Fourteenth century England was the core of all Medieval literature and society. Some of humanity’s most renown works were created during this time. Amongst the list of these works are the ever-so-famous Canterbury Tales. The Canterbury Tales was a compilation of twenty-four tales told by various pilgrims. The author, Geoffrey Chaucer, was wise enough to cluster together people of all social classes. These people ranged from skippers to knights to oxford clerics. Nearly all of the characters are interesting in their own style, but one stands out from the rest: the cook. “But what a pity -- so it seemed to me, that he should have an ulcer on his knee” (Chaucer, lines 395 and 396). Unfortunately this unpleasant quote is the only textual evidence supporting the appearance of the cook. Aside from the dull description of his appearance, a definite job description is given. “He could distinguish London ale by flavor, and he could roast and seethe and broil and fry, make good thick soup and bake a tasty pie” (Chaucer, 391-394). Based on the quote, he does the typical actions …show more content…
“He was as full of love and womanizing as is the hive full of honey sweet” (Chaucer, lines 4372 and 4373). The Perkin Reveler, the main character in his tale, is a mirror of the cook. His jolliness and radiance makes him someone that everyone wants to be with. His optimistic view on life gives him a sanguine personality type. Sadly, all of his jovial traits overshadow his true dark self. “For surely (in the case of) an revelling apprentice, who makes a practice of dicing, debauchery, or womanizing” (Chaucer, lines 4391 and 4392). It is revealed that he constantly pilfers his master’s cash box and spends it all on gambling and alcohol. His apparent criminal record is also brought up. “Sometimes taken (as a prisoner) with music to Newgate prison” (Chaucer, line 4402). It is upsetting that such a jolly and friendly man would has a fondness for
This begins with the description of Nicholas. Chaucer depicts Nicholas’ personality as ‘sleigh and ful privee’ instantly makin...
He must be a sailor As critical as he was of ecclesiastical abuse, Chaucer was, nevertheless, Christian. I am a Christian. As impressive and complex as it is, even the Pardoner's. self-awareness has its limits. If the relationship between the teller and his tale is consistent with the other tellers and their tales, we can assume that Chaucer is suggesting that the Pardoner quite.
In this example, Chaucer, by writing this parody, is trying to express the idea that a lot of the ideals of chivalry are a ...
Chaucer’s book The Canterbury Tales presents a frame story written at the end of the 14th century. It narrates the story of a group of pilgrims who participate in a story-telling contest that they made up to entertain each other while they travel to the shrine of Saint Thomas Becket at Canterbury Cathedral. Because of this, some of the tales become particularly attractive for they are written within a frame of parody which, as a style that mocks genre, is usually achieved by the deliberate exaggeration of some aspects of it for comic effect. Chaucer uses parody to highlight some aspects of the medieval society that presented in an exaggerated manner, not only do they amuse the readers, but also makes them reflect on them. He uses the individual parody of each tale to create a satirical book in which the behaviours of its characters paint an ironic and critical portrait of the English society at that time. Thus, the tales turn satirical, ironic, earthy, bawdy, and comical. When analysing the Knight’s and the Miller’s tale, one can realise how Chaucer mocks the courtly love convention, and other social codes of behaviour typical of the medieval times.
In The Canterbury Tales, written by Geoffrey Chaucer, the stereotypes and roles in society are reexamined and made new through the characters in the book. Chaucer discusses different stereotypes and separates his characters from the social norm by giving them highly ironic and/or unusual characteristics. Specifically, in the stories of The Wife of Bath and The Miller’s Tale, Chaucer examines stereotypes of women and men and attempts to define their basic wants and needs.
The Canterbury Tales by Geoffrey Chaucer, (written c. 1387), is a richly varied compilation of fictional stories as told by a group of twenty-nine persons involved in a religious pilgrimage to Canterbury, England during the fourteenth century. This journey is to take those travelers who desire religious catharsis to the shrine of the holy martyr St. Thomas a Becket of Canterbury. The device of a springtime pilgrimage provided Chaucer with a diverse range of characters and experiences, with him being both a narrator and an observer. Written in Middle English, each tale depicts parables from each traveler.
The Canterbury Tales is more than an amusing assortment of stories; it is an illustration of the society in which Geoffrey Chaucer lived. It portrays the culture and class system of the medieval ages in microcosm. Every strata of human life at the time were represented by the many characters whose tales are told. Each character’s basic human nature also plays a role in their stories, and each one has within them the strengths and weaknesses that make up all of humanity. Each character exemplifies their life and reputation through the stories they tell. The Pardoner uses his tale as a ploy to garner money. His tale embodies each deadly sin, and every reader can relate to his story and feel the guilt of his characters. The Wife of Bath’s tale expresses her own ideals in the way her character is given a second chance after committing a crime. The Franklin’s tale, because of its straightforwardness and honesty is a direct representation of the Franklin’s simple and joyful life. Each character tells a tale that is a suitable match to their personality. These characters’ tales represent prevalent themes of the middle ages, including greed, corruption of religious clergymen, violence, revenge, and social status. In Chaucer’s society, the traditional feudal system was losing its importance and the middle class began to emerge. The middle class characters within the Canterbury Tales, with their personal lives and interactions with members of differing social classes, gave an understanding of the growth of society, especially the rising middle class, during medieval times.
