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Othello and gender roles problems
Desdemona's nature in Othello
Analysis of othello
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Attributes of human character show the fluidity of one’s nature. This reveals the path an individual will follow, and how easy they will be to break. In Othello, William Shakespeare argued that individuals resemble water in that they take the shape of the container they are placed in. When the container cracks, they will come undone, unless they are frozen and can maintain their shape but will become severed. The properties of water and ice are directly contrasted within the characters of the play through their behaviour, the containers they dwell in, and their wounds once these containers face damage.
Water will flow where it is directed, whereas ice will remain in its original state , unless chipped or shattered. Desdemona’s faith in her
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Through her relationship and marriage to Othello she continued to hope “that [their] loves and comforts [would] increase/ Even as [their] days [did] grow.” (II.i.190-191) Othello’s fluidity highlighted this as he remarked of the overwhelming comfort Desdemona brought him (II.i.187-194) which is further observed as “his soul is so enfetter’d to her love/That she may make, unmake, [and] do what she list.” (II.iii.316-317) Through this contrast Desdemona’s resolve and wishes regarding her marriage enhanced the audience’s devastation as Othello betrayed her by taking her life (V.i. 1-83) and she continued to support him by giving him a way out of his betrayal as her last act of kindness and love. (V. ii. 119-125) These properties carried through on her values of her role within society, and how she desired to fill her societal role of a wife. Dumbfounded that anyone would ever cheat on their husband, her friendship with Emilia , underlined her values in Emilia’s perspective of them and allowed for Desdemona’s vice of undying goodness to be seen further. While Othello asked Emilia if she ever saw Desdemona be unfaithful to him, Emilia defended her truthfulness and her innocence . (IV.ii.1-23) This allowed for Desdemona’s rigid virtue to be focussed on and examined in it’s future vulnerability. Through these containers of marriage, societal roles, and friendship, Desdemona to remain “honest, …show more content…
In Othello poisoned “into a jealousy so strong/that judgement cannot cure” (II.i.289-290), their marriage was severely damaged. Desdemona’s opinions of his onset jealous were laced with sadness and disbelief in his fluidity of love for her. Her faith in him, however, remained to a fault. While the container of her marriage was fractured, they transposed onto Desdemona herself which caused the beginning of chips and cracks. One aspect that cut up their marriage was their mistrust of one another. Othello “bewhored her, /Thrown such despite and heavy terms upon her/as true hearts cannot bear” (IV.ii.115-117) in an anger that melted any of his values, wrapped around the idea of his wife’s infidelity easily. His pliant thoughts allowed for him to spill over their marriage, through the cracks, uncontrollably. Desdemona worried about his reaction to the lost handkerchief (III.iv. 18-26), wanting to please her husband and fearing his reaction although she let herself believe that it wouldn’t upset him. These differences in their states, severed any chances of communication as Othello overflowed and Desdemona remained suspended and easy to
Foremost, Desdemona is a round character because she exhibits Christ-like traits. Her Madonna-like actions are most obvious in her relationships with Cassio and Emilia. With Cassio, she seeks to restore his rank as well as his friendship with Othello. Desdemona states “I would do much t’ atone them… for the love I bear for Cassio.” Her desire to reinstate Cassio’s reputation is noble and selfless- traits that Jesus epitomizes. Dr. Greg Maillet, English professor at Crandall University, relates Desdemona’s proclamation to the biblical scripture “bear ye one another’s burdens” (Maillet). Maillet’s connection reiterates Desdemona’s role as a representation of a Christ-like figure. Similarly, Desdemona uses her untainted nature to gain a loyal and loving friendship with Emilia. Ultimately, Emilia’s admiration of Desdemona influences her to speak the truth against her husband Iago. Emilia’s admission pardons her from the guilt she holds for partaking in Iago’s heinous deed. In a way, Desdemona’s influence is the source of Emilia’s salvation before her death just as Jesus did for man. However, the most prominent act that links Desdemona to a Christ-l...
These behaviours allude towards tension due to their dissimilarity to the accustomed conduct of Othello and Desdemona. Desdemona’s growing fear of Othello is evident. in the precautions she takes to avoid his anger. Desdemona places the importance of Othello’s commands above her need to confide in Emilia.... ...
