The Agamemnon of Aeschylus
Prologue: The Watchman on the roof of the Palace of Agamemnon at Mycenae presents the facts. He has been watching a year for the fire signal that will announce Troy's capture, and all is not well within the house. He sees the beacon at last and will tell Clytemnestra, Agamemnon's wife. He rejoices at the news for it means his master will be coming home.
Parodos or Entry of the Choros, who are Elders of Argos, counsellors to the Queen Regent. They chant about the expedition against Troy. The sons of Atreus (Agamemnon and Menelaus) are seen as birds whose nest has been robbed by the stealing of Helen. Par is who stole her thereby offended against Zeus, the God of the host and guest. With legal images the old men say that Paris will be punished. They themselves were too old to go to war ten years ago; like the old man in the Sphynx's riddle they lean on staffs. Clytemnestra enters with slaves to make sacrifice at the altars; the choros ask her why sacrifices are being made but she ignores them and does not answer.
The choros continue with the first Ode, a song about Aulis and what happened there, The omen of the pregnant hare attacked by the eagles: Calchas the prophet interpreted it to mean that Troy would fall but that the goddess Artemis will try to prevent the destruction of Troy. The sons of Atreus, he said, must not annoy the gods. There will be ominous sacrifice; the refrain to this Ode is "Sing sorrow, sorrow, but may the good prevail!" (Almost a summary of the Oresteia).
Hymn to Zeus: A special appeal to the god who, as the third in succession of father gods triumphed over a more primitive past. The choros say that man learns by suffering and that is Zeus' rule.
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...ved up as food to their father -but he does not mention what his father had done to bring down this fate. He claims he planned Agamemnon's murder to pay back Agamemnon's father. The Choros express their disapproval -Aigisthus too will have to pay.
He threatens them with repression -but has armed men with him like a tyrant. They will not be silent but defy him and there is a slanging match in which they call him a coward hiding behind Clytemnestra. They hope Orestes will come back and make him pay. He orders his guards forward and the Choros prepare to resist with their staves but Clytemnestra steps forward to stop both sides from fighting. She sends the Elders home and pacifies Aigisthus with difficulty. Even so the Choros get the last word abusing Aigisthus as they go off.
Clytemnestra ends the play by saying that she and Aigisthus will rule jointly and by force.
In the introduction, “The Serpent and the Eagle”, written by Robert Fagles and W. B. Stanford, they write that the beginning of Agamemnon sets the tone and “rhythm” of the entire trilogy: “We begin in dark suspense: we are waiting for the light, and it no sooner dispels anxiety than a shadow falls again” (“The Serpent and the Eagle”, 24). This refers to the death of Agamemnon and the inevitable deaths of Clytaemnestra and Aegisthus at the hand of her own son, Orestes, which leads into the final play of the trilogy, and the ultimate e...
Justice is generally thought to be part of one system; equally affecting all involved. We define justice as being fair or reasonable. The complications fall into the mix when an act of heroism occurs or morals are written or when fear becomes to great a force. These complications lead to the division of justice onto levels. In Aeschylus’ Oresteia and Plato’s Republic and Apology, both Plato and Aeschylus examine the views of justice and the morality of the justice system on two levels: in the city-state and the individual. However, Plato examines the justice system from the perfect society and Aeschylus starts at the curse on the House of Atreus and the blood spilled within the family of Agamemnon.
Euripides’ plays Hippolytus, The Bacchae and Iphigenia at Aulis all revolve around the journey of key characters that fail to show respect to various deities within the Greek Pantheon. This disrespect, in all three plays, is met out with retaliation from the gods themselves, thus effecting those that disrespected them as well as their families. To convey these tales Euripides implements many themes, one such theme being divine retaliation. Euripides’ use of the theme of divine retaliation provides a stark illustration of the Greek Pantheon striving to prove their superiority relentlessly and gives insight into their merciless use of mortals as pawns to achieve this.
Both families attempt to consume themselves. A desire for revenge, to enforce a personal code of justice, carries the family curse from generation to generation. The house of Agamemnon is virtually born out of cannibalism. Tantalus, the founder of the house, is tormented eternally in Hades for feeding the gods the flesh of his sons Pelops. Much later, Agamemnon himself is held accountable for his father's cannibalism by Aegisthus. Aegisthus' desire for revenge is overshadowed only by Clytemnestra's thirst for her husband's blood. She speaks of his corpse as a sacrificial animal and likens his blood to wine. Compelled by Apollo, Orestes also carries the curse. He was fed by his mother's milk as a child but now he will only be satisfied with his mother's flesh. Only Orestes and Electra survive.
Olsen, S. D. "The Stories of Agamemnon in Homer's Odyssey." Transactions of the American Philological Association (1974-) 120 (1990): 57-71. JSTOR. Web. .
On the other hand, Zeus is a strong, albeit authoritarian leader for both the other gods and mortals. Zeus is required to rule, sometimes absolutely, and when someone under his rule commits an act of treason, he is required to address the issue. When Zeus the leader acts forcefully, the rest of those under his reign will get the message. Prometheus’s act of handing o...
