Throughout Cormac McCarthy's, The Road, there are many cases where the boy questions his father's actions. Based on these actions, the boy keeps questioning the man about whether or not they are the good or bad guys. In The Road, the father is willing to murder, consider suicide and ignore helping others, but the boy serves as his father's conscience throughout the novel.
"Killed or be killed," is a very big dilemma, especially in a world where most people have lost all of their morality. The father seems to think that killing is okay for the sake of survival but the little boy sees it differently. When the boy and man were attacked by the "roadrat". The father shoots the "roadrat" and almost instantly knows what he did was wrong because he
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For example, when the little boy spotted the other little boy, he desperately wanted to find him and help him. The father refused to help the other little boy and responded to him, "do you want to die, is that what you want?" (85). The little boy does not see the harm in helping what could be a helpless boy but the father sees all the negatives and the bad things that could come from helping. In fact, the father actually tries convincing the boy that there was no little boy and it was all in his head. The father and son do not see eye to eye due to the fact that they were taught different morals, by different people, in an old and new world. Another situation is when the boy wants to help the man on the road who was struck by lightning. The boy repeatedly tried to get his father to help but "we have nothing to give him. We have no way to help him, " was all the man could respond (50). Deep down inside the little boy knew there was something that his father could have done. The man even knew he could help the man struck by lightning but ignored the fact he could help. The boy really starts to question if they are truly good guys and, in fact, complains, "in the stories we're always helping people and we dont help people" (268). There was only one case when the father listened to the little boy and that is when they found the ninety-year-old man, Ely, and helped him by
He always wants to help someone else in need before himself, whereas the father is only concerned about their own personal wellbeings. He “is the one” who worries about their ethical choices and wants to help a stranger in any way he can (259). McCarthy proves the importance of the boy’s spirit of love for other people when his dad dies and he must take the leap of faith to continue along the road with a new family. Despite all the corrupted people they encountered beforehand, the boy meets someone who is “carrying the fire” (129). This mantra by the father and son, symbolizes hope and humanity. The qualities Steinbeck labels for a writer to create in his writings can be summed up in “carrying the fire” since the two never did give up. It is the greatness of the heart and spirit Steinbeck notes that is “inside [them]. [And] [i]t [is] always there” (279). It is noteworthy that even in the midst of death and ashes, the two are able to hold onto their relationship and sanity. The “good guys” can continue to carry meaning and structure in their lives, even in a time where society turned into a battle to survive on the remnants of
It’s the year 2028, and the world we used to know as bright and beautiful is no longer thriving with light. A disease similar to the plague broke out and caused great havoc. Although it may seem like forever ago, sickness spread only a few years ago. The Road by Cormac McCarthy is about a man and his son who fortunately survived this sickness; although they made it, the struggle to keep going is tough. Before most of the population became deceased, people went insane. They started to bomb houses, burn down businesses and towns, and destroy the environment. Anyone who had the disease was bad blood. Many saw it as the end of the world, which in many cases was true.
When the man and boy meet people on the road, the boy has sympathy for them, but his father is more concerned with keeping them both alive. The boy is able to get his father to show kindness to the strangers (McCarthy), however reluctantly the kindness is given. The boy’s main concern is to be a good guy. Being the good guy is one of the major reasons the boy has for continuing down the road with his father. He does not see there is much of a point to life if he is not helping other people. The boy wants to be sure he and his father help people and continue to carry the fire. The boy is the man’s strength and therefore courage, but the man does not know how the boy worries about him how the boy’s will to live depends so much on his
The Road by Cormac McCarthy is about a father and son who are surrounded by an apocalyptic world where they are trying to survive. Many of McCarthy’s books are about negative or violent times like Blood Meridian and All The Pretty Horses. McCarthy enjoys writing about the terror in the real world. When writing literature, he avoids using commas and quotation marks.. Many works of literature have a plethora of themes throughout them, in The Road, the theme that sticks out the most is paternal love. The boy is the only thing that stands between the man and death. Aside from that, the father doesn’t kill anyone for food, he only takes the life of people who threaten the boy. Lastly, the man allows the boy have the last of their supplies, food,
This story contains an almost equal balance of good and evil, though it also raises questions of what is truly good. It blurs the line between good and selfish or thoughtless. Characters’ actions sometimes appear impure, but in the long run, are good.
It is often said that a dog is a man’s best friend. In Cormac McCarthy’s novel, The Crossing, a deep affection and fondness are established between man and animal. In a particular excerpt from the novel, Cormac illustrates the protagonist’s sorrow that was prompted from the wolf’s tragic death. As blood stiffens his trousers, the main character seeks to overcome the cold weather and fatigue with hopes of finding the perfect burial site for the wolf. McCarthy uses detailed descriptions and terminology in his novel, The Crossing, to convey the impact of the wolf’s death on the protagonist, a sad experience incorporated with religious allusions and made unique by the main character’s point of view.
The Road, a post-apocalyptic, survival skills fiction book written by Cormac McCarthy and published in 2006 is part of the Oprah Winfrey book club. During an interview with Oprah, McCarthy answered questions about The Road that he had never been asked before because pervious to the interview he had never been interviewed. Oprah asked what inspired the heart breaking book; it turns out that McCarthy wrote the book after taking a vacation with his son John. While on the vacation he imagined the world fifty years later and seen fire in the distant hills. After the book was finished, McCarthy dedicated it to his son, John. Throughout the book McCarthy included things that he knows he and his son would do and conversations that he thinks they may have had. (Cormac). Some question if the book is worth reading for college course writing classes because of the amount of common writing “rule breaks”. After reading and doing assignments to go along with The Road, I strongly believe that the novel should be required for more college courses such as Writing and Rhetoric II. McCarthy wrote the book in a way to force readers to get out of their comfort zones; the book has a great storyline; so doing the assignments are fairly easy, and embedded in the book are several brilliant survival tactics.