The society in which Othello takes place is a patriarchal one, where men had complete control over women. They were seen as possessions rather than being just as equally human and capable of duties performed by men. All women of the Elizabethan were to obey all men, fathers, brothers, husbands, etc. Which leads me to the most reliable and trustworthy character of Desdemona, whom goes through many trials just to satisfy her love. Shakespeare brings the thought of Desdemona into the play by Barbantio, her father, “It is too true an evil. Gone she is....Oh, she deceives me Past thought! …” (1.1.163)(1.1.168-169), whom has just found she has taken off with Othello and firstly suspects they have been hitched. Shakespeare gives reader the impression Desdemona is a devious imp full of disrespect towards her father. However, surpassing normal tradition of asking of her fathers’ permission to wed, Desdemona ran off and did marry the moor. This in a sense was her emancipation of her father’s possessiveness and oblivion of Othello’s dominance over her. Othello replies to Barbantio’s accusation, sedating or using black magic on his daughter, by saying, “My very noble and approved good masters, That I have ta’en away this old man’s daughter. It is most true.” (1.3.79-81), which brings me to the claim that Desdemona’s character in this tragedy, was only to become and to serve as Othello’s private possession rather than a typical beloved daughter or wife as in modern time. Shakespeare bases this tragedy on the foundation of Desdemona’s character by the symbol of the discrimination of women in the Shakespearean time era. Desdemona even for the first and only time within the play stands up and challenges her inferiority under her father’s aut...
Desdemona is a victim of both Othello’s jealousy (the ‘green-eyed monster’) and Iago’s malevolence. However, as a literary construct, she is unable to prevent herself from falling victim to the hamartia of Othello and his hubris, an essential flaw in the tragic hero according to Aristotle. His pride is wounded by the idea that society would consider him emasculate due to having been cuckolded – in this sense, her fate was inevitable. Another of Aristotle’s theories purports that catharsis (often experienced following the death of the tragic victim) is a vital component of tragedy; as a great tragedy, catharsis must certainly be felt by the audience of Othello. However, the purging of emotions should surely only be felt towards characters which are genuinely liked, demonstrating the intricate link between pity and likability and highlighting the paradox in Auden’s statement: the audience must like Desdemona to some extent for her death to have a dramatic effect. Regardless of personal opinions on Desdemona, it is an upsetting final thought for the audience that there seems to be little hope for their own lives if evil can prevail over someone so good and taint something as beautiful as Othello and Desdemona’s love.
In William Shakespeare’s tragic play Othello we see a very exceptional woman in the person of Desdemona, wife of the general. She, as Cassio says, is a “paragon” of virtues, unlike the other female characters in the drama.
As the details of her recent marriage to Othello unfold, Desdemona appears to be a woman driven by emotions. She marries a man because he has shared his stories of grand adventure. In order to do so, she elopes from her loving father’s house in the middle of the night. These seem like actions of emotion stemming from her love – or possibly infatuation – for Othello. Contradictory to this, when asked to speak about her willingness to enter the marriage, she responds with a very clear and sensible reason for staying with Othello:
These lines are the first hint given that Desdemona may not have always been completely captivated by her husband. These words, not denied by Othello, sit in contrast to his own. Upon hearing her words, Othello seems a changed man, depressed and submissive, his new attitude brought on by “Desdemona’s own honest account of her original feelings for Othello and the role Cassio played in Othello’s winning of her” (Macaulay 269). With just a little concern for Othello’s own pride, Desdemona have chosen to withhold some words or soften their blow. Instead, her own pride continues to lead her headlong onto a destructive
From this point on, Othello insecurity manifests into a seemingly irrational fear of being cuckolded, and his self-perceived worth diminishes exponentially. Othello comments on the likelihood of Desdemona cheating, by explaining how it may be “for [he is] black / And have not those soft parts of conversation / That chamberers have…” (3.3.280-282) Othello’s frustration with the threat of being cuckolded puts strain on his relationship with Desdemona, and she quickly becomes a victim of domestic abuse. For example, Othello acts as an interrogator, demanding to see the handkerchief which he gave her that symbolizes faithfulness and commitment towards Othello. (Quotation) When she is unable to produce their symbol of trust, Othello’s anger manifests inside him. The audience is shown a stark contrast to Othello’s typically cool, collected and composted nature. This abrupt and irrational change in behaviour is emphasized when Othello strikes Desdemona in front of Lordovico, (4.1.245) Othello’s
The main character, Othello, is a very interesting character. He is bold is every wear. He is an insecure person. His only experiences are the ones that he has had on the battlefield. He is a General who is a strong willed and is demanding, in his own way. He is socially inexperienced, and you can tell by the marriage that is apparent. The way that Othello treats Desdemona. You almost feel as if he has a kind of control over her. When Othello thought and suspected that Desdemona was having an affair, he confronts her. That is then followed by her death. [scene 5 act 2]Desdemona "O banish me, my lord, but kill me not!Othello: Down, strumpet! Desdemona: Kill me tomorrow, let me live tonight. Othello: Nay if you strive- Desdemona: But half an hour! Desdemona: But while I say one prayer!- Othello then proceeds to strangle Desdemona. He was best described as " one that loved not wisely, but too well." It almost seemed as if he had so much love and trusted D...
