Stand And Deliver Movie Analysis

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Carlos Albino Prof. David Parkison English 221 14 October 2014 Searching for Signs of Race in the United States Films are made to both entertain and educate, offering sources not only of joy but also knowledge and information. It is widely assumed that films, Hollywood movies in particular, mainly provide visual pleasure and happiness, as well as inviting them to make affective investments into the plot of a film. However, more than just a visual aesthetics, films, a major element of societal multicultural education, can be perceived from an educational point of view as acting as a functional educational tool, exercising enormous power to influence the ways mass audiences think, talk, feel, behave and desire. In this sense films hold the power …show more content…

The film being set in east Los Angeles, the majority of the students are of latino decent. In particular the student Angel Guzman is portrayed as an almost caricature of the typical "cholo" character. The way of life of the students portrayed in the film is one of constant danger from gangs or the police. In a way this is not far from the truth, but the film uses this stereotype and exaggerates to create drama in the film. The film uses many tropes of the "ghetto" life to advance the plot, for example students are forced to sell drugs on the street to support their family, that depend on them. Mr. Escalante is portrayed as the savior character of these kids coming into their live through education, and eventually leading them into college. Having struggled in his own life he relates to the students and works himself into the ground for their success. Mendendez uses the stereotypical portrayal of school used in films, as former teacher and educator Robert Bulman states, "These portrayals always seem to involve ineffective and mean teachers and/or apathetic students. Both are stereotypes and, as a teacher and teacher educator, I know they are wrong."(Bulma …show more content…

The film has two main overarching themes running throughout, the first being family, and second being perseverance through odds against you. Menendez uses the reality or the stereotype of the dysfunctional home as a driving force to create tension throughout the film. All the students in Escalantes class in the beginning of the film have issues outside of school, and most are related to problems in the homes of the students. Over the course of the film Escalante becomes a sort of father figure to his students, and the class divided at first become a close knit family towards the end of film. The issue I find with the portrayal of the students not having their life together just because of their poverty is one I share with Jesus Treviño when he says, "Significantly, the underlying social issues affecting Latino life in the United States have seldom been addressed in Hollywood films, and hardly ever have Latinos been portrayed as people in control of their lives, capable of standing up for their rights, or having an interest in their own future" (Treviño 16). Another issue I find with Menendez using the dysfunctional home trope, even though it's based on reality is that for me by using this trope he is creating an image to the audience that relates poverty, and poor neighborhoods with the lack of family or the lack of community. Having lived in these

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