Introducing “Lolita” to the reader
We live in a world where diversity is nowadays, relatively accepted, regarding issues such as sexuality, faith or plural-doctrines. Occidental cultures differ from one another, but they all share the same pattern, when we discuss the family structure: man, husband, father; Woman, wife, mother; Child, male/female, son/daughter. We have also the indigenous communities, with their own beliefs and patterns, but who are now adapting themselves to our lifestyle depending of the physical approximation to urbanization or the development of technology but who still follow the design of nuclear family with some variations.
Regarding Lolita, we meet Humbert Humbert, a middle age intellectual man with a certain sexual appealing to women his age, but with a ghastly secret that sooner or later will be revealed. His passion for the nymphet figure, his factual hatred for older women, his obsession towards elegance and his hypocrisy to fit in the pattern of society that is to be expected, almost convinces the reader
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Setting & time: Middle high class, American society with strong moral values, and a great amount of experiences gotten by traveling through The United States throughout the entire book. This is important due to the fact that Humbert spent the first half of life in Europe, but as we get to know him, he never stops to be astonished by the American culture and the customs of its second-ratenessed people. His embellished but boring life in Europe was over, but he had to adjust to The States and keep on experience the continual breakthrough of the easy going life there, which eventually made him despise his “musty and old” Europe. (126) However, if we place ourselves in Lolita’s shoes, being in constant motion affected her in noticeable manners: she never felt like she belonged to a specific place, home or family, which made her bias to obtain always what she wanted by running away and using her womanhood to get those certain
Every culture has its own unique values, beliefs and norms. Culture defines the identity and interests of a society. Understanding other’s culture is crucial in preparing ourselves for the global experience in the twenty-first century. As the world is becoming more connected to each other, interaction between cultures is unavoidable. I consider myself lucky to live in one of the most diverse cities in the world where I get chance to interact with people of different cultures. In this paper, I will discuss my findings about Family Structure in a Mexican culture, and Dating and Marriage in an African / Gabonese culture. Having a chance to understand various cultures, I realized that beliefs and practices tend to vary from culture to culture.
You can always count on a murderer for a fancy prose style. So says Humbert Humbert at the start of Lolita in his account to the "Ladies and gentlemen of the jury" (9). He refers to himself as a murderer (he is, after all, "guilty of killing Quilty"), not as a rapist, the far more serious offense Lolita levels at him. That I, and everyone else who reads the book, call Dolores Haze by the name "Lolita" demonstrates the efficacy of Humbert's fancy prose style - under the spell of his aesthetic mastery, we, the jury, must bend to his subjective vision through memory, and thus we see the twelve-year-old nymphet as Lolita, as she is in Humbert's arms. It is difficult to castigate Humbert when we see the world through his European eyes.
In conclusion, by incorporating such rich detail and full imagery through scholarly grammar and vocabulary, Humbert Humbert participates in the act of manipulating his audience through his clever use of wordplay, confrontation, and delusions in order to escape fault for his immoral acts against an innocent girl. Although he is writing a memoir, Humbert does not hold back when it comes to his choice of words. Through his beautiful writing and poetic prose, H.H. is successful in influencing the horror of the true events in Lolita – concluding that through art, beauty can be found even in the most tragic occurrences.
Traditional family in today’s society is rather a fantasy, a fairy tale without the happy ending. Everyone belongs to a family, but the ideology that the family is built around is the tell tale. Family structures have undeniably changed, moving away from the conventional family model. Nowadays more mothers work outside of the home, more fathers are asked to help with housework, and more women are choosing to have children solo. Today there are families that have a mom and a dad living in the same home, there are step-families, and families that have just a mother or just a father. Probably the most scrutinized could be families that consist of two moms or two dads. These are all examples of families and if all members are appropriately happy and healthy then these families are okay and should incontestably be accepted. So why is the fantasy of the traditional family model still so emphasized in our society? This expectation is degrading and misleading. Progressing with times one ought not be criticized or shunned for being true to their beliefs. It is those living falsely, living as society thinks they should that are the problem. Perhaps as a society, if there were more focus and concern for happiness and peace within ones family and fewer worries for the neighbor then there would be less dilemma.
Throughout the course of the novel Lolita, readers have regarded Humbert Humbert’s heinous actions towards Lolita with condemnation and loathing disgust. However, even as he is notoriously known for his sickening crimes, at one point readers will unknowingly come to the realization they have started to empathize with Humbert’s actions. Lionel Trilling once asserted that, “We find ourselves the more shocked when we realize that, in the course of reading the novel, we have come virtually to condone the violation it presents – we have been seduced into conniving in the violation, because we have permitted our fantasies to accept what we know to be revolting.” As we accepted Humbert Humbert’s repulsive actions with leniency we have permitted his actions and we have taken his side which bounds us to condoning his immoral crimes.
In the last third of the twentieth century, the nuclear family formed around marital ties and a strict division of labor based on gender, has changed to a multiple types of kinship relations. The word that best defines today's family, is the diversity, since the family now has a unique and exclusive meaning, including single-parent families and families consisting of same sex couples (Walsh, 2011). This new (or as some argue , renewed ) diversity of family forms has generated numerous comments and controversies about the consequences of these changes in the production of basic civic values necessary for social order. The changes in the family in recent decades have been truly impressive. It can be said with some justification that no comparable time, except wartime, has seen rapid changes in the conformation of the household and family behavior. It is noteworthy that every day increases the adoption of laws governing unions, the rights of gays, lesbians, and transsexuals to marry adopted in various jurisdictions in the United States (Walsh, 2011).
