her statement, for to see the master looking glad would not be an everyday spectacle, I framed an excuse to go in (276)." Since Catherine has previously almost always been the cause of such wild mood fluctuations, it stands to reason th...
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...ving them subtlety and exquisitely through Nelly's narration and observations and through Heathcliff's wild moods and unpredictable actions.
Sources Cited and Consulted
Bronte, Emily. Wuthering Heights. United States of America; Barnes & Noble Inc., 1997.
Hafley, James. "The Villain in Wuthering Heights." Nineteenth-Century Fiction 13 (1958): 199-215.
Fraser, Terence. "The Layered Heathcliff of Wuthering Heights" Modern Language Quarterly 42 (1981): 48-64.
Paris, Bernard J. " 'Hush, hush! He's a Human Being': a Psychological Approach to Heathcliff." Women and Literature 2 (1982): 101-17.
Shunami, Gideon. "The Unreliable Narrator in Wuthering Heights." Nineteenth-Century Fiction 27 (1973): 449-68
Strobos, Semon. "Heathcliff and Nelly Dean as Dialogical Elements in Wuthering Heights." The Nassau Review 6 (1993): 131-39.
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The presentation of Cathy and Heathcliff as physically divided is not only literally seen through the differing households but also through Cathy's own actions and attire.
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With so many distortions, many readers may not appreciate Brontë's book. She takes common elements and greatly exaggerates them. She turns love into obsessive passion, contempt into lifelong vindictive hatred, and peaceful death into the equivalent of burning in hell. In doing so, she not only loaded the book with emotions, but vividly illustrated the outcome if one were to possess these emotions.
“Is she a Capulet? O dear account! my life is my foe’s debt” (1.5.117-118). There are many factors that put pressure on Romeo’s and Juliet’s relationship throughout Shakespeare's Romeo and Juliet. The young couple is effected in many ways by every instance that creates stress which Romeo’s and Juliet’s relationship is being forced to carry. The biggest factors that impact them are, their families ongoing feud, the broken relationships they both have in their families, and all the instances of miscommunication. Through the story of the couple who meet one another at a dance, sneak around at night to see one another, and fight for eachother, they face challenges many challenges, that add stress to their relationship.
The basic conflict of the novel that drives Heathcliff and Catherine apart is social. Written after the Industrial Revolution, Wuthering Heights is influenced by the rise of new fortunes and the middle class in England. Money becomes a new criterion to challenge the traditional criterias of class and family in judging a gentleman’s background. Just as Walpole who portrays the tyrannies of the father figure Manfred and the struggles of the Matilda who wants to marry the peasant Theodore, as depicted in the quote “(…) improbability that either father would consent to bestow his heiress on so poor a man, though nobly born”(p. 89), Brontë depicts a brutal bully Hindley who torments Heathcliff and separates Catherine from him. Heathcliff, a gypsy outcast picked u...
Heathcliff and Catherine have loved each other since their childhood. Initially, Catherine scorned the little gypsy boy; she showed her distaste by “spitting” at him (Brontë 27). However, it was not long before Heathcliff and Catherine became “very think” (Brontë 27). They became very close friends; they were practically brother and sister (Mitchell 122). Heathcliff is intent upon pleasing Catherine. He would “do her bidding in anything” (Brontë 30). He is afraid of “grieving” her (Brontë 40). Heathcliff finds solace and comfort in Catherine’s company. When Catherine is compelled to stay at Thrushcross Grange to recover from her injury, she returns as “a very dignified person” (Brontë 37). Her association with the gente...
The presentation of childhood is a theme that runs through two generations with the novel beginning to reveal the childhood of Catherine and Hindley Earnshaw, and with the arrival of the young Liverpudlian orphan, Heathcliff. In chapter four, Brontë presents Heathcliff’s bulling and abuse at the hands of Hindley as he grows increasingly jealous of Heathcliff for Mr. Earnshaw, his father, has favoured Heathcliff over his own son, “my arm, which is black to the shoulder” the pejorative modifier ‘black’ portrays dark and gothic associations but also shows the extent of the abuse that Heathcliff as a child suffered from his adopted brother. It is this abuse in childhood that shapes Heathcliff’s attitudes towards Hindley and his sadistic nature, as seen in chapter 17, “in rousing his rage a pitch above his malignity” there is hyperbole and melodrama as the cruelty that stemmed from his abuse in childhood has been passed onto Isabella in adulthood.
Bloomfield, Dennis. "An Analysis Of The Causes And Effects Of Sickness And Death In Wuthering Heights." Bronte Studies 36.3 (2011): 289-298. Academic Search Complete. Web. 13 Feb. 2014.
Heathcliff never finds peace through his revenge. In fact, the only time he truly finds happiness is when he gives up his plan for retaliation. Austin O’Malley states “Revenge is like biting a dog that bit you” (O’malley 1). O’Malley’s quote reflects Heathcliff’s immature need to propagate agony in those who have offended him. Heathcliff’s plan for revenge on Edgar and Catherine is to marry Isabella, who is ignorant of love and of men because she has never experienced either. He wants to hurt Edgar because of his marriage to Catherine, and he wants to get revenge on Catherine by making her jealous. Catherine’s death proves that this flawed plan of repayment helps nothing. Heathcliff, haunted by the ghost of Catherine because he is her “murderer,” still is motivated by the need for revenge and tries to get young Cathy away from Edgar by having her marry his son, Linton. Heathcliff never finds peace until he gives up his plan for revenge just before he dies. When Heathcliff gives up his plan for revenge, he meets Catherine in death and truly becomes happy once more.