Explore the presentation of stress and the effects it has on characters in Othello Enduring Love and A Street Car Named Desire.
The theme of stress occurs in all three literary pieces, Othello, Enduring Love and A street Car Named Desire. Shakespeare and McEwan examines how stress can be a fatalistic factor amongst characters whereas Tennessee Williams explores the breakdown of characters due to stress, nevertheless all three texts portrays this common theme in a negative light. Shakespeare’s play ‘Othello’ explores the way in which stress affects characters of high status, confidence but who have a weak position socially. For a moment the protagonist Othello’s rank as the general in the Venetian army outweighed any of Brabantio and Iago’s
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In contrast to McEwan’s novel Enduring Love, Williams and Shakespeare’s use of stage directions indicates the emotions behind scenes which indirectly display the atmosphere of the play to the audience. A Street Car Named Desire plays the ‘Polka music’ in order to symbolise the heart ache of Blanche ‘Polka music sounds, in a minor key faint with distance,’ the reoccurrence of this stage direction in different tones: both ‘faint’ and loud, gives an indication of the level of intensity behind the heart ache Blanche reminisces (eg the death of her husband). This enables the audience to become aware of the existing stress built up with in Blanche due to previous events which Williams does not show but referred to (through Blanche reminiscing). Shakespeare also incorporates stage directions in Othello in order to portray stress, similar to Williams he illustrates intensity through scenes of the play such as ‘guns heard’ in the background during arising conflict. On the other hand Shakespeare’s use of stage directions is seen and heard by both the audience and the characters of the play both sharing the anticipation, this gives a sense of realism to the play whereby events unfold before the eyes of the audience and characters, however William’s A Street Car Named Desire introduces stage direction as a form of a symbol indicating stress: Polka music representing heart ache and Blue piano’s hectic rush of the New Orleans City life, stage directions used by both William’s and Shakespeare leave it up to the audience to put the pieces together during scenes of uneasiness. On the other hand McEwan’s first person narrative takes a direct approach when Joe confesses ‘my concentration was ruined’ giving readers an update of his unstableness opposed to indicating it through symbolism.
1.) In the play “The Tragedy of Othello, the Moor of Venice” written by Williams Shakespeare, he reveals the main themes in Othello’s final speech. The two main themes Othello illustrates in his final speech are reputation and jealousy. In Othello’s speech he says, “When you shall these unlucky deeds relate, speak of me as I am.” (Shakespeare 355), showing the importance of his reputation. He is unable to cope with criticism due to his low-self-esteem and therefore, cares what other individuals have to say about him. Othello’s dark skin is the reason why he does not have high-self-esteem and becomes jealous when Iago tells him about his wife having an affair with Cassio. Othello loves Desdemona but he feels that he is not good enough for her
The Manipulation of Gender Roles in Shakespeare’s Othello. Of Shakespeare’s great tragedies, the story of the rise and fall of the Moor of Venice arguably elicits the most intensely personal and emotional responses from its English-speaking audiences over the centuries. Treating the subject of personal human relationships, the tragedy, which should have been a love story, speaks to both reading and viewing audiences by exploring the archetypal dramatic values of love and betrayal. The final source of the tragic action in Shakespeare’s
In one of William Shakespeare’s most renowned and celebrated plays, the story of a General named Othello unravels in tragic form as he falls victim to the lies created by Iago. Once revered as a war hero and wed to the beautiful Desdemona, Othello’s life spirals downward with the untimely death of his beloved in his own hands, ultimately ending with his own demise. Love is the force behind this tragedy. Tragedy is the main driving force that brings happiness and tragedy to the characters within the play. But even as such a prominent force, it lacks clear definition. Love has a different meaning to the characters in the play. Characters like Othello, Desdemona, and Iago all have different perspectives on love, which informs their behavior in different ways.
The play, Othello is one of the most famous tragedies composed by William Shakespeare during the Renaissance period. It powerfully portrays a world where the acts of evil ultimately vanquishes fidelity, nobility and integrity. The central themes jealousy and manipulation embodies the foretold tragedies and the downfall tragedies of the characters due to one’s insecurities. Through the use of literary techniques and figurative language, Shakespeare has effectively explored the themes of jealousy and manipulation.
Picture this- William Harold Shakespeare, the most coveted playwriter in the history of the world, sitting at his desk, perspicaciously pondering over what shall become his most prominant and delicated tragedy of yet. Of course, given what little is known about Shakespeere displays, such deepseated imagery cannot simply be accomplished without first the propriety of haste and vinction.And yet, his very own rhetorical vibe displays allows such a vague pictoration to be concieved. Throughout the whole of Othello, the great Shakespeare remarks through an astounding displays show of pronouns, allitteration, and cacophonous diction his own resentment of both the King of Italy and the poor conditions of the said novelist.
F. R. Leavis discusses the breakdown of sympathy for Othello, arguing that ‘Othello is too stupid to be regarded as a tragic hero’. Other critics also argue that Shakespeare ‘fully exploits the unique cultural opportunity to develop a more complex and sympathetic representation of black experience’ [The Noble Moor – Othello and Race in Elizabethan London, Roger Lees], implying that the sympathy that a contemporary audience would have felt for Othello was based oncultural context, given that the audience were predominantly white. However, it could be argued that it cannot just be the cultural context to Shakespeare’s audiences that has allowed Othello to become one of his most renowned tragedies; if this were the case, the play would have lost all critical interest by the 18th Century. It is Shakespeare’s use of the conventions of tragedy in attributing Othello with hubris that, although making it hard to empathise with at times, in the...
