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Supernaturalism in English literature
Critical summary of the fall of the house of usher
Edgar allan poe writing style
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Recommended: Supernaturalism in English literature
Stories come in many way; some are easy to interpret others have more than one way of understanding the essence, such is the case of The Fall of the House of Usher. There are two obvious ways to interpret the story one is of the madness of the characters especially Roderick Usher. The other interpretation would be that the story is truly real and it has much of the supernatural. Many things point to both ideas. The argument for insanity comes from the idea that Roderick seems to be mentally ill, the possibility that Madeline is not real, and the narrator also not seeming to be competent mentally, at least within the mansion. As for this being a story of the supernatural various factors dictate that idea for example, Madeline super human strength, the mansion seeming to be its own person, and the demise of the Usher house and family. (Hustis 3-20)
Edgar Allen Poe is the author of The Fall of the House of Usher, he is known to write his tales in a vague manner, making it hard to interpret his stories the same each time. The Fall of the House of Usher fits in to this category perfectly. The story begins with a man going to visit and old friend after his friend, Roderick Usher, makes a cry of distress to him. When the reader is first introduced to Roderick we are told about his demeanor
“A cadaverousness of complexion; an eye large, liquid,
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The story is delivered in a way to allow the reader to interpret it in their own way. Various interpreting are prevalent within the scholarly community. One of these interpretation is the idea of madness, meaning that the whole tale may all be a delusion that the characters are plagued by throughout the tale and their life. Another prominent interpretation is that the story is truly supernatural, allowing for the events taking place to be realistic in nature. No matter what side the readers takes this tale is one that intrigues many and entertains others. (Robinson
When writing a story that is meant to scare the reader, authors use a variety of different literary elements to intensify fear. This is apparent in the stories “The Fall of the House of Usher,” “beware: do not read this poem,” and “House Taken Over”. It is shown through transformation in the character, setting, and sometimes even the story or poem itself, adding to the scariness that the reader feels when reading it. While there are some examples of transformation not being scary or not playing a role in stories meant to scare us, transformation plays a crucial role in making the reader of these stories scared.
During the nineteenth century, literary writers were encouraged in transcendentalism. Their main focus was on capturing the spirituality in nature. For example, authors such as Henry Thoreau and Ralph Emerson were dominating the world of poetry and prose with their tales of nature. From Thoreau's' journey through the Maine Woods to Emerson's Nature, the transcendental ere, was in the main stream. Yet, not all of the nineteenth century writers shared this same viewpoint. As a matter of fact, one writer emerging, who proved to be just as prominent, had a viewpoint in direct opposition of his contemporaries. The great Edgar Allen Poe, though born during the same period and encountered the same influences, would emerge as a different writer. "Those others", Emerson, Hawthorne, Thoreau, Whittier and Holmes, "turned toward Wordsworth while Poe, took Coleridge as his loadstar in his search for a consistent theory of art" (Perkins 1236).
In “The Fall of the House of Usher” by Edgar Allan Poe, the death of Madeline and Roderick Usher represents the ending of something, and in this specific case, the ending of a generation. Throughout the story, it is made very clear that Madeline and Roderick are the last living people of the Usher generation. Roderick Usher explicitly states on page four, “‘Her decease,’ he said, with a bitterness which I can never forget, ‘would leave him (him the hopeless and the frail) the last of the ancient race of the Ushers.’” Therefore, when they both die at the end, it is clear that it is the end of a generation. The ending of their generation creates a depressing and serious feeling through this story due to the fact that the Usher’s will be no more.
One of the central themes underlying the short story, The Fall of the House of Usher, is that of the nature of the house. The way it is described and the way it is so mysterious. Another central theme about this story is the nature of the people that live in the house. They are portrayed very much in the same manner throughout the story. Thus, they have several similarities with each other. All of which are of a bad feeling, showing how bad things are for the people and the house. These similarities are very well laid out in the story and are, I believe, meant to be something to be considered when reading it.
In the short story, The Fall of The House of Usher, Edgar Allen Poe chooses the setting as his main focus. This tale is one of many that focus on the character’s surroundings in order to truly emphasize and express the tone the author is trying to portray. The Fall of the House of Usher was included in Poe’s first literary collection from 1839 and is one of his most famous works. He was orphaned by the age of three, which in my opinion, would mean that he had a relatively dark childhood. A dark childhood that may or may not be the reason he allows for his stories to reveal a mysterious and dreary tone. Perhaps, setting is what truly affects the way your life plays out, and this is why the time and place has such a great affect in the world of literacy. In this essay, I would like to discuss how the setting sets the mood, affects your prejudices of the characters, and how it foreshadows where the story is headed.
