Life can often be a string of painful events and abysmal situations. These Scenarios are excellently portrayed in Jennifer Todhunter’s “The Knives of Her Life”. The story, which follows a young girl as she attempts to slog her way through her youth with her abusive, alcoholic mother, shows how she copes with her situation. Her only solace is the art of whittling, a hobby that she learned from watching her stepfather while he was still wed to her mother. The story accurately demonstrates how people use various coping methods to deal with traumatic events.
The main character of this story is the young girl who lives with her mother. To deal with the harsh environment that she lives in, the young girl turns to whittling as a method of channeling her vast array of emotions. One such example of her using this coping method is when she describes how she would whittle the underside of her bed when she couldn’t sleep. It is eluded that her inability to sleep is due to her environment and instead of hurting herself, she develops her skills. As her skills develop, the girls detailing improves, and she can create masterful depictions of the places she wishes she could escape to. This is also indicative of a method of coping used by those in situations like hers as people often cope by expressing where they would escape to if given the chance.
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The first is her home, which represents the sole source of pain and emotional trauma. The second of the two is her place of employment, the Chinese restaurant. This location functions as a haven, a place where she can go to escape the abuse that she endures at the hands of her mother and to heal her emotional wounds. The concept of havens for those who are going through, or have gone through, traumatic events are very common in the real world. Locations such as women shelters and safe places are just a couple of examples where people can flee so that they might cope with their
Kate Morrison is a well educated, independent woman with a decent job, supportive boyfriend and family. Externally, Kate has a life that some people might envy of but, internally, she isn’t as stable as she seems. Crow Lake, a novel written by Mary Lawson, leads the readers to the protagonist, Kate Morrison and the struggles in her life. Kate loses her parents in her early age and for this reason she lives with her siblings with some help from her neighbours and other family members. Despite the absence of her parents, Kate and her siblings seem to grow well. Although there is some crisis in the family, they seem to be inevitable consequences of not having an adult in the family. However, Kate spends an innumerable amount of time accepting and letting go of the past and eventually it causes another crisis in her present life. She continuously has some kind of depression, and she does not realize that her depression is coming from herself, not from anything or anybody else. Crow Lake contains a great message that shows refusing to face the past affects your future negatively. We see ...
When faced with a traumatic experience, one’s true nature reveals itself. The trauma forces those suffering from it to cope. How one copes is directly linked to their personality. Some will push everything away, while others will hold whatever they can close. Both of these coping mechanisms can be observed in the two short stories “The Jilting of Granny Weatherall” by Katherine Anne Porter and “A Rose for Emily” by William Faulkner. In “The Jilting of Granny Weatherall” and “A Rose for Emily,” the two protagonists prominent characteristics distinctly affect the way the protagonists copes when faced with trauma and the outcome of the short stories endings. To begin, Granny Weatherall is a prideful control freak. While, in contrast, Miss Emily is delusional and stubborn.
Although, for her, she has nothing more to focus on she trusts her imagination to pass the time. Over time she becomes more and more obsessed with the yellow wallpaper, which leaves her in shock. “The wallpaper becomes a projection screen of the narrator growing fright.” (Berman, p.47) This means that the narrator goes to herself on the wall. The isolated woman in the yellow paper is her own reflection. Something that the narrator still does not realize, she only feels the need to release the woman trapped in the wall. She refers to her room as a prison continuously. As she begins to feel isolated she projects her feelings on the yellow wallpaper, but the idea that the room is her prison goes from figurative to reality as insulation deepens her need to escape in some way. “Every time the narrator speaks, she is interrupted and contradicted until she begins to interrupt and contradict herself.” (Berman, p.55) She has her own plan for recovery. But unfortunately, her husband does not listen. For him, the only
Diane Urban, for instance, was one of the many people who were trapped inside this horror. She “was comforting a woman propped against a wall, her legs virtually amputated” (96). Flynn and Dwyer appeal to the reader’s ethical conscience and emotions by providing a story of a victim who went through many tragedies. Causing readers to feel empathy for the victims. In addition, you began to put yourself in their shoes and wonder what you would do.
