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The Concepts of Peace and Justice in Shakespeare's Merchant of Venice
In Shakespeare’s Merchant of Venice, Portia’s defense of Antonio is considered a wonderful, noble deed. She is not considered the villain (that distinction falls to Shylock), but her deed, which is considered right, proper, and good by her fellow Venetians, is actually more reflective of the naughty world than the brightly lit candle.
Shylock is a man that has been mocked, spat at, and reviled by Antonio and his coterie. When he is approached by Bassanio for the money, he sees his opportunity to take revenge upon Antonio, but almost as a representative of the society at large and not Antonio as an individual. Small wonder that he takes his chance; revenge is a very powerful human emotion. Antonio, being dependent upon his ships at sea, had to be fully cognizant of the risks involved with each shipment and therefore fully aware of the fact that he might not be able to pay Shylock back. He signed his name in agreement with the terms laid down by Shylock, and that granted Shylock the right to take a pound of his flesh if he should default on his loan. When he defaults, he just expects Shylock to forget the agreement and forgive the loan, which of course Shylock cannot do, as he himself is not in good economic conditions. It was ridiculous for Antonio to sign the agreement in the first place, much less to assume that Shylock would not hold him to it.
Therefore, when Portia defends Antonio, she takes the part of someone who is in the wrong. Since Shylock is not a prominent Venitian citizen, and the terms of the agreement quite unrealistic, he is on shaky ground, even though his position is logically correct. However, when she wins, it is not merely a victory for her and Antonio, it is also a bitter defeat for Shylock. Deprived not only of the money due to him from Antonio, his own money is taken away and split between Antonio and the state, and he is almost deprived of his life. All this as a punishment for seeking what was legally and rightfully his. Portia did, of course, save her friend, but she also completely destroyed the life (figuratively and almost literally) of someone else.
Portia may have thought that, in defending Antonio’s life, she did him the ultimate favor.
While engendering the bond in the inciting force of the play, Antonio says to Shylock – the antagonist – “Content in faith. I’ll seal to such a bond, / And say there is much kindness in the Jew” (1.3.149-150) which reveals how Antonio sees such positive terms in the deal. Although the terms may seem simples to follow, Antonio will still face the consequences of putting his life on the line for his dear friend, Bassanio. This bond portion of the play establishes relationships through the rivals and also gives background information about characters, which show the elements of dramatic significance. Subsequently, Shylock’s possessions are at stake during their trial after Antonio fails to pay him back because his argosies were abolished. Shylock’s punishment for attempting to
Words alone are not the only means by which imposters operate. A far more effective mode is one that fools the eye for it cannot pierce through the surface. Portia, the new wife of Antonio's friend, dresses as a lawyer in order to deceive the court. However, unlike Shylock's motive, Portia's intent is far more noble and selfless. She manipulates the law in such a way to save Antonio from certain death by the hand of Shylock. Through the eyes of the law, the imposture of a lawyer, especially by a woman at that time, was seen as extremely illicit.
Because The Merchant of Venice is a comedy, no real harm comes to Lancelot or Bassanio because of their poor choices, but they are all made out to be foolish in comparison to Portia. These characters are lucky—in comparison with some of Shakespeare’s other characters that are faced with inconsistent responsibilities (such as Hamlet or Juliet, who both die), the non-role-fulfillers of The Merchant of Venice have extraordinarily happy endings. It is interesting to note that most of Shakespeare’s plays that include conflicting roles or responsibilities are tragedies, while the happy resolution of The Merchant of Venice makes it a comedy. The mistakes in The Merchant of Venice are all fixable, so even though the characters neglect their roles on occasion, the quick thinking of Portia allows them to retire with their spouses safely as a new day is breaking.
When the play was written the audience would have immediately disliked Shylock on the basis of his religion and occupation, however nowadays when religious prejudice is not nearly as strong we still find him an unpleasant character. One of the main things which makes him seem unpleasant is his greed and love of money. His first words are actually “Three thousand ducats; well”, perhaps a method of Shakespeare’s to show the audience immediately what is most important to Shylock. Later on in the first scene, when Antonio enters to talk to him about lending Bassanio money Shylock says to himself;
Shylock lends Antonio a sum of money, that Antonio intends to pay back when his merchant ships arrive in Venice, one month before the debt would be forfeited. When Bassarnio arranges the sum of money, Shylock befriends them, only to stand aside and utter to him self, "I hate him for he is a Christian... If I catch him once upon the hip, I will feed my ancient grudge I bear him," Act 1, Scene 3. Shortly after saying, "But ships are but boards, sailors but men... the perils of waters, winds, and rocks...Three thousand ducats; I think I may take his bond." Shylock is setting his trap here. Shylocks terms of the debt are a pound of Antonios flesh from closets his heart if it be forfeited.
Portia play’s a major role in trying to persuade Shylock to be merciful to Antonio, as the story continues. Basannio, the loyal friend of Antonio also tries to persuade Shylock to show some sympathy towards Antonio, but is not shown.
