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Women in art easy
Native Americans the story of their culture
Western native american tribes
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In every artist’s work, there is a deeply rooted message— with the occasional less fundamental message— pertaining to what the artist is attempting to communicate. As a Native American female artist, Roxanne Swentzell has taken multiple mediums in sculpting and has utilized her abilities to create images reflecting issues pertaining to: being a native, a woman, flawed human being, and the list goes on. Roxanne Swentzell is notable on the contemporary art “map,” distinctly, in her pieces “The Therapist,” “Bridging Two Worlds,” and “The Next Generation” when considering their themes and how they reflect her personally and her tribe in contemporary and Native American senses. Coming from a strong tribal history with a thriving cultural identity, …show more content…
Her theme, based on humor, is reflective of the idea that sometimes people in conflict should be listening to one another and looking at their issues in order to obtain, or realize, a solution. In pueblo culture, clowns are seen as figures symbolizing balance in the community, who communicate messages to the people about personal flaws that have arisen to conflict or just have other personal issues. In the piece, making use of the clown as a balancing device, the clown is encouraging a common ground between the other two subjects while the audience is given the opportunity to understand the struggle for this harmony people strive for. This being one of the many humorous pieces in her body of work represents a majority of pieces she has contributed to the art world. Swentzell shows much of her feelings and words with humor in her art as a way of pointing out flaws in the human race, modern culture, and even in herself. The second clay piece, manifesting her body of work is “Bridging Two Worlds,” in which, she displays an individual whose skin color is one half white and another half brown. The fingers and toes cross over together as two different individuals are connecting, yet are the extensions of the one individual she has built. In her explanation of the piece, …show more content…
In her discussion about the piece, Swentzell states it is a thought about how each generation strives to accompany its successor generation to obtain its values and utilize them to do greater things in the world or community. Native American cultures have stressed the idea of passing on the traditional values and rituals to their offspring who are meant to obtain those same values even in the modern world. Using this theme circumvents being aware of Native Americans as a surviving culture in a world that nearly eradicated the entire race is a strong message implying generations become stronger as they
...sion Native Americans made a connection with the earth that was an ongoing affirmation to be close to nature. To witness the beauty of the land and all it had to offer them. Seattle’s address took a strong and powerful stance against the Americans, not only did he stand up for his people but he showed the wrong in the Americans. The essay and art work have affected the progress and solidity of the Native American culture in the past and the present. Each piece possess vitality, power and a drive to move forward, they also coincide on different levels where as to the message, that they bring forth understanding the environment and relationship between land, and man.” At night when the streets of your cities and villages are silent and you think them deserted, they will throng with the returning hosts that once filled and still love this beautiful land” (Seattle, 57).
Visceral. Raw. Controversial. Powerful. The works which Kara Walker creates have elicited strong and diametric responses from members of the art community. She manipulates the style of antebellum era silhouettes, intended to create simple, idealistic images, and instead creates commentaries on race, gender, and power within the specific history of the United States. She has also been accused of reconfirming the negative stereotypes of black people, especially black women, that the viewer and that the white, male dominated art world may hold. This perspective implies that both her subjects and her artworks are passive when confronted with their viewers. Personally, I believe that more than anything, Walker’s work deals in power -- specifically, the slim examples of power black individuals have over their
In the text “Seeing Red: American Indian Women Speaking about their Religious and Cultural Perspectives” by Inés Talamantez, the author discusses the role of ceremonies and ancestral spirituality in various Native American cultures, and elaborates on the injustices native women face because of their oppressors.
gain whilst simultaneously pressuring actual Native Americans to assimilate into western European society. This connects to the poem as a whole because it connects to the after effects of
Kara Walker’s Silhouette paintings are a description of racism, sexuality, and femininity in America. The works of Kara Elizabeth Walker, an African American artist and painter, are touched with a big inner meaning. A highlight of the picture displayed at the Museum of Modern Art in San Francisco will be discussed and the symbolism of the sexuality and slavery during the Atlantic slavery period will be enclosed. The modern Art Museum has works of over 29,000 paintings, photos, design and sculptures among others. The use of black Silhouette is her signature in the artistic career.
Jackson, P. (1992). (in)Forming the Visual: (re)Presenting Women of African Descent. International Review of African American Art. 14 (3), 31-7.
The words that have been written are not always what is supposed to be read. Sherman Alexie uses metaphors and other literary devices to convey a message to the reader about the native youth and their experiences. The message is relatively consistent; the youth will more likely than not fall into the continuous trends of poverty and alcoholism and surrender to racial injustice just as previous generations have. It is an uninterrupted cycle that is past down to the next generation, and Alexie is only reporting the truth of what really goes on inside the reservation.
