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A thesis about psychological issues in the cask of amontillado by edgar allan poe
Cask of amontillado edgar allan poe foreshawdowing
Character analysis for montresor
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Angel Gyawali McKinnie ENGL 1002-60520 The Cask of Amontillado: The Murder Without Motive A murder in itself is a last resort that a man can turn to when walking down the path of revenge. What drives a man to a path that leads him to end the life of another? Even though no reason is justifiable for that action, one would believe the motive behind it would have been extraordinary. However, Montressor, who is depicted as a perfect killer, is uncertain of the very motive that led him to carry out such deliberate murder. “THE thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult, I vowed revenge”(Poe 1). Montressor never species any reason other than the ambiguous “thousand injuries” and “when he ventured
What kind of stories have you read? Have you read of any that in a way have similarities and differences with one another? The two short stories in this essay are "the cask of amontillado" and "the killings". These short stories are ironically the same but with different perspectives. Both authors have a different meaning for why they wrote the stories. One of the similarities are that both stories have to do with killing someone. In "the cask of amontillado the narrator kills due to madness an the narrator in "the killings kills to avenge his sons death. Another difference is that after Montessor kills his "friend", he feels no remorse or guilt and Matt fowler from "the killings" feels empty and remorse after the killing.
Montresor is a man who feels pride in himself and in his family, so when Fortunato—an acquaintance of Montresor— “venture[s] upon insult,” Montresor “vow[s] revenge” against him (1). Montresor hastily decides that he must kill Fortunato, even though his use of the word “venture” implies that Fortunato had not yet insulted him, but nearly did. Montresor’s impulsive need for revenge causes him to formulate a plan to murder his acquaintance. He keeps Fortunato intoxicated by “presenting him…[with] wine,” he “fetter[s] him to the granite,” and he “plaster[s] up… [a wall of] new masonry” to trap Fortunato in the catacombs (39, 71, 89). All of these acts are signs that the need for revenge has made Fortunato insane. A person who has any sense of morals would not commit crimes such as Montresor’s. His impetuous decision to exact revenge caused him to lose his
In his article, he mainly wanted to answer two questions; 1) What could have been Montresor’s motive to kill Fortunato? And 2) Why did he wait fifty years to tell the story? As I finished DiSanza’s article, neither of those questions were actually answered. I guess that’s because no one but Poe himself could really tell us readers why. Bales, Kent and Gargano were DiSanza’s most used sources and even those authors couldn’t answer his main questions, which he based his article around. I found that while reading “On Memory, Forgetting, and Complicity in “The Cask of Amontillado”” by Raymond DiSanza, Edgar Allan Poe’s short story causes the reader to ask many questions. In which, those questions interconnect more frequently than you’d think. DiSanza makes you realize Poe never mentions Montresor’s motive because he knew exactly how the readers would react. A great tactic Poe brilliantly uses, purposefully leaving out information in order to create suspense and mystery; causing the reader to wonder. Poe wanted us to overanalyze and try to figure out the many possibilities behind these questions, he wanted us to think in a way we wouldn’t have. He is able to avoid giving examples of what these injuries Fortunato put upon Montresor were. Poe 's problem in writing this story include keeping the reader somewhat sympathetic for a man who was able to bury another man
The pursuit of revenge is not always the right choice to make. As this theme is shown in the short stories written by Edgar Allen Poe and William Faulkner. The two main characters of the stories have hate fueling their motivation to commit cruel acts against others. In the story “Cask of Amontillado”, written by Edgar Allen Poe, Montresor kills a man simply for insulting his family name. In the story “Barn Burning”, written by William Faulkner, Abner takes out his anger on others by destroying property and punishing the world for his poor lifestyle. Abner and Montresor seek revenge for different reasons; however, they do it to honor themselves. These actions will lead to their impending demise.
The Cask of Amontillado” by Edgar Allan Poe describes how Montresor confesses the sequence of his well-designed or nearly flawless murder or revenge against Fortunato due to he is a threat to him. In his confession of a perfect crime, Montresor, who “vowed revenge” because of Fortunato’s “thousand injuries,” first say that his “heart grew sick” and then immediately add, “ it was the dampness of the catacombs that made it so because he believes Fortunato insults him many times that his hatred against him become bigger and bigger. This makes him cannot stand for Fortunato’s behavior anymore as well as the setting completely makes everything prefect as he believes Fortunato deserves the punishment. The nature and family hold a significant role
The perfect revenge is an action so many scorned have attempted and what so many more have lusted after. Apt punishment for the offender, success without being discovered and fulfillment without regret are all elements for satisfactory vengeance. All were present in "The Cask of Amontillado." However, despite Montresor's actions seeming to be perfect, he does not fulfill the criteria for flawless revenge. Poe doesn't quite allow readers to feel convinced of his main character's peace of mind. Subtle indications are strewn throughout the story that suggest otherwise. Though Montresor intended to cleanse his honor of Fortunato's insults, it may very well be that he only succeeded in creating, for himself, a guilty conscience, forever depriving himself of the sweetness of revenge.