Everyone is deceived and believes Portia is truly a man therefore showing that she has the capabilities to exert the traits of a man. Portia is described as the “wise young judge” (IV, I, 228) and an “excellent young man” (IV, I, 252) by Shylock showing that he believes in the gender identity of Balthazar. Bassanio, Portia’s husband, is also fooled as he states that Antonio’s life is more valuable to him than Portia. Her credibility in turn gives her power over the men in the scene. She is able to use the balances of justice along with her knowledge in order to save Antonio. The turn in this scene is when she repeats, “A pound of flesh” (IV, I, 315) and states the specific words used in the document as no blood can be dropped from Antonio or else Shylock will be punished and strikes fear into Shylock. This shows that it is possible for a woman to obtain the masculine qualities of being powerful and intellectual. If Portia were to have not dressed as a man, but merely a woman, due to the social constructs of the time she would not have had any power in this situation. Portia tells Bassanio “I pray you, know me when we meet again” (IV, I, 432) which shows her feelings towards Bassanio not knowing her true identity, even through her disguise. Her actions were that of her individual, but due to her altering her appearance of gender it changed the way others viewed her
So forgive and forget, huh? It appears forgiveness is quite an important force in the tempest, bringing the story together beautifully. Forgiveness helps us learn about the characters in the play. Forgiveness is also what brings the play to a happy ending, but not without making one wonder whether forgiveness was really achieved. The role of forgiveness in the tempest is so significant because it is only through forgiveness that the characters truly succeed, but also because it raises the question of the extent of human forgiveness and helps the reader learn plenty about the different characters in the play. Forgiveness is of great significance to the plot and thematic context of The Tempest.
As Portia weaves her way into Shylock's trust she, at many points, reassures herself that the proceedings are going as she wants them to be. She asks Shylock on line 181 if he wishes to show mercy to Antonio, but he avidly says that he will show no compassion.
“If a Jew wrongs a Christian, what is his humility? Shakespeare shows here that money doesn’t have the same effect on love as it does with the caskets or with the evil in Shylock, and that it can be used for good love in Portia’s donation. In Venice, Bassanio brings fourth the 6000 ducats to repay Shylock, but he doesn’t accept it. Once Portia, disguised as the doctor, entered the court, she pleads with Shylock to show mercy, but he refuses.
Bassanio knows that he’d be leaving his newly wedded wife at home, alone, to be with a friend. Antonio also wants to know whether Bassanio will come to his death and resolve between the two. This fuels the fire of Portia’s want to be Bassanio’s only love. At the end of Act III, Portia configures a plan: rather than pulling Bassanio away from Antonio, she decides that she will help Antonio. Portia therefore decides that she will give Bassanio the money, in double, to bring back to Venice to conserve Antonio’s life. As a result of this, Bassanio will be indebted to her. Portia later
The Duke then tries to change the tone of the conversation by appealing to the small amount of humanity that Shylock has left. His words are in stark contrast to the true nature of Shylock. The Duke makes a desperate plea by saying. But his belief lacks a sense of reality, as Shylock has repeatedly suggested that he wants nothing more than a pound of Antonio’s flesh, and has also never shown any sign of mercy or forgiveness. In this speech, the Duke tries relentlessly to persuade Shylock himself that these feelings do in fact exist, and Shylock should, therefore, act reasonably in his decision of whether or not to seek the proper forfeiture of his bond. The Duke also asks Shylock to step out of the stereotype of the alienated Jew. He begs: Shylock’s response to this request falls directly in line with Antonio’s notion of his character. Shylock states:. In asking for his “due,” Shylock implies that there is justice to be handed down here, not realizing or not caring about the clear injustice of taking a bout of...
The play, The Merchant of Venice drastically altered the perception of women during the time as Shakespeare makes women during the Italian Renaissance appear independent and intellectual, such as the beautiful Portia and the young Jessica. This play shows that women are not only beautiful people to look at but also powerful and intelligent individuals. The characteristics of the women in this play show the possibilities of equality between men and
In his Merchant of Venice, Shakespeare wants the reader to admire Portia, arguably the most powerful character in the play. However, it is easy to mistake the word ‘admiration’ to mean simply a liking of someone’s positive virtues. Rather, we should like Portia because of those things that make her a multi-faceted character. Though she can appear to be an “unlessoned girl,” she is also conniving, manipulative, and powerful. Three examples that effectively show her prowess and as a result win our admiration of her occur during the casket, the trial, and the ring scenes.
During the discussion of the bond, Shylock says to Antonio “ I would be friends with you and have your love” and “this kindness will I show”. He pretends to be Antonio’s friend, but he has an ulterior motive, which is to take a pound of Antonio’s flesh from whatever part of his body he pleases. The underlying meaning is to kill him, and thus, although Shylock seems good-hearted, he is in truth, harbouring deceit. Shylock is manipulative and crafty as he tries to put up a show to deceive Antonio. He sounds generous about offering the three thousand ducats without “usance for my moneys”, thus winning Antonio’s trust. This was done to divert Antonio’s attention from his actual intentions. However, Shylock proposes a flesh bond as a “merry sport”, in substitution for not charging interest. The bond, although an unusual forfeit, is a serious matter, because Antonio may be killed from accepting its terms and conditions. Shylock is a brilliant strategist, and even the perceptive businessman, Antonio, has fallen for it. Shylock is a vindictive and unforgiving man, whose hatred for Christians has driven him to want to kill Antonio. We know that Shylock has suffered emotionally and physically because of how Antonio has kicked, spat and rated him many a times. Thus he deserves some of our pity, as taking revenge on your enemy is only natural.