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Slaughterhouse 5 literary analysis
Slaughterhouse five literary analysis
Slaughterhouse five literary analysis
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Tate Garces
Wombles
English Comp 1302
Cisco College
April 30, 2014
Slaughter House Five
‘Slaughterhouse Five”, written by Kurt Vonnegut, is a story of a man who was captured and incarcerated by the Germans during World War II. Billy Pilgrim, the main character, leads the reader throughout his life before and after the war. He travels through his past, his present, and his future throughout the story. He travels from 1944 to 1967, his childhood to his present then future and back several times. Pilgrim is a lonely, pathetic young man whose profession is an optometrist. He is living in upstate New York when he gets drafted into the army. Although, he isn’t there to fight, he is there to be the chaplain’s assistant. He is there solely to keep the soldiers spirits up. He then gets deployed to fight in battle at the Battle of the Bulge in Luxembourg. The main focus of the story is the bombing of Dresden, which makes Billy question the value of life and death. The main reason Vonnegut wrote this story, is to show that, through Billy Pilgrim’s struggles, that he cannot find a meaning to life.
Vonnegut reuses a phrase over and over again in his book. “So it goes”, which basically mean whatever happens, happens and there is nothing you can do about it. This was his excuse and reason for every bad thing and every good thing that ever happened to him. However, for him being a soldier in the war it is a little odd that he uses this phrase countless times because in war, everything is crucial. There is nothing good about war, nor are there any excuses for war. It makes him seem like he doesn’t care what happens to him or anything around him. He seems very careless and num to the fact that he could die any day and any time. Vonnegut is makin...
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...hey will never go away. This quote shows that Vonnegut’s outlook on death is not only very passionate but also very different. It is almost like he is perfectly fine with death, because he will forever be here, not physically but mentally and spiritually.
The main reason Vonnegut wrote this story is to show his outlooks on life and death. He does not know the meaning and has never found it according to the story. In the beginning of the story, when he knows nothing about life or death or the meaning of the two, he hears a bird chirping almost like the bird is asking him a question. Towards the end of the story and the end of his journey with the war and such, he figures he would in fact figure out the meaning of life. But he hears the same bird chirping and asking the same question, which shows him he learned nothing and he still does not know the meaning of life.
Vonnegut conveys throughout the novel, the message of war being fought by those too young who do not understand why they are fighting. From analysing the novel, we can see that he is emotionally unstable and may suffer from schizophrenia as the book is structure episodically. It can also be seen in the motif of "so it goes" being said after an explanation of a violent or theme of death scene form his life. The effect of this motif and repetition is to display how he is emotionally lacks empathy and is disconnected from these scenes. This is a result of his brain injury and experiences from war, that still impact and have changed him since coming back from the war. This is evident in "And they'll be fought by babies like the babies upstairs." page 12, chapter 1 said by Mary O'Hare. The simile of the motif of babies displays how we send our children to crusade and fight for what is unknown to them when they are at the end of their happiest and innocence time of their life, which is then traumatised and destroyed by going to war. Vonnegut is posing the question whether it is sane to send our babies to the war to fight for a cause that they don't even know?, even though we know it will damage and change who they are once they step onto the
The human mind is a part of the body which current science knows little about. Trigger mechanisms, and other factors within the brain are relatively unknown to current humanity. Therefore, in order to produce a diagnostic on why Billy Pilgrim became “unstuck” in time, the reader of Slaughterhouse Five must come to terms with situations concerning the experiences described in the novel. Billy Pilgrim starts out, chronologically, as a fairly basic infantryman in the United States Army during the last Nazi offensive of the war, also known as the Battle of the Bulge (Vonnegut, 32). That battle resulted in fierce fighting, and also in massacres (such as the one that occurred near Malmedy, France), and the reader may be sure that there were men who became mentally unsound due to the effects of what they experienced there. Pilgrim is taken in by a group of soldiers who have found themselves behind the Nazi lines and are required to travel, by foot, back to friendly lines (Vonnegut, 32).
Being an anti-war novel, his book is filled with shocking events and gruesome deaths. But Vonnegut portrays death as trivial. Every time someone dies or something bad happens, the reader might think " oh my gosh, that's awful!"
