Tantramar Revisited Poem

1934 Words4 Pages

Amy Clark
Amanda Tripp
Canadian Classics
May 14, 2015
An Analysis of Nostalgia in “Tantramar Revisited” and “Low Tide on Grand Pré”
Nostalgia is an idealised longing for former times, places, or people; it colours memory, softens the hues of the past, and inspires a longing to return to these times or places. The poems, “Tantramar Revisited” by Charles G. D. Roberts, and “Low Tide on Grand Pré” by Bliss Carman each explore the idea of returning to a fondly remembered past. In these two poems both Bliss and Carman use descriptions of nature as a means to connect with the past. In “Tantramar Revisited”, repetition of key words and phrases evokes the feeling of the passage of time. In “Low Tide on Grand Pré”, the passage of time is stated more …show more content…

In his book Harsh and Lovely Land: The Major Canadian Poets and the Making of a Canadian Tradition, Tom Marshall notes that: “As the Tantramar lands are bounded and preserved by dykes, so the poet attempts to hold them in timeless suspension in the microcosm of a poem whose rhythmic rise and return themselves embody the sense of the endless cycle” (Marshall, 10). The speaker embodies a garrison mentality as he stands secure in his fortress of memory holding back the present by clinging to the …show more content…

In “Tantramar Revisited” Roberts sets up the feeling of the passage of time through the use of repeated words and phrases that echo through the poem. The poem opens: “Summers and summers have come and gone…Many and many a sorrow has all but died” (Roberts, 78). These lines allude to the passage of time, set a bleak tone, and introduce the reader to the repetitions that follow. This continues with the reference to “chance and change” in both the first and last stanzas; the repeated usage of “miles on miles” in the pastoral descriptions; the repeated use of similar imagery such as green hills, beads of water, and fishing equipment; and the reiteration of “old-time” in the final stanza (Roberts 78). These repetitions set up a sort of internal rhythm by which the speaker measures time and loss. In discussing the poem Ware notes “the opening lines present a mental landscape…The melancholia so palpable in the poem…is surely not for the flight of summers-they will, after all return” (Ware). These repetitions also serve as intrusions into the beautiful nature imagery reminding the reader that this scene is in fact a memory preserved and not merely a description of Tantramar.
Alternatively, Carman illuminates the time passed by personifying the landscape. This is show in the following

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