The Great Gatsby

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A circus is an ensemble of talented performers, artists, trainers, and vendors who turn empty fields into a phenomenal place where acrobats fly over crowds, trainers tame wild animals and magicians amaze audiences all while under the control of the leading man - the ringmaster. The ringmaster, the most visible performer and most important part of the show, maintains an exposition capable of captivating an audience. In F. Scott Fitzgerald's The Great Gatsby, Jay Gatsby exemplifies such a character. The life Gatsby creates becomes a circus act that, in the end, prevents him from reclaiming Daisy Buchanan’s love.

Everyone at Gatsby’s parties becomes an act in his great circus because the environment Gatsby creates reduces them to an attraction rather than a person. Prior to the Buchanans’ first appearance at one of Gatsby’s parties, the social context of the novel places a large importance on wealth and status. However, at Gatsby’s parties, this importance shifts. For instance, Gatsby introduces Tom as “the polo player,” and he “remained ‘the polo player’ for the rest of the evening” (105). Tom Buchanan, the idly rich man who comes from an old family with old money, becomes a spectacle by receiving a title that makes him the most entertaining, a title with no regard to his established name or status. At another of Gatsby’s parties, “a tall, red-haired young lady from a famous chorus, engaged in song,” but “whenever there was a pause in the song she filled it with gasping, broken sobs, and then took up the lyric again in a quavering soprano” (51). This famous lady’s woebegone performance becomes another act in the show when she makes a fool of herself. People do not judge her, or call her over emotional. Instead, the crowds stand by...

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...spite James Gatz’s fallacies of the traditionally rich, his circus act manages to capture the attention of Daisy and thousands of other guests. While constructing his extraordinary show, he also creates, and becomes, the character of Jay Gatsby. However, Gatsby is no more than - and can never be more than - an illusion designed by Gatz to create an appearance of opulence capable of attaining Tom status and acquiring Daisy. In the end, when Gatz’s circus breaks down, every element of the great Gatsby and his show reveals itself as the guise it all is. Like a circus, Jay Gatsby can only exist temporarily, for if either exists for too long, someone can peek behind the curtain and reveal the numerous allusions, flaws, and lies used to fool crowds into believing in the greatness of the circus.

Works Cited

Fitzgerald, Scott. The Great Gatsby. New York: Scribner, 2004.

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