Texts and their appropriations reflect the context and values of their times. Within Shakespeare’s Othello and Geoffrey Sax’s appropriation of Othello, the evolution of the attitudes held by Elizabethan audiences and those held by contemporary audiences can be seen through the context of the female coupled with the context of racism. The role of the female has developed from being submissive and “obedient” in the Elizabethan era to being independent and liberated within the contemporary setting. The racism of the first text is overtly xenophobic and natural, whilst the “moor” is unnatural whereas the updated context portrays Othello’s race as natural and racism as unnatural. Therefore these examples show how Shakespeare’s Othello, and it’s appropriation, Geoffrey sax’s Othello, reflect the context and values of their times.
As stated throughout the essay, Shakespeare exaggerates how much our actions are affected by major emotions in the play Othello. When consumed by love, the characters? actions are amplified, when consumed by jealousy, their actions become more extreme, and when consumed by despair, their actions are exaggerated. Although emotions do have some control over our actions, they aren?t the only factor that affects what we do.
The romantic tension between Romeo and Juliet and Tony and Maria in Shakespears original play and its modern day remake, Westside Story, is what makes them have such passionate and entrancing scenes. The main reason for romantic tension in these two plays is because the two couples can’t be together like they want to be. There are many different aspects that create different quality of romantic tension in these two scenes. Although the two plays have similar plots, the romantic tension between the two lovers is very different because of the setting, the language and the circumstances in which the lovers face.
Countless people all around the world are familiar with the idea of the famously tragic tale of two star-crossed lovers in William Shakespeare’s play, Romeo and Juliet. Their heart wrenching love story has been an inspiration for many literature pieces throughout various genres and later cinematic works of art. The young couple was not only memorable for their passionate, devoted love, but also the tragic events that ultimately lead to their death. One aspect of the play that has a strong impact on the audience is Shakespeare’s use of charismatic and compelling language seen throughout the play. The unique personality traits used to describe Romeo and Juliet allows many to relate to the young lovers. Shakespeare’s use of descriptive language, allows the audience to understand the societal expectations, beliefs, and values set out for the men and women of Verona, Italy. Romeo’s character, however, can be been seen defying these expectations and also
Shakespeare, William. "Othello." Literature: The Human Experience. Abcarian, Robert and Marvin Klotz, eds. Bedford/St. Martins: New York, 2002. 1134-1235.
In the Sixteenth century, as we see clearly from Othello and other works of both Shakespeare and Cinthio's original version of Othello, race was a topic of great debate and discussion. Today, in the twenty-first century the debate retains its controversy and passion. However, attitudes towards race have taken a dramatic turn during the last century. In the developed world people are now living in an increasingly cosmopolitan society would undoubtedly be more tolerant and would reject or even be offended by racial discrimination to any person or sections of the community. Openly 'racist' people today are seen as outcasts. Taking this into account, the way a modern audience would react to race and racism in Othello is dependent upon the way in which that modern audience would interpret 'Othello'. This prompts the questions of what sort of message Shakespeare wanted to send to his audience and was Othello the moor portrayed as a tragic hero or did his character eventually come to resemble the prejudices of which he was a victim. Shakespeare also discusses the issue of race with other characters such as the hateful Iago and the prejudices hidden deep in Barbantio.
The theme of reason versus emotion can be found by analyzing individual character’s actions in William Shakespeare’s Othello. However, the line between to the two decision-making mindsets is not always very apparent. Three characters – Iago, Desdemona, and Othello – will be analyzed to show that Shakespeare wanted to blur the line between reason and emotion and demonstrate that individuals do not necessarily operate with only one or the other.
In William Shakespeare’s Othello, unspoken fears of being an outsider and concerns about his public image contribute to the downfall of a tragic hero named Othello. Othello, a general in the Venetian army’s, final monologue reflects the importance of reputation and the conformity needed to fit his surroundings. He is seen as an outsider of the Venetian culture; he is frequently referred to as “the Moor” and is called an abundance of racial slurs by the Venice born natives. Although Othello never voices his internal struggle to feel accepted by the people around him, his image and physical appearance are some of major issues he faces. Even in the moments before he stabs himself, Othello is more concerned with the legacy he is leaving behind than with the death of his wife, Desdemona. Shakespeare uses Othello’s transformation from a heroic military soldier to a tragic figure to warn of the dangers of obsessing over one’s reputation and the need to feel accepted by society.
Of Shakespeare’s five greatest tragedies, Othello is by far the most passionate and gripping. It is a tale of love, deception, evil, honesty, and virtue. Othello himself is set apart from other Shakespearean tragic heroes by the absolute feeling of affection the audience feels for him even unto the very end of the play. Any discerning reader painfully recognizes the virtue and goodness of Othello throughout the entire play, in contrast to the general degeneration of character so typical of a tragic hero. It is this complete pity that makes the death of Othello so tragic as the audience lends their full support to the inevitable and unavoidable fall.