Several of Edgar Allan Poe’s stories involve what is referred to as the imp of the perverse. The narrators of Poe’s stories commit heinous crimes, though they claim they are completely sane. Each narrator asserts that they could not help but commit the crimes, for they were overwhelmed by perverseness. In “The Tell-Tale Heart” the narrator begins by informing the reader that while he is nervous, he is not mad. Though the narrator is a murderer, he is not so without reason. The story then tells us how the narrator murdered a neighbor, not for money or out of hatred, but because of the neighbor’s pale blue eye. Though the man is dear to him, the narrator was struck by the idea of killing the man, and thus his blue eye, and could not shake the idea. Once the thought of killing the man entered him, he had no choice but act on it. Therefore, the narrator nightly observed the man while he slept for a week; on the eighth night the narrator carefully and stealthily crept into the neighbor’s room to murder him. He is meticulous in his actions, taking an entire hour to enter the room, but the man wakes up and cries out. The narrator pauses, waiting for the man to fall back asleep, but the man does not; the neighbor is terrified and cannot control the pounding of his heart. As the sound of the man’s heartbeat increases, the narrator attacks, dropping a bead on top of the man, killing him. The narrator then dismembers the body, hides the pieces under the floorboards, and cleans up before the police arrive. The narrator greets the police officers warmly and shows them around the house. He is overly confident that his crime is undetectable, almost to the point of arrogance. The narrator loses his nerve, however, when he hears the low thump of... ... middle of paper ... ... that which is Law, merely because we understand it to be such? It is this same perverseness that causes the narrator of “The Imp of the Perverse” to commit his murderous crime, confessing that he, too is “one of the many uncounted victims of the Imp of the Perverse.” While the imp of the perverse is an explanation why each narrator committed their murders, Poe does not seem to be using it as an excuse. Each narrator gives in to the consuming idea that they must do wrong and in the end is discovered. They each pay for their crimes. Poe’s stories gave insight into the natural personas of humans- we all, at least to some extent, have the desire to do things that we know we must not do. But while Poe’s narrators feel that they have no choice but act on the sinful ideas that consume them, which is not so; for acting out perverseness ultimately leads to punishment.
Edgar Allan Poe’s “The Cask of Amontillado,” is a short psychological thriller. The murder of Fortunato haunts Montresor so greatly that he feels the compulsion to tell the story some fifty years after the fact. He appears to be in the late stages of life desperately attempting to remove the stain of murder from his mind. That it is still so fresh and rich in specifics is proof that it has plagued him, “Perhaps the most chilling aspect of reading Poe’s ‘The Cask of Amontillado’ for the first time is not the gruesome tale that Montresor relates, but the sudden, unpredictable, understated revelation that the murder, recounted in its every lurid detail, occurred not yesterday or last week, but a full fifty years prior to the telling” (DiSanza).
After the old man is dead and under the floorboards the police arrive, and the narrator remains calm and his "manor had convinced them.?Villains!" "Dissemble no more! I admit the deed! -- tear up the planks! -- Here, here! -- it is the beating of his hideous heart!" The narrator of "The Tell Tale Heart" shows that he is unreliable. Concluding the questioning by the police, the narrator had a sudden fear and assumed that the policemen have heard the old man?s heart beat. Not only the narrator could hear the old man?s heart beating, but it is assumed (from the audience perspective) that the police could hear the narrator?s heart beating. The narrator listening to the old man?s heart beat is a replacement of his own consciousness that brought out the guiltiness for murdering the old man.
One of the most famous authors in American history is Edgar Allen Poe, thanks to his intricate and unsettling short stories and poems. One of the strongest aspects of Poe’s writing style is the allure and complexity of the narrator of the story. These narrators, ranging from innocent bystanders to psychotic murderers, add depth to such a short story and really allow Poe to explore the themes of death and murder which he seems to have an unhealthy obsession towards. Furthermore, he uses these narrators to give a different perspective in each of his many works and to really unsettle the reader by what is occurring throughout the story. The narrators, whether an innocent witness of death as in "The Fall of the House of Usher" or a twisted murderer as in "The Cask of Amontillado" are used by Poe to discuss the themes of death and murder within these stories and, depending on their point of view, give a different take on such a despicable act such as murder.