The author starts the short story by telling the reader “I found myself in a Chinese funeral parlor because of a phone call I made to my cleaning lady.” (Schmitt, 107). This makes the reader wonder what the phone call was about that lead her to a Chinese funeral. This also leads to many more questions like: Why is she in China? What does a Chinese funeral parlor look like? Is she friends with the cleaning lady? Some of these questions are answered later on in the story while others are left to the reader’s imagination.
Susanna recalls her suicide attempt: “I wanted to get rid of a certain aspect of my character. I was performing a kind of self-abortion of my character… but i had no heart to try it again” (Kaysen 39). Although Susanna’s action is viewed by some critics as alarming, it was a learning experience for her, and she moved on. Furthermore, Maslow’s Hierarchy of Needs emphasizes the idea of undergoing drastic measures in order for results to be evident. Also, self-actualization stresses the need for personal growth that spans a person’s lifetime (McLeod). Susanna’s drastic actions allow her to realize her need for self-evaluation and understanding her actions. Susanna explains that “scar tissue has no character... It doesn’t show age or illness... It shields and disguises what’s beneath. That’s why we grow it, we have something to hide” (Kaysen 16). Seeing Polly’s scar tissue, Susanna acknowledges the motives behind the creation of the form of skin, and thus, her understanding brings her closer to identifying her motives and what she seeks to gain from her actions. Susanna explains what goes into one’s detachment from life: “... practice imagining yourself dead, or in the process of dying” (Kaysen 36). Susanna acknowledges preparing for suicide, however, she realizes after
The function of the Chinese Restaurant in Midnight at the Dragon Café acts as a bubble of protection for the Chens. Su-Jen, however, lives both inside and outside of this bubble, inside both worlds of China and Canada; this is shown very early on in the novel when Su-Jen adopts a “Canadian name” (Bates 21), in order to assimilate into the Canadian culture. Unlike Annie, her parents and Lee-Kung keep their Chinese names, and by extension they keep themselves separate from Canadian culture. The restaurant provides a sanctuary for Annie’s parents and Lee-Kung, since the restaurant seems to be the only place they truly belong in Irvine. In Toronto with the established Chinese (China Town) community, the older Chinese-minded Chens feel more at ease because they are surrounded by people who speak the same language, are going through the same struggles, whom they can talk to and understand, nothing l...
Nevertheless, her attempts are futile as he dismisses her once more, putting his supposed medical opinion above his wife’s feelings. The story takes a shocking turn as she finally discerns what that figure is: a woman. As the story progresses, she believes the sole reason for her recovery is the wallpaper. She tells no one of this because she foresees they may be incredulous, so she again feels the need to repress her thoughts and feelings. On the last night of their stay, she is determined to free the woman trapped behind bars.
The journey from Chongqing to America was one with many obstacles and Suyuan sacrificed so much for her daughter hoping that one day June will be successful. The support and care that Suyuan provided for June ended when she suddenly passes away which forces June discerns how little she actually knows about her own mother. This seemingly ordinary life of June disappears as she discovers her mother’s past which included siblings that have been abandoned and thus attempts to find her long lost sisters. This idea was brought up by the Aunties of the Joy Luck Club that her mother founded which can be seen as the call to an adventure. The purpose of this journey was not only to find her sisters but to also discover her mother for who Suyuan truly was. In June’s eyes, Suyuan was always impossible to please and she was never on the same page as her mother who believes a person could be anything they wanted in America-the land of opportunities. But as the Joy Luck Club reminds June of how smart, dutiful, and kind her
In Amy Hempels’ Short Story “Going,” our journey with the narrator travels through loss, coping, memory, experience, and the duality of life. Throughout the story is the narrator’s struggle to cope with the passing of his mother, and how he transitions from a mixture of depression, denial, and anger, into a kind of acceptance and revelation. The narrator has lost his mother in a fire three states away, and proceeds on a reckless journey through the desert, when he crashes his car and finds himself hospitalized. Only his thoughts and the occasional nurse to keep him company. The narrator soon gains a level of discovery and realizations that lead to a higher understanding of the duality of life and death, and all of the experiences that come with being alive.