No matter what it is the child tries to help others without thinking of consequences. While on the road, the son spots a small figure on the distant road that was “bent and shuffling,” and once they caught up to the figure they found out that it was a “man with no shoes at all” and his feet were “wrapped in rags”(McCarthy 83). While the father called out for the man, the boy’s first instinct was to “put a hand on his shoulder,” look up to his father and say “He’s scared, Papa. The man is scared.”(McCarthy 84). While convincing the father, the son, who has not been negatively influenced by actions or events, has no idea of what dangers or if the man is a trap/ambush which may happen while he is talking to this man and attempting to help him. Another aspect to the child’s purity is when the boy reminds his father that they do not treat others on the road with compassion and goodness like the stories his father tells them to try to keep their spirits up. While the father and son were stuck in a building, the father offered to tell the son a story and instantly and said “No.” with the explanation that the “stories are not true.” and that “in the stories we're always helping people and we don’t help people” (McCarthy 138). The son in this circumstance is unhappy
The Road, by Cormac McCarthy, follows the journey of a father and a son who are faced with the struggle to survive in a post-apocalyptic world. The two main characters are faced with endeavors that test a core characteristic of their beings: their responsibilities to themselves and to the world around them. This responsibility drives every action between the characters of the novel and manifests in many different ways. Responsibility is shown through three key interactions: the man to the boy, the boy to the man, and the boy to the rest of the world. It is this responsibility that separates McCarthy’s book from those of the same genre.
Every person reaches a point in their lives when they must define themselves in relation to their parents. We all come through this experience differently, depending on our parents and the situation that we are in. For some people the experience comes very early in their lives, and can be a significant life changing experience. In William Faulkner’s “Barn Burning” Colonel Sartoris Snopes must decide either to stand with his father and compromise his integrity, or embrace honesty and morality and condemn his family. This is a difficult decision to make, especially for a ten year old boy that has nothing outside of what his father provides. Sarty’s decision to ultimately betray his father is dependent on his observation of Abner’s character and the conflict he feels concerning Abner.
...s son live by seven rules that make them the good guys. They do what they have to do to survive, without compromising their morals. They are the epitome of a light shining in the darkness. The conflict of the father and son’s polar opposite personalities is exemplified when looking at how they feel about the rules. The child has ease with following every rule but number six, whereas the father has trouble with every rule but number six. This shows that maybe the characters complete each other. This also shows that maybe the son is better cut out for living in this kind of world than his father is. That fact shows that the father taught the child correctly.
The Father, is one of the protagonists of the novel The Road, throughout the novel his name is unknown and he has a young son. Likewise the readers do not know the year and the name of the place where they both live, because due to some unknown disaster the world has been destroyed and it looks dark in darkles world. Being a protagonist in a post-apocalyptic world, the father believes that he has been entrusted by the God to keep the boy safe and to protect him from harm and the evils from the world. Even he thinks that before getting hold by the other survivors he wants to kill his own son. He wonders if he has it in him to do harm to his own son, he is the only source of light in the man’s world. so, he must to himself and
The structure and language used is essential in depicting the effect that the need for survival has had upon both The Man and The Boy in The Road. The novel begins in media res, meaning in the middle of things. Because the plot isn’t typically panned out, the reader is left feeling similar to the characters: weary, wondering where the end is, and what is going to happen. McCarthy ensures the language is minimalistic throughout, illustrating the bleak nature of the post-apocalyptic setting and showing the detachment that the characters have from any sort of civilisation. Vivid imagery is important in The Road, to construct a portrait in the reader's mind that is filled with hopelessness, convincing us to accept that daily survival is the only practical option. He employs effective use of indirect discourse marker, so we feel as if we are in the man’s thought. The reader is provided with such intense descriptions of the bleak landscape to offer a feeling of truly seeing the need for survival both The Man and The Boy have. The reader feels no sense of closu...
With the son’s fear amongst the possibility of death being near McCarthy focuses deeply in the father’s frustration as well. “If only my heart were stone” are words McCarthy uses this as a way illustrate the emotional worries the characters had. ( McCarthy pg.11). Overall, the journey of isolation affected the boy just as the man both outward and innerly. The boys’ journey through the road made him weak and without a chance of any hope. McCarthy states, “Ever is a long time. But the boy knew what he knew. That ever is no time at all” (McCarthy pg. 28). The years of journey had got the best of both, where they no longer had much expectation for
At first the relationship between a father and his son can be perceived as a simple companionship. However, this bond can potentially evolve into more of a dynamic fitting relationship. In The Road The Man and his son have to depend on one another because they each hold a piece of each other. The Man holds his sons sense of adulthood while the son posses his father’s innocence. This reliance between the father and son create a relationship where they need each other in order to stay alive. “The boy was all that stood between him and death.” (McCarthy 29) It is evident that without a reason to live, in this case his son, The Man has no motivation to continue living his life. It essentially proves how the boy needs his father to love and protect him, while the father needs the boy to fuel ...