Many people believed to be crazy shaped their reality in a way that in their mind, murder or other crimes are totally acceptable and that they’ve done nothing wrong. This is especially true in the story “The Cask of Amontillado”. The narrator is upset about being insulted by his “friend” Fortunato. He believes he is above this and “[a]t length [he] would be avenged [... he] must not only punish but punish with impunity” (Poe 1). This shows that the narrator doesn’t see any wrong in getting revenge. He has shaped his reality to become a trap for Fortunato. The narrator thinks he’s doing something to benefit the greater good by ridding the earth of Fortunato. Deception is a tactic many people use to bully others. In the case of high school students who were bullied. This graph shows the percentage of high school students of each grade level that were bullied. Many believe that it’s too high. The number of students peaks with 27% of female freshmen being bullied, and steadily decreases until senior year (CDC
In Edgar Allen Poe’s “The Cask of the Amontillado”, Montresor has always been viewed as a sociopath. He is a man who lured his friend into his family 's catacombs by lying to him. He then got his friend, Fortunato, drunk enough that he did not know what was going on. Montresor then chained his friend to a wall and boxed him in with mortar, all as an act of revenge and justice in his eyes. Although Montresor trapping Fortunato in the catacombs can be viewed as a cold, evil, heartless act, it does not mean that Fortunato’s death was meaningless. Montresor viewed Fortunato’s death as poetic justice, but others can not help but think of the irony of the situation. Poetic justice is defined as a result or occurrence that seems proper because someone
Because Montresor narrates the story in the first person, the reader is able to perceive his thoughts and understand his motivations and justifications for his ruthless murder in a manner which a third person point of view would not allow. Montresor’s personal narration of the events of the story does not justify his crime in the audience’s eyes, but it does offer a unique opportunity for the audience to view a murder from the perspective of a madman killer. It is Poe’s usage of this unique angle that causes the story to be so captivating and gruesomely fascinating. As the story opens, Montresor explains why it is necessary that he “not only punish but punish with impunity” to avenge for Fortunado’s insult to him. This justification for his crime is a piece of information that the audience is able to learn only because they are permitted inside the mind of the protagonist. In the final scene, when Montresor is carrying out his murder pl...
Poe creates a horror story of a psychological revenge and murder that occurred fifty years ago. Montresor is able to recall with clarity the details of his crime. Does he feel remorse for what he has done to Fortunato? The reader would think that he does, Montresor seems to be making the haunting confession from his death bed. The last thing that Montresor says to Fortunato is “In pace requiescat” which means “In peace may he rest” (557)! This is what Montresor wants for himself, this is why he is confessing to his sins.
The first indirect factor that could contribute to Montresor’s vengeful act, and thus the story’s theme of revenge, is the character of Montresor. Montresor tends to harbor feelings of resentment and has a hard time not taking things out of context (Womack). He also plans the murder of Fortunato in advance and devises it in such a way that he will not be caught. In killing Fortunato, Montreso...
This immediate familiarity helps the reader to see inside the calculating mind of Montresor, whom we later learn is a killer. When talking about the past insults of Fortunato, he takes on a cold, determined tone: “At length I would be avenged; this was a point definitively settled […] I must not only punish, but punish with impunity. A wrong is unredressed when retribution overtakes its redresser. It is equally unredressed when the avenger fails to make himself felt as such to him who has done the wrong” (Poe, 618).
Through previous years, philosopher’s have tested numerous theories that help us in defining the nature of our being, often these are stalled by the nuanced thought behind our heart and mind. Philosophers often believed that we were slaves to our passions despite our reasoning, even now this could be proven by acts of love, but more than often proven it can be seen through our desire for revenge. Unlike it’s counterpart [avenge], revenge is both a verb and a noun that can be not only acted upon but attained. Revenge is what one seeks after being wronged and often an action never thought through by reason, but a fight of a person’s passions towards a self declared justice. Portrayed in a copious amount of movies, songs, and art, the theme of revenge has been held iconically within Shakespeare's most famous play, Hamlet. Centered around corruption of the mind, body and soul, Hamlet is seen by many as the embodiment of revenge through it’s characters (Hamlet, Laertes, and Fortinbras); it is within their actions and development that each character portrays the dichotomy of their passion and reason to prove that we are slaves to our passions until reason catches up.
Edgar Allan Poe is known for his murderous stories. All of them are psychoanalyses of his life. In “The Cask of Amontillado,” Montresor struggles with his ego and superego just as Poe did throughout his life. The story starts off with the murderer telling what he did with satisfaction. The murderer’s name is Montresor, and he has a brilliant, devious plan to murder Fortunato. He tells his plan step by step of how he commits this dexterous murder. How far will someone go to seek revenge?
‘...there is a motive which is more important than that of revenge, and which explicitly "blunts" the latter; the delay in revenge is unexplained on grounds of necessity or expediency; and the effect of the "madness" is not to lull but to arouse the king's suspicion.’