Societal Dredge In Regeneration

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IV. Societal Dredges and their Treatment Westgate buildings, which housed the apartments of Anne's friend and old governess Mrs. Smith, is shabby, dirty, and ill-kempt; much like Mrs. Smith herself. This is best described when Anne's father discovers were she had been visiting and exclaims “Westgate buildings!” said he “ and who is Miss Anne Elliot to be visiting in Westgate Buildings?...she is old and sickly. Upon my word, Miss Anne Elliot, you have extraordinary taste! Every thing that revolts other people, -low company, paltry rooms, foul air, disgusting associations, are inviting to you”(PGIDK). Here, Austen reinforces the assumption that a persons abode reflects their position is society; Presumptions are made about Mrs. Smith character …show more content…

She realise's's that true value is in character; not station or wealth. It is in Lyme were she gains a greater appreciation for nature and all natural things, not the manufactured beauty that is so used to, growing up in Kellynch. Austen's enacts a natural imagery with her words, “dark cliffs...[the]happiest spot for watching the flow of the tide”(117), “green chasms between romantic rocks, where the scattered forests and orchards of luxumant growth”(117), and “very beautiful line of cliffs stretching out to the east of the town”(116).With this, she creates a natural world, uninfluenced by society, and the parts that are, like the Cobb have “its old wonders and new improvements”, invoking an image to the reader of a return to the natural, a society were a person value is based on character. It also demonstrates that the old and new can coexist; a belief that has gone into shaping Britain during that time, a parliamentary democracy, with its kings, yet a government for the people, by the people. Everything was changing, the Great House, Lyme, and if Kellynch did not improve, it would be left behind, the old nobility will change to change or it will be …show more content…

This is especially evident in the description used to depict Mrs Wilson Apartments. Fitzgerald describes her apartment as “ one slice in a long white cake of apartment houses” (28) enacting a metaphor for Tom's relationship with Mrs Wilson; she is only a small tasting for Tom, not a permanent addition. Carraway mentions the apartment had “a small living room, a small dining room, a small bedroom, and a bath” (29) the bare necessitates of living and that “The living room was crowed to the doors with a set a tapes-tried furniture entirely too large for it, so that to move about was to stumble” (29). The cramped nature of Mrs Wilson space symbolizes a decidedly important aspect of her person; a want for more than she could possibly have. Her child-like hope that Tom would actually divorce his wife, Daisy for her, and her belief that at this occurrence she would ascend into the higher levels of society is not only naive, but somewhat deluded. In this, she is a social climber, similar to Gatsby, she has distasteful European decor, for instance the painting of “ ladies swinging in the gardens of Versailles”, however, the difference between the two is that Gatsby has enough money to be distasteful in a larger area while Myrtle is confined. Mrytle's shabbiness is a permanent one, it is one of not only lifestyle but of

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