Though, acceptance of trauma can allow hindered development, eventually allowing full self-acceptance. Bernice, a once strong woman has been verbally, emotionally and physically abused since her childhood. Resulting in a loss of her sense of being. Within the beginning of the novel, when she is reflecting on her past memories, it becomes clear to the reader that in order for her to be able to accept herself, she needs to surface her past traumas. Bernice explains that, “In the tendrils, Bernice realizes there is remorse in her body and she is trying to kick it out. Her shell rejects remorse. Shame. Feeling bad over feeling good” (49). This mindset is negative and expresses her inability to share her emotions due to previous emotional abuse from her family and the many men that have taken advantage of her. This idea of disallowing happiness hinders her ability to accept herself and her past actions. However, through more time of self-reflection (over 200 hundred pages of her lying in bed with the author switching perspectives, confusing the hell out of me lol) Bernice realizes that she must learn to cope with these traumas and attempt to have a positive outlook on life. As Bernice is accepting the damaged part of herself, she comes to the realization that, “She can feel her body now, its loose and stiff at the same time. Her head, though will be the hard part. Part of her lost for so long that it is hard to enunciate what, exactly, she has found” (228). In comparison to when Bernice was unable to acknowledge her feelings and thoughts, it is now clear that she is slowly learning to manage her issues. By Bernice discovering that she is beginning to acknowledge her thoughts, this is the first step to being able to accept one’s self. In Total, It is shown that Bernice is deeply affected by the trauma within her life, however she is able to
When one faces a traumatic experience, his or true nature often reveals itself. Trauma forces its sufferers to cope. How one copes is directly linked to his or her personality. Some will push any painful feelings away, while others will hold onto pleasant memories. Both of these coping mechanisms can be observed in Katherine Anne Porter’s “The Jilting of Granny Weatherall” and William Faulkner’s “A Rose for Emily.” In “The Jilting of Granny Weatherall” and “A Rose for Emily,” the two protagonists’ prominent characteristics distinctly affect the way they cope with trauma and influence the short stories’ outcomes.To begin, Granny Weatherall is a prideful control freak. In contrast, Miss Emily is delusional and stubborn.
Her husband rejects the idea of her having any social interaction and does not allow her to have contact with anyone other than himself and Jeanie. She attempts to write for entertainment but she becomes too tired and soon the only source of entertainment for the Narrator is the wallpaper. She begins to look for patterns to ease her
She continues in this sequel to talk about the abuse she faced and the dysfunction that surrounded her life as a child and as a teen, and the ‘empty space’ in which she lived in as a result. She talks about the multiple personalities she was exhibiting, the rebellious “Willie” and the kind “Carol”; as well as hearing noises and her sensory problems. In this book, the author puts more emphasis on the “consciousness” and “awareness” and how important that was for her therapeutic process. She could not just be on “auto-pilot” and act normal; the road to recovery was filled with self-awareness and the need to process all the pieces of the puzzle—often with the guidance and assistance of her therapist. She had a need to analyze the abstract concept of emotions as well as feelings and thoughts. Connecting with others who go through what she did was also integral to her
Innocence is something always expected to be lost sooner or later in life, an inevitable event that comes of growing up and realizing the world for what it truly is. Alice Walker’s “The Flowers” portrays an event in which a ten year old girl’s loss of innocence after unveiling a relatively shocking towards the end of the story. Set in post-Civil War America, the literary piece holds very particular fragments of imagery and symbolism that describe the ultimate maturing of Myop, the young female protagonist of the story. In “The Flowers” by Alice Walker, the literary elements of imagery, symbolism, and setting “The Flowers” help to set up a reasonably surprising unveiling of the gruesome ending, as well as to convey the theme of how innocence disappears as a result of facing the harsh reality of this world.