In living his life and even in his manner of negotiating death, Poe was a captive of the imp of perversity. But with art as his shield, the realms of perversity became a haven for his troubled soul. . . Perversion is a complex strategy of mind, with its unique principles for regulating the negotiations between desire and authority. To achieve its aims, the perverse strategy employs mechanisms of mystification, concealment and illusion, devices characteristic of the tales of Edgar Allen Poe. The perverse strategy is, as Poe might have put it, a faculty of human soul. (46)
Edgar Allan Poe, a famous American writer and a poet, had written several short stories such as “William Wilson,” “The Fall of the House and Usher,” “The Cask of Amontillado,” and poems such as “The Bells” and “The Raven,” which was one of the most famous poems ever written in English. There is always something different about Poe’s writing. Most of the classical murders make a person ask “who’s done it?” but his writings such as “The Cask of Amontillado” makes one ask the why question “why did he [Montresor] do it?” (Baraban). Every “detail in his [Poe’s] works that appear” has a purpose behind it (Baraban) and he “rarely depended on much dialogue in constructing his stories (Benton). In “The Cask of Amontillado,” Poe uses setting, foreshadowing,
One only needs to look at Edgar Allan Poe's works to see how disturbed he truly was. Poe wrote about men being buried alive, a heart that would not stop beating even after it was taken from the body, a man being tortured by a swinging blade, and a tormented man being haunted by a raven. Why would a person write about such horrors? What demons did he seek to exorcise through his writings? What made him so tormented and cynical? Maybe for Poe it was because both his mother and his bride were snatched from him by tuberculosis. Or maybe it was because the world around him was surrounded by violence and death. Or maybe Poe was just that tortured, due to his broken upbringing.
?The Cask of Amontillado? raises a question pertaining to the multiple character of the self (Davidson 202); Can harmony of one's self be restored once primal impulses have been acted upon? This question proposes the fantasy of crime without consequence (Stepp 60). Edgar Allan Poe uses first person point of view, vivid symbolism and situational irony to show that because of man's inner self, revenge is ultimately not possible.
The Tell-Tale Heart is a horror story about a man who murders his landlord because of his pale blue ‘vulture eye’. Every night at midnight the murderer goes into the old mans room and shines a thin ray of light on the old mans eye. On the eighth night the murderer went into the old mans room and wakes the man up. Yet again the murderer shines the light on the eye to see that it is open, the murderer then suffocates the landlord within his bed. He later confesses, due to his own guilt, that he had done the deed when police come round to his house to investigate.
In "The Tell-Tale Heart", the storyteller tells of his torment. He is tormented by an old man's Evil Eye. The storyteller had no ill will against the old man himself, even saying that he loved him, but the old man's pale blue, filmy eye made his blood run cold. And when the storyteller couldn't take anymore of the Evil Eye looking at him, he said, "I made up my mind to take the life of the old man, and thus rid myself of the eye for ever." This is the start of the storyteller’s madness, and as the reader listens to what he says, the madness within the storyteller becomes very apparent.
In conclusion, in both of these works by Edgar Allen Poe, the need for revenge consumed their internal fears and insecurities to perform those cruel acts. But, both of the people discussed showed signs of remorse that in a way formed the character. It is up to the reader of this paper to determine if revenge is really an aspect of human nature.
Poe has given his narrator in “The Tell Tale Heart” multiple currently diagnosable psychological disorders: bipolarity, obsessive compulsive disorder, psychopathy, paranoia. Although he is a psychopath by Hare’s definition, among the disorders, the narrator’s sense of fear is overwhelmingly the most motivating. On a first reading, it might seem that the narrator committed murder because of his unjustified hatred towards the victim, or more specifically, the victim’s “evil eye.” And later, he confesses to his crime because of the overwhelming guilt he feels which causes him to hear the beating of the dead man’s heart. However, as a psychopath, the narrator is incapable of feeling guilt. I will demonstrate that it is not hatred toward what is outside of the self that drove the narrator to murder and confession but the hatred and the immense fear of the insane side of himself that drove him to such irrational actions.
Edgar Allan Poe’s “The Cask of Amontillado” is a frightening and entertaining short story about the severe consequences that result from persistent mockery and an unforgiving heart. Poe’s excellent use of Gothicism within the story sets the perfect tone for a dark and sinister plot of murder to unfold. “The Cask of Amontillado” simply overflows with various themes and other literary elements that result from Poe’s Gothic style of writing. Of these various themes, one that tends to dominant the story as a whole is the theme of revenge, which Poe supports with his sophisticated use of direct and indirect factors, irony, and symbolism.
Does the narrator show weakness through this mental illness or is it a sophistical mind of a genius? This is the question that must be answered here. Throughout this discussion we will prove that the narrator is a man of a conscience mind and committed the crime of murder. Along with that we will expose Poe’s true significance of writing this short story, and how people were getting away with crime by justifying that they were insane.
The story is told through the subjective viewpoint of the narrator who begins by telling the reader he is writing this narrative to unburden his soul because he will die tomorrow. The events that brought him to this place in time have “…terrified, tortured and destroyed him” (Poe). This sets a suspenseful tone for the story. He blames the Fiend Intemperance for the alteration of his personality. He went from a very docile, tenderhearted man who loved his pets and wife to a violent man who inflicted this ill temperament on the very things he loves. The final break from the man that he once was, is the “…spirit of PERVERSENESS” (Poe 514). He describes this as doing something wrong because you know it is wrong. Evil consumes his every thought and he soon develops a hatred for everything. “Speaking through his narrators," Poe illustrates perversit...
...em of what individuals are capable of doing. This is depicted in Poe’s short story by showcasing the process and reasons for the ways certain individuals may retaliate and act due to certain fears or obsessions. (37)