Throughout Angela Carter’s “The Bloody Chamber,” the narrator feels unsure of the gender roles that men and women both have. The nameless narrator marries into a relationship not knowing of what a marriage consists of between a man and woman. As she develops in this relationship, she discovers herself as a woman and the masculine power that a husband has over his wife. Carter and Kathleen
The story can be analyzed using feminist criticism perspective. Feminist criticism is “" the ways in which literature (and other cultural productions) reinforce or undermine the economic, political, social, and psychological oppression of women"” (Brizee & Tompkins). When reading a text one can find how women were treated in contemporary times. It can be expressed in many areas listed by Brizee & Tompkins. Moreover, Delahoyde also gave more details on the subject when he said “Feminist criticism concern itself with stereotypical representations of genders. It also may trace the history of relatively unknown or undervalued women writers, potentially earning them their rightful place within the literary canon, and helps create a climate in which women's creativity may be fully realized and appreciate.” Women had been undervalued and taken for granted. Many things they do are not as...
There were passages throughout the book that I found exciting because they confirmed or bolstered many of the ideas I've had about being a woman in this culture. I have long suspected that women and children are often fearful simply because they are the vulnerable members in a mal...
Christina Rossetti also provides an insightful look into the problem of the “fallen woman,” and of the perception of this kind of woman, in Goblin Market. Unlike Eliot, who uses realistic characterization and carefully detailed prose, Rossetti relates her views through fantastical characters and highly energized poetry. Although they work within different genres, however, Eliot and Rossetti both challenge the stereotypical understanding of what it means for a woman to be “innocent” or “experienced.” Through the contrasting natures of sisters Laura and Lizzie,...
In contrast to this, in ‘The Tiger’s Bride’, the bride chooses to turn into a beast herself, stating that “men denied me rationality just as they denied it to all those who were not exactly like themselves”. Unlike Shelley, who censures society as a whole, Carter’s critique has feminist undertones, which is reflective of the second-wave feminist movement, and provides a new perspective for readers of her retellings. Though she is denied a name, Carter gives her a voice by opting for a first-person point of view, making her a more powerful character than Beauty, and foreshadowing Carter’s twist ending. Despite his odd requests, at no point within the story does the beast do anything to harm anyone, rendering the bride’s and society’s fear of him unfounded. Indeed, the bride’s fear of him has its roots in the story she was told when she was a child (“he will gobble you up”). Nevertheless, she mentions that the beast “was far more frightened of me than I was of him.” The bride’s choice to walk her own path and move away from the society that has shunned her raises this question. Is it c...
‘Rebecca’ and ‘The Bloody Chamber’ convey the gothic theme of isolation by employing the embodiment of dominant male characters. The femme fatal persona in ‘Rebecca’ creates a stigma about how Mrs de Winter should act. The Fairy-tale form causes development of female power and causes a sense of resilience throughout the collection of short stories. The use of controversial issues of feminine empowerment exercises the idea that women should have more power within heterosexual relationships. There are several Gothic conventions within both texts, for example setting is vital because the authors use immense, reclusive places like Manderly and the Castles causing physical entrapment for the feminine roles. Violent characteristics from Maxim and
Johnson selects a bleak passage from Kerouac’s novel Bleak Angels, to illustrate his “woman hatred”: “For that lumpy roll flesh with the juicy hole I’d sit through eternities of horror in gray rooms ...” (p.133). Johnson wants her “revenge on history” (Gusdorf, in Onley, 1980, p.36), to retrospectively break a “silence that I finally wish to give up.” (p.262). The simple phrase, “the poems Hettie kept mute.” (p.262) links the silence of Glassman to the wider literary world where women have been excluded from the male canon.
Angela Carter was an English novelist, short story writer and journalist. She was extremely well known for her feminist and magical realism works. In her collection of short stories, The Bloody Chamber, Carter incorporates various gothic, oppressive and feminism themes into her work. In her short story, The Tiger’s Bride, Carter uses the themes of virginity, objectification and metamorphosis to challenge the tradition of stereotypical gender roles.
Gender Trouble published in 1990 by Judith Butler, argues that feminism was and still relaying on the presumption that ‘women’ a...
Dahl’s account educates implied readers on their own strength and highlights the modern societal view of independence as a major aspect of maturing; this is evident through the characters development by calling her by “miss” rather than a “little girl” (1999, pp. 21-22). The “cloak of red” is reminiscent of Perrault’s symbol of passion and sexuality, however, Dahl’s use of the cloak acts to endorse a woman’s power. Similarly, Dahl’s characterizes the wolf’s “leer” (1999, p.21) as suggestive of a sexual and predatory act, drawing upon Perrault’s versions suggestions of the dangers of men whilst also endorsing a modern perspective of the independence and empowerment of women. As Perrault’s protagonist undresses to get into bed with the wolf, Dahl further hints at the aforementioned tale through the mention of the child’s “knickers” however, affirms the view of empowering woman as “she whips a pistol from her knickers.” (1999, p. 22) This signifies the message of a woman’s sexuality as a form of inner strength; as this tale is for “didactic reasons” (Crago 2003, p. 164) and further enforces the modern approach on gender equality and empowerment of woman in contrast to the early views of oppressing women though rules and boundaries or their own protection as evident in Perrault’s