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Jane austen class distinctions
Jane austen class distinctions
Discuss jane austens concern with wealth and status in pride and prejudice
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Love and money go hand in hand in every Jane Austen novel. The characters that fall in love in her novels are usually influenced by social status. In 19th century England marriages and courtships were arranged based on social rank, money, and estates. Because of the time period that she lived in and the events in her life, all of Jane Austen’s novels focus on relationships and social hierarchy.
Jane Austen was born in December of 1775 “into the rural professional middle class” (Lady). Her father was a preacher and her “...mother, Cassandra Leigh Austen...was from a higher social rank” (Lady). Growing up she knew the obstacles that people faced because of social rank. Austen’s parents were a prime example of marrying outside of your social status. Jane Austen faces her own social obstacle when “[i]n December 1795 she fell in love herself, with Thomas Langlois Lefroy...who was visiting his uncle and aunt” (Lady). Thomas Lefroy’s aunt, “Madam Lefroy[,] cut short the courtship by sending her nephew away” (Lady). Madam Lefroy realized “...that the young man would be disinherited if he married the daughter of a penniless clergyman” (Lady). Readers later see this same scenario in her 1815 novel, Emma, when “Frank Churchill and [Jane] Fairfax are [secretly] engaged” because Frank’s aunt disapproves of the relationship (Emma 405). In January of 1805 “Jane’s father dies, and the family’s income is considerably reduced. Mrs. Austen, Jane, and Cassandra must depend on the support of Jane’s brothers” (Time Line of Major Events...). The plot of Sense and Sensibility, published in 1811, parallels the events in Jane Austen’s life during 1805 to 1809. After the death of Mr. Dashwood, his son, John Dashwood inherits his estate leaving Mrs. Dashw...
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Langland, Elizabeth. "Pride and Prejudice: Jane Austen and Her Readers." A Companion to Jane Austen Studies. By Laura C. Lambdin and Robert T. Lambdin. Westport, CT: Greenwood, 2000. Web. 16 Mar. 2011.
"Time Line of Major Events in Miss Austen's Life." Austen.com | Jane Austen Novels, Fan Fiction, Andmore. Web. 16 Mar. 2011. .
Wilkes, Christopher D. (2009). "The Sociology of Jane Austen: Social, Literary and Political Context" in Social Jane: The Sociology of Jane Austen. Pre-print.
Fowler, Karen J.Introduction. Pride and Prejudice. Jane Austen: The Complete Novels. By Jane Austen. New York: Penguin, 2006. 211-421. Print.
Wallace, Tara Ghoshal. Jane Austen and Narrative Authority. New York: St. Martin's Press, 1995. 17-30.
Le Faye, Deirdre, ed. Jane Austen's Letters, 3rd. ed.
...r life. Jane Austen’s time and nowadays sees the same situation. Not all marriage is based solely on love. As shallow as it might sounds, when considering marriage, most, if not all people, consider wealth and the reputation of their partner. The norms of Jane Austen’s time in relations to wealth, reputation and marriage are much more elaborated by each individual's upbringing.
The literature output in Jane Austen’s creation is full of realism and irony. Janet Todd once asserted that "Austen creates an illusion of realism in her texts, partly through readably identification with the characters and partly through rounded characters, which have a history and a memory.” (Todd, The Cambridge Introduction to Jane Austen, 28.) Her works are deeply influenced between by late eighteenth-century Britain rationalism phenomenon and early nineteenth-century of romanticism.
Jane Austen Society of North America, Inc. A Brief Biography. jasna.org. 26 April. 2014.
England, under James 1st rule was a vastly altered period compared to our now modern society. So many of the values held during this time, have now been discarded and forgotten. Jane Austen grew up in the Romantic period and experienced a world which was divided, whether through education, class, status, fashion, abilities, gender and etiquette. Her novel, Pride and Prejudice is counted as one of the great classics of English Literature. Austen engrosses readers to live in her world for a time and experience a society filled with matchmaking, romance, marriage and gossip. Every one of her characters is so distinctive and has a clearly outlined caricature. Each of their diverse values conveys a different thinking of the time. Pride and Prejudice is preoccupied with the gentry and most of the social aspects which consumed these people’s lives. There were so many expectations of how you would behave in public, but of course not all of these were upheld. Elizabeth Bennet, Mr Darcy, Mrs Bennet and Charlotte Lucas are four characters which keep such strong beliefs about the social norms. These characters are expressed so descriptively and through their personalities readers can learn just how the numerous social standards were received.
In her first published novel, Sense and Sensibility, Jane Austen brought to life the struggles and instability of the English hierarchy in the early 19th century. Through the heartaches and happiness shared by Elinor Dashwood, who represented sense and her sister Marianne, who stood for sensibility, Austen tells a story of sisters who plummet from the upper class to the lower crust of society and the characters that surround them. Austen juxtaposes the upper and lower classes in English society to give the reader a full understanding of the motivation to be a part of the upper class and the sacrifices one will give up to achieve such status. Austen exposes the corruptness of society, the significance of class and the fundamental building blocks both are to the decision-making surrounding her protagonists, Marianne and Elinor.
Austen, Jane. Pride and Prejudice. Ed. Donald Gray. New York: W.W. Norton & Company, 2001.
Grochowski, Jonathan. "Jane Austen (b. 1775- D. 1817)." Jane Austen. N.p., 7 Dec. 2005. Web. 14 Feb. 2014. .
“Biography of Jane Austen.” Critical insight: Pride and Prejudice (2011): 18-31. Literary Reference Center. Web. 24 Nov 2013.
“He is a gentleman, and I am a gentleman 's daughter. So far we are equal” (Austen 51). Jane Austen was an acute observer of the Georgian era society that she lived in, through her observations, she began to notice many flaws, especially in the treatment of women. With her love of writing and social awareness, Austen decided to combine both together to create some of the most famous works of literature. As seen in Austen’s novel, Pride and Prejudice and others, Austen uses realism, an upper class voice, and an ironic tone to deliver her underlying message of feminism to the gentry of the Georgian era.
Jane Austen’s works are characterized by their classic portrayals of love among the gentry of England. Most of Austen’s novels use the lens of romance in order to provide social commentary through both realism and irony. Austen’s first published bookThe central conflicts in both of Jane Austen’s novels Emma and Persuasion are founded on the structure of class systems and the ensuing societal differences between the gentry and the proletariat. Although Emma and Persuasion were written only a year apart, Austen’s treatment of social class systems differs greatly between the two novels, thus allowing us to trace the development of her beliefs regarding the gentry and their role in society through the analysis of Austen’s differing treatment of class systems in the Emma and Persuasion. The society depicted in Emma is based on a far more rigid social structure than that of the naval society of Persuasion, which Austen embodies through her strikingly different female protagonists, Emma Woodhouse and Anne Eliot, and their respective conflicts. In her final novel, Persuasion, Austen explores the emerging idea of a meritocracy through her portrayal of the male protagonist, Captain Wentworth. The evolution from a traditional aristocracy-based society in Emma to that of a contemporary meritocracy-based society in Persuasion embodies Austen’s own development and illustrates her subversion of almost all the social attitudes and institutions that were central to her initial novels.
Monaghan, David. Jane Austen Structure and Social Vision. New York: Barnes & Noble Books, 1980.
Fergus, Jan. “Biography.” The Cambridge Edition of the Works of Jane Austen. Ed. Janet Todd.