The Golden Age: The Golden Age Of Japanese Cinema

1257 Words3 Pages

The Golden Age of Japanese cinema was the product of postwar Allied occupation, a classical vertically integrated studio system, technical innovations in cinematography, and ingenious directors, set against a backdrop of 1950s political and cultural realignment. Following the unprecedented destruction of the cities of Hiroshima and Nagasaki, and the surrender of the Empire of Japan to Allied forces in September, 1945, the Japanese government came under control of Allied Occupation Forces from 1945-52, with General Douglas MacArthur serving as Supreme Commander of the Allied Powers (SCAP). Under MacArthur’s office, also known as SCAP, Japan was designated as, “the bulwark of Asia’s capitalism and democracy” (Thompson & Bordwell, 2009, p. 462), making the nation ripe for political and economic …show more content…

Drawing on pictorial traditions as venerable as sumi-e (black and white ink brush painting), yamato-e (landscape painting in the Japanese style), and emaki-mono (narrative picture scrolls), the Japanese cinema was characterized by a pictorial elegance not seen anywhere else in the world. A propensity for long takes and long shots gave many of the films a stately, leisurely, contemplative pacing that appealed to many young film critics and filmmakers. The creation of mood, of tone, was similarly a unique property of the Japanese cinema. Combined with many theatrical elements, the films presented themselves as the product of a culture that seemed far from the one that waged fierce war on the world. The stylistic experiments of Kurosawa (one of the rare directors who were as comfortable with dynamic montage as he was with long takes) and Ozu (a filmmaker virtually unique, but not sui generis, with his graphic matches, narrative ellipses, dramatic de-emphasis, and singular thematic concern) grew out of a prolific, varied, and exciting cinematic period. (Grant p.

Open Document