Far Away Stalker In the story “The Far and the Near” by Thomas Wolfe, the point of view in which the story is told is third person limited. From this standpoint we can understand the conductor’s feelings, thoughts, and memories. Through a majority of the story he tells us of his feelings and imaginative life of the woman and her daughter in the pretty little cottage. Once the man gets to meet the ladies, we are given a whole new perspective of the women compared to before he met them. If the point of view were to be changed from the conductor, then the significant points of the story would drastically change and, in turn, change the whole story. For over 20 years, the man loyally conducted the train by himself. He had the same route past the same places during his entire career on the train. All these trips he spent alone with his thoughts and feelings. In his time of service, the man had seen/experienced several rough spots. He had killed a handful of people and even children with his big lonely machine. Only adding to his loneliness and sadness, the man looked for good where he could. The good he found was the woman and her daughter. ”No matter what peril or tragedy he had known, the vision of the little house and the …show more content…
The main character's thoughts, feelings, and actions play into the plot in a profound way. By depicting the man’s feelings and perceptions of his day, it makes it very unique and could find the same meaning if the point of view was not the man's. He would seem absolutely crazy if we couldn’t see he thoughts or emotions. As a result of having access to the man's thoughts it builds up better suspense to meeting the women and really gives the story a purpose. With a different set of eye to this story it would be seen as useless and confusing by being deprived of the feeling felt towards these women and their home and the solace they gave the man’s
The point of view also gives the readers a better insight about the interworking of a character’s mind. For example, when Father Benito is telling Huitzitzilin ‘[t]his is not your sin. It was his alone. I know that in my country a man would have done the same to a woman, but still, it is his sin, and not the woman’s. May I ask you to forgive him now so that the anguish might disappear (53)?.
Point of view is one of the single greatest assets an author can use. It helps to move the plot along and show what is happening from a character’s perspective. An author can make the plot more complex by introducing several characters that the reader has to view events through. The events can then be seen through different eyes and mindsets forcing the reader to view the character in a different light. From one perspective a character can seem cruel, yet, from another, the same character can seem like a hero. These vastly contrasting views can be influenced based on the point of view, a character’s background, and the emotions towards them. The novel Love Medicine by Louise Erdrich showcases some examples of events seen from different points
The point of view from the narrators perspective, highlights how self-absorbed and narrow-minded he is. “They’d married, lived and worked together, slept together—had sex, sure—and then the blind man had to bury her. All this without his having ever seen what the goddamned woman looked like. It was beyond my understanding” (Carver...
view. The narrator is able to delve into Andy’s thoughts and feelings but is also able to
It tells the story of a woman who lives secluded in mind, body, and soul for about three months in what is a “hereditary estate” (Gilman 462) , but how she portrays to the reader as “a haunted mansion” (Gilman 463). Extremely unhappy in her current situation (a suffering woman who nobody believes is truly ill), she escapes through her writing. Having to keep her passion of writing a secret and hiding it from her husband, housekeeper, family and friends, the story has untold endings to her thoughts due to the abrupt arrival of unexpected guests. The diary helps us to see the quick, spiraling downfall and eventual breakdown of an unstable woman whose isolation from society may have encouraged her imminent disease. Through quickly written journal entries, the audience can see the unfolding of the unstable woman. This enlarges the view of the narrative because it helps show a plot line of the progression of an illness (which is the theme as a whole of the
...s important both symbolically and literally within the novel. Since manhood and masculine features are so heavily valued within this society, the challenge of one’s personality or actions can completely change them and push them to drastic measures.
In “A Long Way Gone”, we follow a twelve-year-old African boy, Ishmael Beah, who was in the midst, let alone survived a civil war in Sierra Leone, that turned his world upside down. Ishmael was a kind and innocent boy, who lived in a village where everybody knew each other and happiness was clearly vibrant amongst all the villagers. Throughout the novel, he describes the horrific scenes he encounters that would seem unreal and traumatizing to any reader. The main key to his survival is family, who swap out from being related to becoming non-blood related people who he journeys with and meets along his journey by chance.