Throughout the play, the sweet and old-fashioned Desdemona shows to be a satisfying wife and a great friend, and she also denotes unquestionable ignorance to her surroundings. On the other hand, the open minded and slightly cynical Emilia supplies a huge contrast to her mistresses’ persona; a feminist way ahead of her time. Despite coming from different social backgrounds and having different personalities, both women find the same faith by dying at the hands of their own husbands. But still, even when they do share a handful of similarities, it is their perception of life that makes them react in different ways. However, Desdemona is the one that is least aware of what is happening due to her undoubtedly naiveness.
Othello wrote by William Shakespeare is a story describe many things that happened during one’s relationship among different characters, but the most typical couple that I’m going to talk are Othello and Desdemona. After they are both married at the first act of the play, then there are controversy has started offen between two of them. First of all, causes of these controversial are from that they both have different color of skin as Othello is black and Desdemona is white, which is the issue of the long time ago when people still judgment and believe that is a bad thing. Second of all, Othello is older than Desmona which mean he believes he has more control on his wife. But moreover, Othello was cheated by his subordinate then he turn his back on Desdemona and doubted on Desmona oftenly, this is the beginning of all the troubles in the story.
Considered one of the most famous literary works of William Shakespeare of all time, the play of “Othello” is a classic for any fan of tragedy. The protagonist, Othello is a powerful general for the army of Venice and has accomplished much in his lifetime. During the course of his lifetime, he has fallen in love and married a Venetian woman named Desdemona. Due to many conflicts from Desdemona and Othello’s marriage, Othello assumes that Desdemona has cheated on him and so Othello decides to kill her. After words, Othello discovers that Desdemona’s affair was false and only devised by his fellow acquaintance and the antagonist of the play, Iago.
Desdemona demonstrates weakness in her love for Othello and by taking his abuse. At the beginning of the play, Desdemona feels she must accompany Othello to Cyprus in war. This can be looked at as her being a strong woman, but she truly is not since the real reason she wants to go is because she can not be seperated from Othello. "If I be left behind A moth of peace and he go to the war, The rites for which I love him are bereft me,And I a heavy interim shall support by his dear absence. Let me go with him." (Act 1, scene 3, line 250) She feels that she loves him so much, she can not be alone or without him. This is a trait of the stereotypical damsel. When Othello hits her in public, she does not get angry with him but begins to cry. " 'Tis very much.Make her amends, she
Farewell” (V.ii.125). This moment conveys how subservient Desdemona is, despite being fully innocent. Desdemona conforms to societal norms at the time, in which women took the blame for any infidelity. Emilia, on the other hand, is a proto-feminist who persuades Desdemona to step up against the status quo: “But I do think it is their husbands' faults / If wives do fall… Let husbands know / Their wives have sense like them” (IV.iii. 97-98, 104- 105).
Desdemona is very proper, speaking with purpose and poise, influenced by her nobility. When speaking with Othello she says, “Why that’s with watching, ‘twill away again. / Let me but bind it hard, within this hour / It will be well.” (3.3. ??).