Mandell, Jerome. Geoffrey Chaucer : building the fragments of the Canterbury tales. N.J. : Fairleigh Dickinson University Press, 1992.
The Canterbury Tales. Trans. Nevill Coghill. Literature: The British Tradition. Ed.
Geoffrey Chaucer was born around 1340, in London, Great Britain. He was a court writer during the rule of Edward III and Richard II. He had many acquaintances within nobles of that time. During his job, court writer, he observed the immoralities in the court, and as a reaction wrote his works. His purpose of his works was to entertain, and he mostly used the English language in order to deliver his work to as many people (to both noble, and not noble people) as possible, because French was the noble language, and English was a speaking language. Chaucer uses different kinds of people as his character, to deliver a real story. The Canterbury Tales is the most famous work of the Geoffrey Chaucer. It consists of the tales
In the general prologue to The Canterbury Tales were seen the hierarchical barriers being broken by joining representatives of various strata on a pilgrimage. For this reason The Cook, The Squire and The Manciple were chosen. The first character is The Cook, where whose description begins with a rather daily language, but never quite approaching this informality. The physical experience of the cook is represented by grotesque details; he suffered from a sore in his shin that was visible to everyone even when he cooked. It also had the reputation of being dirty. And despite of having decent repertoire of dishes and cooking techniques, he was not very reliable with his job, as dirt and flies flying around his kitchen made a lot of their guests become intoxicated with th...
Chaucer’s book “The Canterbury Tales” presents a frame story written at the end of the 14th century that is set through a group of pilgrims participation in a story-telling contest that they make up to entertain each other while they travel to the shrine of Saint Thomas Becket at Canterbury Cathedral. Because of this, some of the tales become particularly attractive for they are written within a frame of parody which, as a style that mocks genre, is usually achieved by the deliberate exaggeration of some aspects of it for comic effect. In fact, as a branch of satire mimicry, its purpose may be corrective as well as derisive. (Penguin Dictionary of Literary Terms) Chaucer, therefore, uses parody to highlight – satirize - some aspects of the medieval society that should be re-evaluated. He uses the tales and the behaviours of its characters to paint an ironic and critical portrait of the English society at that time, therefore the tales turn satirical, elevated, ironic, earthy, bawdy, and comical. When analysing the Knight’s and the Miller’s Tale, one can realise how Chaucer mocks the courtly love convention, and other social codes of behaviours typical of the medieval time.
...an see, when reading a work such as The Canterbury Tales, there are many advantages and disadvantages to the work being in both middle and modern English. Before reading such a work, one must realize his or her own purpose for reading the work and then decide on which version to read. It is the opinion of many that it is beneficial to read both versions in order to educate one self about both languages as well as to experience the evolution of the English language. The English language has changed greatly over the many centuries since the time this work was written. However, this work helps create a bridge between the languages of the middle and modern English worlds. This was a work that transcended any work previously written and one that will continue to have an important place in the history of English literature and the English language as a whole.
Over the course of the semester, this British Literature course has adequately exposed myself to a variety of works of differing styles coming from a millennium of English authors and poets. With this literary immersion, some works have proved more memorable than others. Out of these select few, I hope to choose the literary work which demonstrates the greatest combination of entertainment and morals for future readers to take away from the text. After some deliberation, I found the solution obvious, as I had to write about Geoffrey Chaucer’s The Canterbury Tales. While in reflection of the readings this semester, I could not deny that Chaucer’s collection should be preserved as the author succeeded what his stories were meant to accomplish: to “delight and instruct”. With the alluring variety of characters and entertaining situations which are described in well-chosen detail, each story provided by the pilgrims. Additionally, as each of the chosen tales (as stated in the course reading syllabus) provided a lesson that is still relevant after five centuries, the “instruction” comes from these universal morals. Therefore, in the
In the Friar's portrait, he is delineated and depicted by riddles of contradictory qualities. Chaucer expertly uses ironic naiveté to highlight the Friar's lack of moral guilt. When the reader is told that the Friar, "knew the taverns wel in every toun" (l. 240), we can take it to mean that he spends very much time drinking, flirting and socialising in pubs. The Friar is superseded to be a holy man, but we see that he knew the landlords and barmaids much better than the people he has meant to be consoling, praying for and helping out of the vicious circle of poverty.