Poe, Edgar A. "The Fall of the House of Usher." The Heath Anthology of American Literature. 6th
In the short story, “The Fall of the House of Usher” by Edgar Allen Poe, diction is extensively used to create an air of suspense. Poe’s use of diction along with symbolism contributes to establishing a mood of despair. By using symbolic comparison between the Ushers and their house, the story’s suspense builds and the characteristics of the Ushers are portrayed. Poe’s cunning tactics are evident in the way he achieves a story of both suspense and horror.
described it less violently than Poe."The Fall of the House of Usher" shows Poe's ability to create an emotional tone in his work, specifically feelings of fear, doom, and guilt These emotions center on Roderick Usher, who, like many Poe characters, suffers from an unnamed disease. Like the narrator in “The Tall Tale Heart, his disease inflames his hyperactive senses. The illness manifests physically but is based in Roderick's mental or even moral state. He is sick, it is suggested, because he expects to be sick based on his family's history of illness and is, therefore, essentially a hypochromic. Then in the other story the author explains differently
Edgar Allan Poe is undoubtedly one of American Literature's legendary and prolific writers, and it is normal to say that his works touched on many aspects of the human psyche and personality. While he was no psychologist, he wrote about things that could evoke the reasons behind every person's character, whether flawed or not. Some would say his works are of the horror genre, succeeding in frightening his audience into trying to finish reading the book in one sitting, but making them think beyond the story and analyze it through imagery. The "Fall of the House of Usher" is one such tale that uses such frightening imagery that one can only sigh in relief that it is just a work of fiction. However, based on the biography of Poe, events that surrounded his life while he was working on his tales were enough to show the emotions he undoubtedly was experiencing during that time.
Edgar Allen Poe’s short story, “The Fall of the House of Usher”, sets a tone that is dark, gloomy, and threatening. His inclusion of highly descriptive words and various forms of figurative language enhance the story’s evil nature, giving the house and its inhabitants eerie and “supernatural” qualities. Poe’s effective use of personification, symbolism, foreshadowing, and doubling create a morbid tale leading to, and ultimately causing, the fall of (the house of) Usher.
After reading Edgar Allen Poe’s short story, Fall of the House of Usher, the audience is introduced to some very abnormally behaved characters, one of them being the main character Roderick Usher. Throughout the entire story Roderick Usher shows many signs of abnormal behavior and mental illness. From a psychoanalytic perspective he shows many symptoms and signs of schizophrenia.
“The Fall of the House of Usher” is a story does not use the typical, first person point of view where the protagonist tells a personal account of a crime that he or she has committed. Instead, the narrator is a character of whom we know very little, who acts like an observer. The friend of Roderick invites the reader into the madness of the mind of fantasy and reality.
The Fall Of The House of Usher is a terrifying tale of the demise of the Usher family, whose inevitable doom is mirrored in the diseased and evil aura of the house and grounds. Poe uses elements of the gothic tale to create an atmosphere of terror. The decaying house is a metaphor for Roderick Usher’s mind, as well as his family line. The dreary landscape also reflects his personality. Poe also uses play on words to engage the reader to make predictions, or provide information. Poe has also set the story up to be intentionally ambiguous so that the reader is continually suspended between the real and the fantastic.
In the story “The Fall of the House of Usher”, Poe presents the history of the end of an illustrious family. As with many of Poe’s stories, setting and mood contribute greatly to the overall tale. Poe’s descriptions of the house itself as well as the inhabitants thereof invoke in the reader a feeling of gloom and terror. This can best be seen first by considering Poe’s description of the house and then comparing it to his description of its inhabitants, Roderick and Madeline Usher.
The Fall of The House of Usher is an eerie, imaginative story. The reader is captured by the twisted reality. Many things in the story are unclear to the reader; but no less interesting. For instance, even the conclusion of the story lends it self to argument. Did the house of Usher truly "fall"? Or, is this event simply symbolism? In either case, it makes a dramatic conclusion. Also dramatic is the development of the actual house. It seems to take on a life of its own. The house is painted with mystery. The narrator himself comments on the discerning properties of the aged house; "What was it, I paused to think, what was it that so unnerved me in the contemplation of the house of Usher" (54)? The house is further developed in the narrator's references to the house. "...In this mansion of gloom" (55). Even the surroundings serve the purpose. The narrator describes the landscape surrounding as having, "... an atmosphere which had no affinity with the air of heaven, but which had reeked up from the decayed trees, and the gray wall, and the silent tarn a pestilent and mystic vapor, dull, sluggish, faintly discernible, and leaden hued" (55). This fantastic imagery sets the mood of the twisted events. Roderick Usher complements the forbidding surroundings terrifically. His temperament is declining and he seems incessantly agitated and nervous. And, as it turns out, Roderick's fears are valid. For soon enough, before his weakening eyes, stands the Lady Madeline of Usher. This shocking twist in the story is developed through the book that the narrator is reading. The last line that he reads is, "Madman! I tell you that she now stands without the door" (66)! Without suspecting such an event, the reader soon finds Lady Madeline actually standing at the door. She is described as having, "...blood on her white robes, and the evidence of some bitter struggle upon every portion of her emaciated frame" (66). This line not only induces terror but invites debate. Upon seeing the woman the reader has to consider the cause of her death.