The narrator’s name is unknown through out the story, yet at the beginning the reader is given her husbands’ name (John), and the narrator’s identity through the novella is as John’s wife, who is dominated by John in their relationship. This effect created by Gillman masterfully establishes the lack of a female determined identity. He diagnoses her, and with the exception of her being tired and wanting to write, John continues to establish that her health is unwell. John is the dominant personality in the marriage he does not see her as an equal in their relationship. This is a wonderful tone and mood used to reflect the cultural norm at the time of Gillman's writing. She is not viewed as an equal, she is treated like and often referred to as being a child. When she decides that she likes a downstairs bedroom next to the nursery, John insists on her having the bedroom upstairs with the yellow wallpaper. The narrator/wife hates the color of the room and describes the color as “repellent, almost revolting” (432) When she asks for her husband to change the color, he decides to not give in to her wants, and the reader is informed that John, who knows best, does this for her benefit. It is reflective of a parent not wanting to give into their child's whims for fear the child will become spoiled and will expect to get everything they ask for. Though her husband belittles her, she still praises everything he does and sees everything he is doing for...
The narrator's insensitivity reveals itself early in the story when his wife's blind friend, Robert, comes for a visit after the death of his wife. Almost immediately in the beginning of the story the narrator admits "A blind man in my house was not something I looked forward to." [Carver 2368] He even goes so far as to suggest to his wife that he take the man bowling. He hears the story of Robert's dead wife and can not even imagine " what a pitiful life this woman must have led." [Carver 2370] The narrator is superficial, only recognizing the external part of people and not recognizing the value of a person on the inside.
All in all, Chris McCandless is a contradictory idealist. He was motivated by his charity but so cruel to his parents and friends. He redefined the implication of life, but ended his life in a lonely bus because of starvation, which he was always fighting against. Nevertheless, Chris and the readers all understand that “happiness only real when shared.” (129; chap.18) Maybe it’s paramount to the people who are now alive.
The protagonist Hazel in ‘Yesterday’s Weather’ carries the insights of her slightly unhappy marriage and her motherhood. The story illustrates the occurrence of family gathering and how Hazel was affected by this particular trip. In this piece of the story, the readers will pick up on Hazel’s using the third person narration. “Third person limited point of view offers the thoughts and motivations of only one character” (Wilson, M & Clark, R. (n.d.)). That is to say, third person’s usage in the story is only able to give the set of emotion and actions. Therefore, limits the ability for the readers to see the insight of the other characters in the story.
In the story, the narrator is forced to tell her story through a secret correspondence with the reader since her husband forbids her to write and would “meet [her] with heavy opposition” should he find her doing so (390). The woman’s secret correspondence with the reader is yet another example of the limited viewpoint, for no one else is ever around to comment or give their thoughts on what is occurring. The limited perspective the reader sees through her narration plays an essential role in helping the reader understand the theme by showing the woman’s place in the world. At ...
The second person point of view helps the reader to connect with the girl in this story. It shows the reader a better understanding of this character and how she is being raised to be a respectable woman. This point of view also gives us an insight on the life of women and shows us how they fit into their society. Through this point of view, the reader can also identify the important aspects of the social class and culture. The daughter tries to assert a sense of selfhood by replying to the mother but it is visible that the mother is being over whelming and constraining her daughter to prepare her for
Without realizing it, she has created a struggle between a friend in whom she can confide but cannot love like a husband and a husband whom she can love as such, but in whom she cannot confide. The saddest part of the story, and the part which finally shows the consequences of the wife 's ineptitude, is the final scene. Upon awakening from a stoned slumber, she finds her blindman, her confidant, sharing a close conversation with her husband, her greatest desire, as they draw a picture of a Cathedral together. Her makes her jealousy evident when she exclaims, “What are you doing? Tell me, I want to know...What 's going on?” like a child shouting to be heard (Carver 193). Her desperate tone stems form the fact that she must observe her heart 's greatest desire occur before her eyes, but from the side lines. She so desperately desires to become a part of the relationship forming between her husband and the blind man, but she cannot. Once again she falls behind, this time spiritually as her husband experiences a revelation, while she remains in the dark. The husband realizes the importance letting people “in” ones life at the blind man 's words, “Put some people in there now. What 's a Cathedral without people,” but the wife does not (193). Obsessed with becoming a part of their conversation, she completely overlooks the relevance of the
Now that we have a little background on the author, we can take a closer look at the actual work and its characters. The two main characters of the story a narrator and her husband, John, and the story takes place in the 19th century. Life for the two is like most other marriages in this time frame, only the narrator is not like most other wives. She has this inner desire to be free from the societal roles that confine her and to focus on her writing, while John in content with his life and thinks that his wife overreacts to everything. Traditionally, in this era, the man was responsible for taking care of the woman both financially and emotionally, while the woman was solely responsible for remaining at home. This w...