There are different perspectives on the foundations of the nuclear family. For example, some argue that this form of the family is ‘natural’ and reflects the ‘normal’ and healthy biological urges of males and females as partners in reproduction. Others argue that the nuclear family does not represent a norm based on biological facts but rather exists alongside many other types of families such as single parent families and same-sex families. From this perspective, the family is socially constructed instead of being biologically determined, and society produces a dive...
This statement, regardless of its ephemeral nature, is glazed with morality. Humbert is feeling the heavy anvil of loneliness on his chest, but he only cares how he feels, not even tracing the thought of Lolita’s wellbeing. When Humbert falls ill and is not able to pick up Lo on time she is taken from the hospital by a man masquerading as her Grandfather. After this Humbert proceeds to tirelessly look for his beloved Lo for several years until he receives a letter from her discussing her pregnancy and monetary issues with her new husband. This pushes Humbert to track down Lolita by utilizing the clues from the letter to find
What world are you living in? Over the past hundreds of years psychologists have been studying the functions of the human mind. It is a task that seems to prolong as information and new methods arrive. What makes us dream or imagine things? The fact that we have dreams and ambitions in life strives us to believe through imagining and dreaming that we will eventually get a break in life. Lolita, by Vladimir Nabokov, is a novel that characterizes these types of situations. It implies similarity in plot and theme between Lolita and certain fairy tales. Furthermore, Nabokov implies the folk characterization in Lolita to show the paradoxical relationship of art and reality thus showing how real life people live out the lives of fictional fairy tales. It is also evident that because of the folkloristic material portrayed in Lolita, it is seen that man lives between two worlds, the imagined one and the true one. The image of Lolita had such effect on society in the way that pre pubescent children wanted to be like her, they wanted to be as pretty as her and wear those heart shaped sunglasses like her thus living in a world of fantasy. Even today's society still has, more then ever that Lolita syndrome thus causing a lot of pre pubescent kids to live in a fantasy world instead of the real one.
The story of Lolita was written in the United States during the 1950’s. Authors in the fifties were considered the Beat Generation and the movements were sexual liberation and disregard for traditional values in writing. Narratives seemed more liberated and open like Lolita because it is far from conservative and
The novel introduces HumbertHumbert, a man with charm and the dignity of being a teacher in Paris. Yet, we instantly find he is a sexually disturbed man, lusting for young, prepubescent girls. His perversions are obvious--we can tell from his journal--and the ideas are highly obsessive with the topic of young girls. His mind is always on his first true love, his young Annabel, who died a short time after his first sexual encounter with her. Humbert says, "I see Annabel in such general terms as: 'honey-colored skin,' 'thin arms,' 'brown bobbed hair,' 'long lashes,' 'big bright mouth' (11). This, in fact, becomes his outline for a nymphet, or a girl between the ages of 9 and 14. One who meets his strict criteria is to become a gem in his eyes, yet treated with the same objectivity as a whore. He considers them all sexual objects for his enjoyment because he is a man who wishes to dominate these girls at such a young age.
With his 1955 novel Lolita, Vladimir Nabokov invents a narrator by the name of Humbert Humbert who is both an exquisite wordsmith and an obsessive pedophile. The novel serves as the canvas upon which Humbert Humbert will paint a story of love, lust, and death for the reader. His confession is beautiful and worthy of artistic appreciation, so the fact that it centers on the subject of pedophilia leaves the reader conflicted by the close of the novel. Humbert Humbert frequently identifies himself as an artist and with his confession he hopes “to fix once for all the perilous magic of nymphets” (Nabokov, Lolita 134). Immortalizing the fleeting beauty and enchanting qualities of these preteen girls is Humbert Humbert’s artistic mission
In Vladimir Nabokov's Lolita, the overruling drive of the narrator, Humbert Humbert, is his want to attest himself master of all, whether man or woman, his prime cravings, all-powerful destiny, or even something as broad as language. Through the novel the reader begins to see Humbert’s most extreme engagements and feelings, from his marriage to his imprisonment, not as a consequence of his sensual, raw desires but rather his mental want to triumph, to own, and to control. To Humbert, human interaction becomes, or is, very unassuming for him: his reality is that females are to be possessed, and men ought to contest for the ownership of them. They, the women, become the very definition of superiority and dominance. But it isn’t so barbaric of Humbert, for he designates his sexuality as of exceptionally polished taste, a penchant loftier than the typical man’s. His relationship with Valerie and Charlotte; his infatuation with Lolita; and his murdering of Quilty are all definite examples of his yearning for power. It is so that throughout the novel, and especially by its conclusion, the reader sees that Humbert’s desire for superiority subjugates the odd particularities of his wants and is the actual reason of his anguish.
The affair, Humbert argues, was made possible because he resembled a movie star to Lolita, and ends when Quilty offers her a chance at Hollywood, something Humbert cannot do. Lolita is perceived by the adults in her life--Humbert, Charlotte, and Quilty--as a star. The novel's consistent invocation of filmic metaphors to describe Lolita invites us to read her as a literary version of Hollywood's child star. Her career is as short-lived as the average child star's: as first Humbert's lover and then Quilty's whore, Lolita's career spans roughly four to five years. Humbert scrupulously remarks throughout the confession that he is working with the wrong medium. He is convinced, and he obviously wants his reader to become so, that Lolita could be forever his, that his seduction would be a complete achievement.
To thoroughly elaborate on the institution of family we most look at the family as it was before and how much it has changed over time. Throughout the years we are recognizing that the family is slowly being replaced by other agents of socialization. Families in the past consisted of a mother and a father and most times children. We are, as many societies a patriarchal society; men are usually the head of the households. This has always been considered the norm.