Orestes’ revenge is the first important example of the gods’ revenge in the poem. In Book 1, Hermes told Aegisthus, “’Don’t murder the man,’ he said, ‘don’t court his wife. Beware, revenge will come from Orestes…” (Homer 260). King Nestor delivers the story of Orestes’ revenge to Odysseus’ son Telemachus, while Telemachus is visiting Nestor to discover answers about his fathers’ whereabouts. In Book 3 of The Odyssey, King Nestor tells this of Agamemnon, “…Aegisthus hatched the kings’ horrendous death” (Homer, 285). King Nestor continues on telling of the revenge Agamemnon’s son Orestes has on Aegisthus, “Orestes took revenge, he killed that cunning, murderous Aegisthus…”(Homer, 285). This example of Orestes’ revenge shows that the gods should be listened to or they will give horrific revenges to those who disobey.
Agamemnon survived the ten year long Trojan War, even as other great warriors such as Achilleus fell. Tales of the war are widespread and it is described by both its veterans and non-participants in glorified terms. Agamemnon is often singled out for leadership and accomplishments. Demodokos sings of the “famous actions/ of men on that venture” and “that lord of men, Agamemnon” while performing for Odysseus on Alkinoos.(VIII, 73-74, 77). Agamemnon stands out as one of “the leaders of the bronze- armored Achaians” who fought at Troy and is recognized as a major hero of the war (IV,496).
Menelaos' brother, Agamemnon, does not have a healthy family relationship. His family is held up to everyone as what a family should not be. It is ironic that the marriages of two brothers, Agamemnon and Menelaos, to two sisters, Helen and Clytemnestra, should be such exact opposite in their outcome. During his absence during the Trojan War, Agamemnon's wife, Clytemnestra, took a lover, Aigisthos. Upon Agamemnon's return, Clytemnestra kills him and his slave-mistress, Cassandra.
In Aeschylus’ Agamemnon there are many different opinions about what kind of king and commander Agamemnon was. Some argued that he was good, while others dispute that his motives were wrong. Clytemnestra, Agamemnon’s wife, gained a strong hatred for him, after he sacrificed his own daughter so he could go to war. Many believe that this was not necessary and could have been overcome. The chorus seems to agree with this to an extent, and feels that Agamemnon could have prayed and requested that he not sacrifice his daughter.
The house of Atreus is cursed, it would seem, with the perpetual cycle of vengeance, the law of an eye for an eye. The curse originated with Tantalus, who angered the gods by feasting them on the flesh of his own son, Pelops. Pelops was restored by the gods and effected the birth of two sons, Thyestes and Atreus. Thyestes angered his brother by seducing his wife and challenging his claim to the throne. Consequently, Thyestes was banished from the kingdom, only to be summoned back by Atreus in false friendliness. Atreus, in the mode of his grandfather, feasted the unknowing Thyestes on small bits of Thyestes’ own children. Upon discovery of his doing, the distraught Thyestes fled into exile with his only remaining son, Aegisthus.
The slaughter of the suitors reverses and sets right the murder of Agamemnon. As the story is recalled in the Odyssey, Aegisthus used twenty men to ambush and kill Agamemnon. From Ithaca the chief suitor, Antinous, Sent twenty men to ambush and kill Telemachus. He would have suffered the fate of Agamemnon. So might Odysseus, for whom the story of Agamemnon is a warning. Instead the suitors die at a banquet, in corrective balance to the murder of Agamemnon at a banquet. (Dilworth)
When Nestor comes to smooth the thick atmosphere they depart from each other. Upon returning to his ship, Agamemnon sends his men to “go to Achilles’ lodge [and] take Briseis at once” (line 378) illustrating how rude he can be. To take someone at once has an impatient type of connotation. Agamemnon has no intentions of keeping the peace with Achilles because he rudely disobeyed Achilles orders. Achilles tried to comply with Agamemnon, but he refused to do so. Regardless, Agamemnon resorted to his threat. When the men reach Achilles’ lodge, he is grief-stricken and allows for his wife to be taken. He is sad and reluctant, but lets them take her back to Agamemnon. No matter what he does, this event was inevitable. Agamemnon was provoking him making him “blazing … [to] [react] quickly” (line 341) showing that Achilles can be easily angered. Agamemnon tries to use Achilles rage and fury to get him to give up and retreat back to the army he left. Even though Achilles felt rage and sorrow, he keeps to his word. He wants to obey Athena’s orders of to not fight back. Although he is sad, he will not let Agamemnon’s threat get to his
In Aeschylus’ The Agamemnon, Agamemnon and Clytemnestra have to make tough decisions throughout the play, decisions they believe are justified. The actions of Agamemnon and Clytemnestra are not justified because they are caused by their blinding hubris and desire for power. Agamemnon makes the choice to kill his daughter just so he could lead his troops to Troy. Clytemnestra kills her husband, not just for revenge, but for his position and power as king of Mycenae. They make selfish choices and do not believe they will be punished for them. By exposing their true motives, Aeschylus makes it clear they are not justified in their actions.
Imagine Cleomedes, son of Lycomedes, general of the famed forces of the lustrous Athenian Empire, waiting for a trio of representatives to return from The Melian Dialogue. “Well?” he demands impatiently as they arrive, “What did they say?”