By looking at Billy’s condition during the war, we can see that the war was not as glorious as the countries wanted you to think which at the time was not obvious. This adds a critical and significant point of view on the war to Vonnegut’s anti-war book. During WWII, the fighting countries didn’t want to show how terrible war really was, instead they showed images of patriotic men fighting in the war. In reality, these “men” were just kids out of high school and some from college, not ready to fight battles in a war. Vonnegut tries to show this in his book by inserting passages throughout Slaughter House Five, to help explain this to his readers. By describing Billy’s poor body structure and inadequate clothing and tools, one can clearly see
Known today as two of the most prominent American satirists, Joseph Heller and Kurt Vonnegut both served time as soldiers during World War II, Heller serving as a bombardier in Italy (Scoggins) and Vonnegut as a soldier and prisoner of war in Germany (Parr). Not coincidentally, both Heller’s 1961 novel Catch-22 and Vonnegut’s 1969 novel Slaughterhouse-Five, or The Children’s Crusade: A Duty-Dance with Death follow the journeys of young men in combat during the Second World War – Captain John Yossarian of the US Army Air Forces and soldier Billy Pilgrim, respectively. While it is evident that these fictional novels are both set during the World War II era and convey bleak images of war, closer inspection of both texts brings to light the common
In the novel Slaughterhouse-Five by Kurt Vonnegut, he talks about World War II and the bombing of Dresden. He writes about this historical event through the character Billy Pilgrim, Billy is drafted into the army at age twenty-one during World War II. He is captured and sent to Luxembourg and then later Dresden as a prisoner. Throughout the novel, Vonnegut constantly ridiculous Billy. He describes Billy as a character that has no individualism and no choice in anything that happens in his life.
However, the books present response to war in a contrasting way. The incorporation of repetition, balance, and the idea of little control of one’s fate display parallelism between Billy Pilgrim and the soldiers of The Things They Carried while still distinguishing the existing psychological and internal contrast between them. When Billy is leading a parade in front of the Dresdeners prior to the bombing, Vonnegut
In Slaughterhouse Five the reader is encouraged to show contempt for war and to abandon all hopes of thinking war as a place where deeds of heroism are and bravery are performed. A character in the novel, Roland Weary, seems to think the very opposite of what Vonnegut is trying to communicate in the novel. He sees war as an adventure, a time for exploration, not as a time where horrible atrocities are committed and where massacres take place. Even army personnel turn on each other. Billy Pilgrim who is being beaten by Roland Weary is saved from death, ironically, when a German patrol finds him. Another bunch of characters that seem to ‘mistake’ war as something fun is the English officers at the POW camp. In the words of Vonnegut, “they made war look stylish, reasonable and fun.” Another interesting thing that Vonnegut does is that he frequently uses the phrase “So it goes,” after every death or mention of dying in the novel. He uses the phrase very often, and after a certain amount of time, it begins to remind the reader that the reader is powerless to stop all the killing that is going on.
Vonnegut's writing style throughout the novel is very flip, light, and sarcastic. The narrator's observations and the events occurring during the novel reflect a dark view of humanity which can only be mocked by humor. At the beginning of the novel the narrator is researching for a book he is writing. The book was to be about the day the atomic bomb was dropped on Hiroshima and the lives of the people who created the bomb. The narrator travels through the plot of the story, with characters flying in and out, in almost a daze. He is involved in events which are helplessly beyond his control, but which are inevitably leading to a destination at the end.
This is said after every death, no matter who it is or what happened. "When a Tralfamadorian sees a corpse, all he thinks is that the dead person is in bad condition in the particular moment, but that the same person is just fine in plenty of other moments. Now, when I myself hear that somebody is dead, I simply shrug and say what the Tralfamadorians say about dead people, which is 'So it goes, '" (Vonnegut 27). Even Pilgrim’s own father past from a hunting accident, but Pilgrim states “so it goes” afterwards. Pilgrim nullifies the effects and sorrow of death by making it seem like a regular occurrence and feeling no remorse for it any longer. This helps him cope due to the fact that there were so many deaths that happened in the bombing of Dresden and making it seem, to him, not bad at all. If death still had an effect on Pilgrim, he’d be in tremendous pain due to his war experience. He was caught behind enemy lines, became a POW, saw his friend get executed for stealing a tea-pot, survived the severe bombing of Dresden, and after all this trauma, he is supposed to go back to his normal life of an average American working 9-5 and supporting a family of 4. No I don’t think that it is quite possible, which is why Pilgrim goes to such extreme measures to cope with his
After serving in World War Two, Kurt Vonnegut wrote Slaughterhouse-Five about his experiences through Billy Pilgrim, the protagonist in the novel. Slaughterhouse-Five is a dark novel about war and death. Post-Traumatic Stress Disorder is a mental disease that inflicts people who endured a traumatic event. Some of the common symptoms include flashbacks and creating alternate worlds which Billy Pilgrim experienced various times throughout Slaughterhouse-Five. Billy Pilgrim believes he has become “unstuck in time” (Vonnegut 29) and travels to different moments throughout his life. Pilgrim is never in one event for long and his flashbacks are triggered by almost everything he does. While his “time-traveling” is sporadic and never to a relevant time, all of Billy Pilgrims flashbacks are connected through actions done in each of the visions. Perhaps the most important flashback occurred at ...