Native Americans have undergone a horrific past of genocide, discrimination, forced acculturation, miscommunication, and misunderstanding. They were frequently dehumanized and stripped of basic human rights. Treated as “savages” they were herded into areas of confinement and robbed of their language, culture, and way of life. In many instances of genocide, experts have noted a type of historical trauma that may be passed down through families, known as generational trauma. While the potential effects of this concept are not proven, the stories, images, and memories of thousands of Native Americans continue to be shared with their children, thus perpetuating, and never forgetting the pain and embarrassment that their people have experienced.
In the story, the mother’s belief in this sentiment gave her hope for her daughter to become a prodigy. Therefore, the weight of the dream is left on the first-generation. The belief of endless possibilities is set upon first-generation Americans and Americans alike. From the beginning of the story, the daughter states that “America was where all my mother’s hopes lay” (491). The mother has the be...
"Whilst some feminists have argued to be included in 'male stream' ideologies, many have also long argued that women are in important respects both different from and superior to men, and that the problem they face is not discrimination or capitalism but male power." (Bryson, 2003, p. 3). The feminist art movement is unclear in its description because some describe this movement as art that was simply created by women and others describe it as art with anti-male statements in mind. For the focal point of this paper, the goal will be to analyze several female artists and their works of art who influenced, and who are said to have made powerful influence both in the feminist art movement from a political and societal perspective, then and today. With that being said, we will start with the female artist Judy Chicago and a quote from her that calcifies her position as an artist. "I believe in art that is connected to real human feeling that extends itself beyond the limits of the art world to embrace all people who are striving for alternatives in an increasingly dehumanized
The Navajo Sand Paintings is an example of a sacred symbolic object commonly misinterpreted as nothing more than an artistic piece of primitive art. In actuality, the beauty is being overseen because Navajo sand paintings have more significance. This so called `piece of art' serves as a major device, but in a...
He focuses on the need and importance of teaching ancestral values to the young people, in a way that they can relate and understand. Young people of the world have become un-rooted from tradition, not knowing how they are connected to the world, who they can turn to for guidance and support, and lacking in spiritual leadership. This has caused increased violence, disparity, and suffering around the world. It is the responsibility of all leaders, cultural, spiritual, ethnic, religious, and educational to assist in the understanding of traditions, heritage, ancestral roots, belief systems, and values in a way that the young people of today can comprehend and feel connected. The young people of today are the leaders of tomorrow, they need our guidance and support to grow and mature into responsible adults. They must become re-rooted in tradition and beliefs to maintain a since of stability for the
In the book Ordinary people by Judith Guest it shows how the book advocates for the therapist by Dr. Berger helping Conrad and his dad, Dr. Berger is there for him at all times, and Dr. Berger stays calm at all times.
Sometimes referred to as “the artistic sister of the Black Power Movement” the Black Arts Movement (BAM) arose in the mid 1960’s to develop a poetic/artistic statement that not only provided a means of black existence in America, but also provided a “change of vision” in the perception of African American identity. Much like the New Negro Movement, the Black Arts Movement was a flourishing time of artistic exertion among African American musicians, poets, playwrights, writers, and visual artists who understood that their artistic production could be the key to revising stereotypes of African American subordinacy (Neal). Through looking at the enriching artworks by David Hammons, Jeff Donaldson, and Adrian Piper, it can be understood that the African American race strived for both racial equality and social change. Hammons, Donaldson, and Piper were unique artist who changed African American Art and captivated America through their exceptional styles of talent and artworks. While the artworks Spade (Power to the Spade) by David Hammons, Wives of Shango by Jeff Donaldson, and Adrian Piper’s advertisement in Village Voice share few commonalities such as similar subject matter, such as their strive for black power, and imagery, their differences in mediums, structural styles, and technique show differentiating aspects of each artworks physique.
Donaldson’s essay clearly reveals cultural appropriation. In the story of Medicine Woman, using native artistic pieces to symbolize a form of empowerment and avoidance of one’s own negative feelings demonstrates the cultural appropriation of a white woman on Native artifacts and cultural symbols. For example, because Lynn wanted to feel empowered and “restore her wholeness,” she relied on cultural pieces such as ancestral figures and American Indian baskets. Rather than seeing the items for what they are, Lynn gave those items whose culture she did not identify with a new meaning, completely disregarding the associated history. On the other hand, Ruiz and other women within the Latina community who prayed to the Virgin Mary offered a more appropriate symbolic meaning to the Virgin Mary. Rather than ignoring the history associated with the Virgin Mary, they chose to accept the idea that she is a symbol for motherhood, spirituality, and one’s role within their family and community and used it to empower themselves. The women did not create a whole new meaning of the Virgin Mary but rather embraced her significance within the Catholic religion. While both essays describe an emotional turn for two individual women, Nabhan-Warren’s essay demonstrates a more appropriate representation of a cultural or religious symbol, the Virgin Mary in which her meaning