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Literary analysis essay on macbeth
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Macbeth Essay How much influence can the supernatural have on our lives? Sometimes small things that seem out of the ordinary, or out of this world, can motivate our actions in ways we could have never expected. Take William Shakespeare’s Macbeth, for example. Macbeth has multiple encounters with the supernatural throughout the play. The supernatural has a strong effect on Macbeth’s actions in ways such as three witches prophesizing Macbeth becoming thane of Cawdor, Macbeth seeing ghosts that make him paranoid of being caught, and Macbeth seeking knowledge from the witches.
First off, the three witches, or weird sisters, prophesize that Macbeth will soon become the thane of Cawdor shortly after defeating the Norweyans. The witches are considered
The three weird sisters “witches” predicted that Macbeth would become the King of Cawdor. “All hail, Macbeth! Hail to thee, Thane of Cawdor!”(Shakespeare, Macbeth 1...
and be great, but they didn't tell him the price he would have to pay.
on April 23, 1616, at the age of 52. One of these brilliant tragedies was
The Importance of the Supernatural in Macbeth by William Shakespeare The supernatural is to play an essential part in the play 'Macbeth'; this is made clear from the first paragraph of the play, when the three witches are introduced. It is represented in many different forms, mainly: the witches, the dagger and the ghost of Banquo. Shakespeare's use of imagery and creative language in the play creates tension, fear and clearly displays the importance of the supernatural theme. At the start of the play, the supernatural is disguised in the form of nature, in this case a storm. Shakespeare uses pathetic fallacy to describe the strong force of nature- "Thunder and lightning - Enter three Witches.
The three witches use cleverly chosen words and prophecies to exert control over others. These prophecies seem to be more potent than any action, as they can be interpreted in any number of ways, and have the ability to provoke otherwise hidden thoughts and desires. For instance, upon hearing the first prophecies and seeing the first part come true, Macbeth says, “This supernatural soliciting, cannot be ill, cannot be good … If good, why do I yield to that suggestion whose horrid image doth unfix my hair and make my seated heart knock at my ribs.” This shows the power of the witches, and indeed the supernatural in general. The prophecies, of which Macbeth is convinced are true, have provoked thoughts and ideas, both good and evil.
These actions highlight the women of the play as the greatest influences on the development of the plot and Macbeth’s demise. The three witches essentially lay out the foundation of the plot of the play in the prophecy that they present to Macbeth. Before their meeting with him, they already know how the Scottish civil war is progressing and how it will conclude. Because of their witchcraft, they know that Macbeth will soon become Thane of Cawdor, and also know how they can use this event to plant a desire for greater power in him, a desire for the throne.
From the very beginning of the play, supernatural and unnatural forces have inspired and encouraged Macbeth. They interfere with natural events and completely change the character of Macbeth and his wife. Witches, apparitions, ghosts, and other unnatural images are used to demonstrate the evil effects and consequences those forces can have. Shakespeare is successful in telling his audience that only evil will come when Macbeth or any other person tampers with natural forces for personal gain.
Everyone has a slightly different interpretation of the supernatural but the interpretation which we can start with is Shakespeare’s. Everyone of Shakespeare’s time found the supernatural fascinating. Shakespeare interpreted the supernatural as witches, magic, unnatural and evil and he expressed his beliefs in the play, “Macbeth” very clearly, as he portrayed the three deformed women with control over the weather and the ability to predict the future. These three evil witches with magical powers were the creation of Shakespeare’s interpretation of the supernatural. Shakespeare’s contemporaries believed in the supernatural very strongly and a majority of them were frightened of it, including the king of that time, King James I of England.
Myths and religions often include divine or devilish beings with incredible powers. William Shakespeare incorporated witches with bizarre powers in his play, Macbeth. These witches possessed devilish powers to set the course of events in the plot and added to the flavor of the story. The witches' powers included omnientness, vision and apparition creation, and the ability to set the conditions for disaster, and the utilization of these abilities sets the movement of the play.
In Macbeth the Witches are shown as being evil, conniving, and cruel. "Here I have a pilot’s thumb, wreck’d, as homeward he did come." The Witches play a major role in convincing Macbeth to kill Duncan. They give Macbeth and Bonquo three prophecies: "all hail Macbeth hail to thee, thane of Cawdor" "all hail, Macbeth that shalt be king hereafter" "thou shalt get kings, though be none." Bonquo doesn’t take these prophecies seriously, but Macbeth shows some ambition for power. "If chance will have me king, why, chance will crown me." Macbeth becomes more dependent to the Witches. In Act 4 scene 1 Macbeth returns to the weird sisters, demanding what the future would bring. The Witches gave him three prophecies: "Macbeth! Macbeth! Macbeth! Beware Macduff, beware the thane of Fife." "none of woman born shall harm Macbeth" "Macbeth shall never vanquish’d be until Great Birnam wood to high Dunsinane hill."
Macbeth’s choice to put his trust in the witches, rather than take heed like Banquo, leads to his own destruction. Macbeth first encounters the three witches after his victory over the Norwegians. When Macbeth passes the three witches on the road, the greet him with, “All hail, Macbeth! Hail to thee, thane of Cawdor!” All hail, Macbeth! Hail to thee, thane of Glamis! All hail, Macbeth, that shalt be king hereafter!” (I,iii,49-51). Macbeth doubts these claims until Ross and Angus soon tell him of his newly acquired title, the Thane of Cawdor. He starts to believe the sisters to be true and that he just might become king. Macbeth jumps to the conclusion that the three sisters are of the supernatural and decides to trust them. He does so despite Banquo’s warning, “ But ’tis strange. And oftentimes, to win us to our harm, the instruments of darkness tell us truths, win us with honest trifles, to betray ’s in deepest consequence...
Shakespeare’s Macbeth is full of supernatural forces and events. These supernatural forces were a very big role in the creation of a suspenseful atmosphere as well as in the development of the character Macbeth. Additionally, they justified his changing personality, beliefs, and morals. The inclusion of prophetical witches, ghosts, apparitions and visions eventually led to Macbeth’s tragic downfall.
The witches’ prophecies tempt Macbeth to begin walking down the path of evil leading to his demise. They are the catalyst that
To conclude Shakespeare used the supernatural, to show how easily someone’s fatal flaw can be exploited to bring them to an end. This is extremely relevant to his audience at that time as well, no one knows, but Shakespeare could have been a non believer in the supernatural and wanted to show it as a figment of the mind, that can only result in insanity or he could have believed the popular opinion that the supernatural did exist and caused terror and evil throughout that period. Either way he wrote Macbeth in such a way to leave questions about the supernatural in peoples mind.
...he supernatural is one element in Macbeth that was used cleverly by Shakespeare to get various messages across to the audience. The messages are brought across between the lines of the plays which requires audiences to reflect critically to get the underlying meaning of his play. Shakespeare did not merely show ghosts and witches in the supernatural as a thriller, but also tied in the political and religious aspects of the society during his time.