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Story of an hour kate chopin analysis
Kate Chopin's feminist view
Story of an hour kate chopin analysis
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Kate Chopin tells the story of a woman with a heart condition; feminism is used as a critical approach to analyze the story of an hour; the Story of an Hour tells us about female opression in the nineteenth century. During that time, women were owned by their husband; they had little or no control over their lives. My initial thought was based on the actions and occurences in the story, and I feel that the author was a feminist. I did a little research on Chopin, but it didn't mention her being a feminist. When Chopin wrote the story, feminism was present. The main character in this story is Mrs Millard; a married woman who is trapped within the rules of the male dominated society (Chopin 279). After she heard about her husband death, she suddently becomes aware of the freedom and joy in the future (Chopin 279). As mentioned later in the story, “ a long procession of years to come that would belong to her absolutely.” This indicate Mrs Mallard …show more content…
When Mrs Mallard sister, Josephine, tells her that he is dead, “She did not hear the story as many women have heard the same, with a paralyzed inability to accept its significance. She wept at once, with sudden, wild abandonment.” (Chopin 278). This clearly state that Mrs Mallard is a caring person, and she loves her husband. Since she grieves for Brently, it shows that she has deep feelings for him. However, Mrs Mallard departs to her room and reflects on the situation; she sets her feelings aside. She said it over and under her breath: “ free, free, free!” She realizes that she does not have to share her life anymore. Mrs. Mallard looks to a future without a husband; this thought actually brought her happiness. She goes back to being emotional since she is exhilarated about her new lifestyle. “Free! Body and soul free!”(Chopin 206). Louise realizes she does not have to wait on her husband for anything. She can think for herself and say what
When she abandoned herself, a little whispered word escaped her slightly parted lips. She said it over and over under her breath: "free, free, free! (Chopin 260) It is after this reawakening that Mrs. Mallard realizes that she can now live her life the way she wants, instead of the current situation where her life is dictated by her husband.
Much of what Howard has to say about Chopin’s protagonists is appropriate. Her criticism operates from the standpoint that “marriage, said Chopin’s world, was the goal of every woman’s life; service to her husband and her children her duties, passionlessness and submission her assumed virtues, selflessness her daily practice, and self sacrifice her pleasure” (1). Mrs. Mallard definitely lives in a world where these gender values abound. Chopin, for example, describes Mrs. Mallard’s face as one “ whose lines bespoke repression” (439). This is obviously a direct reference to the submission Mrs. Mallard has had to yield up to the patriarchy thus far. She has always had a “powerful will bending hers in that blind persistence with which men and women believe they have a right to impose a private will upon a fellow-creature” (440). Her husband’s will is describ...
She whispers, “Free! Body and soul free!” (Chopin). Though her situation is sad, she does not have a remorseful response. She locks herself in her room and reflects upon her new reality. She instead comes to find a form of liberation for herself from her husband’s death. As she looks out the window, Chopin writes, “…she was drinking in a very elixir of life through that open window,” (Chopin). Chopin is stating Louie’s newly found greatness for her life. She is now able to live for herself and not behind her husband as society has told her. She can be different and gain more from her life now because she does not have to follow or live for a man, as many woman did in society. She feels exonerated from her bondage, which is marriage, and she now feels she can have a life for herself. In the end, her husband is actually found to be alive as he walks into the room. Chopin writes, “When the doctors came they said she had died of heart disease--of the joy that kills,” (Chopin). From seeing her husband, Louise dies. It was joy that had killed her. Readers can easily believe that she died because of the shock that her husband was still alive, but in reality she died from the loss of her new found greatness. The joy that killed her was her own
The story is very short, but every word has import in the story and each line has great depth of meaning. It is possible to infer a great deal about the woman's life, even though we are given very little on the surface. A telegraph and a railroad are mentioned in the first paragraph, so there is some idea of the time the story takes place. We are also given her married name and the full name of her husband. The fact that she is referred to only as "Mrs. Mallard", while her husband's full name is given, coupled with what we learn on the second page, gives some indication of the repression she's had to suffer through and the indignity society placed on woman in those times. We also learn in the first paragraph that she lives in a man's world, for, though it is her sister that tells her the news, it is her husband's friend who rushes over with the story. Even after his death, she is confined to the structures she adopted with married life, including the close friend's of her husband.
Mallard realizes that her husband has died, she realizes that she is free, something which was unusual for women in the mid 1800’s. She said it over and over under her breath: “`free, free, free! `” (151). Her husband’s death represents a new life for Mrs. Mallard. Mark, Cunningham notes, “Mary E. Papke has noted that the reader learns Louise’s first name only after Louise accepts her `new consciousness` of freedom; before that Louise is Mrs. Mallard” (1).
In "The Story of an Hour" Kate Chopin tells the story of a woman, Mrs. Mallard whose husband is thought to be dead. Throughout the story Chopin describes the emotions Mrs. Mallard felt about the news of her husband's death. However, the strong emotions she felt were not despair or sadness, they were something else. In a way she was relieved more than she was upset, and almost rejoiced in the thought of her husband no longer living. In using different literary elements throughout the story, Chopin conveys this to us on more than one occasion.
