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Challenges of interpersonal relationships
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In “A Streetcar Named Desire”, Tennessee Williams uses the symbol of light as a contrast to Blanche’s shady personality. Throughout the play, Blanche comes across as very untrustworthy and suspicious. Her reaction to light during the story can be interpreted as her trying to hide from the truth and her past in Laurel, as well as hiding from the fact that she is aging and her beauty is fading away. Right away, Blanche is introduced with a comparison to light when Williams says “her delicate beauty must avoid a strong light. There is something about her uncertain manner, as well as her white clothes, that suggests a moth” (1779). If light represents the truth and reality, this passage can be deciphered as her avoiding the truth and would rather …show more content…
Turn that off! I won’t be looked at in this merciless glare” (1781). Her opposition to light is really emphasized by describing the light as “merciless”. Later on, Williams notes that “she (Blanche) takes off the blouse and stands in her pink silk brassiere and white skirt in the light through the portieres. The game has continued in undertones” (1797). While this passage appears to contradict Blache’s dislike of the light, it shows that she is only willing to stand in the light in order to be noticed by others, specifically the men playing poker. This is an expression of her aspiration to still be found sexually appealing like when she was …show more content…
When people are soft-soft people have got to shimmer and glow - they’ve got to put on soft colors, the colors of butterfly sings, and put a - paper lantern over the light…. It isn’t enough to be soft and attractive. And I - I’m fading now! I don’t know how much longer I can turn the trick” (1810-1811). This passage from Blanche during her and Stella’s conversation is followed by Stella going into the room to turn on the light under the paper lantern. Blanche’s statement shows that she is afraid aging and fading beauty. Covering up the light with the paper lantern can be compared to her hiding from that reality. By saying “I’m fading now”, Blanche is being compared to a light, and the fact that her physical appearance, social status, and her influence or ability to “turn the trick” over others is
This can be symbolized by light. Blanche hates to be seen by Mitch, her significant other, in the light because it exposes her true identity. Instead, she only plans to meet him at night or in dark places. Also, she covers the lone light in Stella and Stanley’s apartment with a Chinese paper lantern. After Blanche and Mitch get into a fight, Mitch rips off the lantern to see what Blanche really looks like. Blanche angrily replies that she’s sorry for wanting magic. In the play, Blanche states “I don’t want realism, I want magic! [..] Yes, yes, magic! I try to give that to people. I misrepresent things to them. I don’t tell the truth, I tell what ought to be truth. And if that is sinful, then let me be damned for it!”(Williams 117). Blanche wants to escape reality, but this only leads to her self-destruction. It is the men in her life and past experiences that is the main cause of her self - destruction. One of these being the death of her young love, Allen Grey. During their marriage, Blanche, attached to the hip to this man, walked in on him with another man. She then brought the incident up at a bad time; soon after, Allen took his own life, which I believe was the first step to this so called “self-destruction. Blanche could never forgive herself of this. This is the truth of her past, therefore,
McGlinn addresses the third dialectic taking hold of Blanche: illusion versus reality. McGlinn points out that, like all the women in Williams’s plays between 1940 and 1950, Blanche “refuses to accept the reality of her life and attempts to live under illusion.” [Tharpe, 513]. Although McGlinn is accurate in noting Blanche’s conflict between gentility and promiscuity, the result of which is “self-defeat instead of survival” [Tharpe, 513], she fails to see that Blanche lives in both illusion and reality simultaneously, and it is this dialectic that is the slow poison which destroys her. This death-instinct gives us the fourth and last dialectic in Blanche: her struggle between death and desire.”
Blanche duBois is one of the main characters in Tennessee Williams’ drama “A Streetcar Named Desire” for which he won a Pulitzer Prize in 1955. Blanche is a very complex character in this play because she has many different and opposing personality traits. Blanche has lost everything she has ever known. Her true love, parents and property are all gone. On top of that, and very important to her, her looks are fading. All she has left is her sister. She is best described as snobbish, flirtatious and manipulative. Although these appear to be her primary traits, it becomes obvious as the plot unfolds that these are a cover-up of her true self, a very insecure person. Ultimately, Blanche’s snobbery, sexually promiscuity and manipulative dealings with other characters reveal an ironic cover up due to her overpowering pride and desire to be someone that she is not.
The loss of her beloved husband kept Blanche’s mental state in the past, back when she was 16, when she only cared about her appearance. That is why at the age of 30 she avoids bright lights that reveal her wrinkles. Blanche does not want to remember the troubles of her past and therefore she attempts to remain at a time when life was simpler. This is reinforced by the light metaphor which illustrates how her life has darkened since Allan’s suicide and how the light of love will never shine as brightly for Blanche ever again. Although, throughout the play Blanche sparks an interest in Mitch, a friend of Stanley’s, who reveals in Scene three that he also lost a lover once, although his lover was taken by an illness, not suicide, and therefore he still searches for the possibility of love, when Blanche aims to find stability and security.
Throughout Tennessee Williams’s play “A Streetcar Named Desire,” Blanche Dubois exemplified several tragic flaws. She suffered from her haunting past; her inability to overcome; her desire to be someone else; and from the cruel, animalistic treatment she received from Stanley. Sadly, her sister Stella also played a role in her downfall. All of these factors ultimately led to Blanche’s tragic breakdown in the end. Blanche could not accept her past and overcome it.
