Source A Source Analysis

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In Source A, Tom Griffiths offers a complex, multifaceted and distinctly relativist view of history. With a perspective inextricably linked to the ideas of a multitude of other historians, philosophers and thinkers, past and present, Source A considers the purposes and the construction of history, Griffiths presenting his own particular viewpoint. Source A posits that the purpose of history is predominantly to inform, with an understanding of the past offering new and greater ways of understanding the world. In regards to the construction of history, Source A makes an argument for the importance of inclusive, popular history, the significance of historical imagination, and the importance of a precise and careful methodological approach to the …show more content…

Popular history essentially refers to history writing that is presented in an accessible manner, appealing to a wider audience than academic history, often by emphasising narrative over strict scholarship. Historically, academic historians have often looked down upon popular history for this reason, generalising it as automatically inferior to academic history. Popular history is so important to the construction of history because, as Source A notes, history is so ‘integrated with our public and private lives’ that ‘it can be hard, sometimes, to detect its daily revolutionary influence.’ This subtlety is of course, detrimental to furthering what Source A deems the primary purpose of history, as in order for people to learn from history it must be noticed and actively engaged with, by the widest possible audience. Source A argues that as a result historians must ‘cultivate wonder as a technical skill,’ in order to ‘make the familiar strange’ and draw attention to history that would otherwise go unnoticed. In other words, history should be constructed in such a way that it appears strange and interesting, and is widely accessible. And this is what makes for the success of popular history, which strives to construct not the most academic account of history, but the most entertaining one. Its success in doing so is clear, with popular history being just that, popular. History-makers such as David McCullough, William Manchester and Peter Fitzsimons have produced, to great effect, popular history that appeals to a very wide audience, by extension greatly fulfilling the purpose of history by allowing many people to learn from the past. As a result, Source A clearly asserts that popular history is integral to the construction of history as its focus on accessible narratives prompts wider readership and

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