As Mrs. Mallard lets her realization take root she begins to chant, “free, free, free” (Chopin, 75). This shows that she accepts her new fate and knows that she will be okay without her husband. Louise becomes aware that she has been dictated by social expectation and requirement, but now can live for herself once again with no one to answer to. Louise admits, “she would weep again when she saw the kind, tender hands folded in death” (Chopin, 75), but sees her future beyond that now. Social expectations no longer obligate her to be the woman she was. Louise is now able to do what she feels is most beneficial for her as an individual, and not what would be expected in her monogamous
Freedom is one of the most powerful words in the world because of the feeling it gives people. This idea is evident in Kate Chopin’s, “The Story of an Hour.” In the story, readers witness the effect freedom can have when the main character, Louise, finds out her husband had passed away. The story begins when Louise’s sister informs her that her husband had been in a terrible accident and he was dead. Once she gets over the immediate shock, she finds herself overwhelmed with joy because she was free to live her life for herself and not her husband. At the end of the story, her husband walks through the front door, and Louise has a heart attack and dies. In the story "The Story of an Hour," Kate Chopin reveals the power of freedom through the use of diction, point of view, and setting.
Chopin reflects her rejection of the “postures of femininity” through her character’s descriptions. She describes her as “young, with a fair, calm face, whose lines bespoke repression.” Describing her as young and calm are what men looked for in a wife in the 19th century. They wanted a submissive woman to tend to their needs as Chopin’s description suggests. Furthermore, Chopin says of her character Mrs. Mallard, “she would live for herself.” Her character believes she will now be free of her marriage, and won’t be “repressed” as aforementioned any longer by her husband. Wives had a natural servitude towards their husbands as husbands worked and went about their lives. All in all, Chopin displays her character as having a joyous moment after the death of her husband because she is let go of being forced into her “femininity.”
Kate Chopin's The Story of an Hour. Kate Chopin was a Victorian writer whose writing manifests her life experiences. She was not happy with the principles of the time, because women had fewer rights, and they were not considered equal to men. Afraid of segregation from society, people lived in a hypocritical world full of lies; moreover, Kate Chopin was not afraid of segregation, and used her writing as a weapon against oppression of the soul.
... This woman suffers a tremendous amount from the commitment of her marriage, and the death of her husband does not affect her for long. A marriage such as this seems so unbelievable, yet a reader can see the realistic elements incorporated into the story. This begs the question of how undesirable marriage was during Chopin’s life. The unhappiness felt by Mrs. Mallard seems to be very extreme, but Chopin creates a beautiful story that reflects upon the idea of marriage as an undesired relationship and bond to some women in the nineteenth century.
Chopin describes her as a fragile woman. Because she was “afflicted with a heart trouble,” when she receives notification of her husband’s passing, “great care was taken” to break the news “as gently as possible” (1). Josephine, her sister, and Richards, her husband’s friend, expect her to be devastated over this news, and they fear that the depression could kill her because of her weak heart. Richards was “in the newspaper office when the intelligence of the railroad disaster was received, with Brently Mallard’s name leading the list of killed” (1). He therefore is one of the first people to know about his death. Knowing about Mrs. Mallard’s heart, he realizes that they need to take caution in letting Mrs. Mallard know about it. Josephine told her because Richards feared “any less careful, less tender” person relaying the message to Louise Mallard (1). Because of her heart trouble, they think that if the message of her husband’s death is delivered to her the wrong way, her heart would not be able to withstand it. They also think that if someone practices caution in giving her the message, that, ...
In Kate Chopin's "Story of an Hour" the author portrays patriarchal oppression in the institution of marriage by telling the story of one fateful hour in the life of a married woman. Analyzing the work through feminist criticism, one can see the implications of masculine discourse.
Setting exists in every form of fiction, representing elements of time, place, and social context throughout the work. These elements can create particular moods, character qualities, or features of theme. Throughout Kate Chopin's short story "The Story of an Hour," differing amounts and types of the setting are revealed as the plot develops. This story deals with a young woman's emotional state as she discovers her own independence in her husband's death, then her "tragic" discovery that he is actually alive. The constituents of setting reveal certain characteristics about the main character, Louise Mallard, and are functionally important to the story structure. The entire action takes place in the springtime of a year in the 1890s, in the timeframe of about an hour, in a house belonging to the Mallards. All of these aspects of setting become extremely relevant and significant as the meaning of the story unfolds.
The first reader has a guided perspective of the text that one would expect from a person who has never studied the short story; however the reader makes some valid points which enhance what is thought to be a guided knowledge of the text. The author describes Mrs. Mallard as a woman who seems to be the "victim" of an overbearing but occasionally loving husband. Being told of her husband's death, "She did not hear the story as many women have heard the same, with a paralyzed inability to accept its significance." (This shows that she is not totally locked into marriage as most women in her time). Although "she had loved him--sometimes," she automatically does not want to accept, blindly, the situation of being controlled by her husband. The reader identified Mrs. Mallard as not being a "one-dimensional, clone-like woman having a predictable, adequate emotional response for every life condition." In fact the reader believed that Mrs. Mallard had the exact opposite response to the death her husband because finally, she recognizes the freedom she has desired for a long time and it overcomes her sorrow. "Free! Body and soul free! She kept whispering." We can see that the reader got this idea form this particular phrase in the story because it illuminates the idea of her sorrow tuning to happiness.