In this play the character blanche exhibits the theme of illusion. Blanche came from a rocky past. Her young husband killed himself and left her with a big space in her heart to fill. Blanche tried to fill this space with the comfort of strangers and at one time a young boy. She was forced to leave her hometown. When she arrives in New Orleans, she immediately begins to lie and give false stories. She takes many hot bathes, in an effort to cleanse herself of her past. Blanche tries also to stay out of bright lights. She covers the light bulb (light=reality) in the apartment with a paper lantern. This shows her unwillingness to face reality but instead live in an illusion. She also describes how she tells what should be the truth. This is a sad excuse for covering/lying about the sinful things she has done. Furthermore, throughout the story she repeatedly drinks when she begins to be faced with facts. All these examples, covering light, lying, and alcoholism show how she is not in touch with reality but instead living in a fantasy world of illusion.
During scene one, the audience is introduced to Blanche as Stella's sister, who is going to stay with her for a while. Blanch tries her best to act normal and hide her emotion from her sister, but breaks down at the end of scene one explaining to Stella how their old home, the Belle Reve, was "lost." It is inferred that the home had to be sold to cover the massive funeral expenses due to the many deaths of members of the Dubois family. As Blanche whines to her sister, "All of those deaths! The parade to the graveyard! Father, mother! Margaret, that dreadful way!" (21). The audience sees this poor aging woman, who has lost so many close to her, and now her home where she grew up. How could anyone look at her, and not feel the pain and suffering that she has to deal with by herself? Williams wants the audience to see what this woman has been through and why she is acting the way she is. Blanche's first love was also taken from her. It seems that everyone she loves is dead except for her sister. Death plays a crucial role in Blanche's depression and other mental irregularities. While these circumstances are probably enough for the audience to feel sympathy for Blanche, Williams takes it a step further when we see Blanche's...
I want magic! Yes, yes, magic! I try to give that to people. I misrepresent things to them. I dont tell truth, i tell what ought to be truth. And if that is sinful, then let me be damned for it!- Don't turn the light on!” (William, 145). This is Blanches confession to her sin. She would rather live her life a constant dream, hidden in the darkness rather than expose herself in the light. One reason she begs Mitch to not turn on the light is because it will destroy her fantasy and expose her truth. Her true age, her fear of losing sexuality, the lies, her true nature and fragile existence. The Dialogue between them does a great job of developing the tension between the characters and revealing little by little the danger that Blanche is towards her surroundings and
“Her appearance is incongruous to this setting. She is dressed in a white suit with a fluffy bodice, necklace and earrings of pearl, white gloves and hat, looking as if she were arriving at a summer tea or cocktail party in the garden district” (Williams). Williams express’ this to the audience to pronounce the importance of her attire. The way she is dressed symbolizes the element of illusion. He feels threated because Blanche wears material assets to create the illusions that she is clean and pure.
she considers herself a lady: "Blanche's refusal to face up to certain acts of her past and the
Thus, Williams has Blanche state, “I don’t want realism. I want magic! Yes, yes, magic! I try to give that to people. I misrepresent things to them. I don’t tell the truth, I tell what ought to be truth. And if that is sinful, then let me be damned for it! – Don’t turn the light on” (Williams 145). Blanche only relies on her own fantasy because she fears reality. By the same token, a subtle clue to her fear of reality is her fear of the light. As can be seen, Blanche feared reality because she feared the truth; thus, her fantasies had led her down a path of lies, manipulation, and
As one can see, Tennessee Williams used colours in several ways. The significance of colours reveals the real appearance of Blanche throughout the play. The colours have their own meanings. The significance of colours is a central theme in Tennessee Williams’ A Streetcar Named Desire; the author uses colours to reflect states of mind, make further commentary on particular characters, and what sorts of things specific colours represent.
In Belle Reve, Blanche lived the plantation of white and pure beauty full of disillusion. The home like much of the old south was built on slavery, which shows the disillusion for the beauty. Belle Reve is quite ironic due to the fact that it was not a sweet dream for the slaves. This disillusion is then transferred onto Blanch and her actions as she tries to make those realties into her dream. This can be seen as she lies to all with her stories about her dream and she says to Mitch about her lies “I don’t want realism. I want magic! Yes, yes, magic! I try to give that to people. I misrepresent things to them. I don’t tell truth, I tell what ought to be truth. And if that is sinful, then let me be damned for it!” (Williams 145). She like the old south put out a façade of grandeur to hide the truth of the darkness underneath. So, in Elysian Fields, where reality is shown though colors and lights, Blanche must create a façade to survive reality. She therefore places paper lanterns and hides in the darkness to give the look of youth and pureness. However, when lanterns are torn off, like when the slavery was reveled caused, cause Blanche to crumble because the lantern is like her dream something without desire just
...es and thinks that her hopes will not be destroyed. Thirdly, Blanche thinks that strangers are the ones who will rescue her; instead they want her for sex. Fourthly, Blanche believes that the ones who love her are trying to imprison her and make her work like a maid imprisoned by them. Fifthly, Blanche’s superiority in social status was an obscure in her way of having a good social life. Last but not least, Blanche symbolizes the road she chose in life- desire and fantasy- which led her to her final downfall.
The color white symbolizes pureness and purity, which Blanche does not live a pure nor clean lifestyle. The color white resembles a state of innocence which Blanche is living the total opposite. Instead Blanche lives a very sad life which evokes her to become an alcoholic, and to also partake in sexual promiscuity with different men in the story. Which does not at all comply with the fact she wears the color white so