This independent reading assignment is dedicated to Slaughterhouse-Five, written by Kurt Vonnegut. Vonnegut experienced many hardships during and as a result of his time in the military, including World War II, which he portrays through the protagonist of Slaughterhouse-Five, Billy Pilgrim. Slaughterhouse-Five, however, not only introduces these military experiences and the internal conflicts that follow, but also alters the chronological sequence in which they occur. Billy is an optometry student that gets drafted into the military and sent to Luxembourg to fight in the Battle of Bulge against Germany. Though he remains unscathed, he is now mentally unstable and becomes “unstuck in time” (Vonnegut 30). This means that he is able to perceive
"In Slaughterhouse Five, -- Or the Children's Crusade, Vonnegut delivers a complete treatise on the World War II bombing of Dresden. The main character, Billy Pilgrim, is a very young infantry scout* who is captured in the Battle of the Bulge and quartered in a Dresden slaughterhouse where he and other prisoners are employed in the production of a vitamin supplement for pregnant women. During the February 13, 1945, firebombing by Allied aircraft, the prisoners take shelter in an underground meat locker. When they emerge, the city has been levelled and they are forced to dig corpses out of the rubble. The story of Billy Pilgrim is the story of Kurt Vonnegut who was captured and survived the firestorm in which 135,000 German civilians perished, more than the number of deaths in the bombings of Hiroshima and Nagasaki combined. Robert Scholes sums up the theme of Slaughterhouse Five in the New York Times Book Review, writing: 'Be kind. Don't hurt. Death is coming for all of us anyway, and it is better to be Lot's wife looking back through salty eyes than the Deity that destroyed those cities of the plain in order to save them.' The reviewer concludes that 'Slaughterhouse Five is an extraordinary success. It is a book we need to read, and to reread.' "The popularity of Slaughterhouse Five is due, in part, to its timeliness; it deals with many issues that were vital to the late sixties: war, ecology, overpopulation, and consumerism. Klinkowitz, writing in Literary Subversions.New American Fiction and the Practice of Criticism, sees larger reasons for the book's success: 'Kurt Vonnegut's fiction of the 1960s is the popular artifact which may be the fairest example of American cultural change. . . . Shunned as distastefully low-brow . . . and insufficiently commercial to suit the exploitative tastes of high-power publishers, Vonnegut's fiction limped along for years on the genuinely democratic basis of family magazine and pulp paperback circulation. Then in the late 1960s, as the culture as a whole exploded, Vonnegut was able to write and publish a novel, Slaughterhouse Five, which so perfectly caught America's transformative mood that its story and structure became best-selling metaphors for the new age. '"Writing in Critique, Wayne D. McGinnis comments that in Slaughterhouse Five, Vonnegut 'avoids framing his story in linear narration, choosing a circular structure.
In any case, the reader encounters much dark humor in the novel. There is a sense of an embittered humor with the Tralfamadorian phrase, "So it goes," which is repeated over 100 times in the novel. John May says that Vonnegut's purpose in repeating the phrase after each statement of death is to build its meaning with each incremental refrain (Contemporary Literary Criticism 8: 530). At first, the saying can be looked upon as funny in an ironic way. However, as one reads further, the phrase becomes irritating and irreverent. The reader cannot fathom so many deaths meaning so little. According t o Wayne McGinnis, it is most likely Vonnegut's intent to cause such feelings from the reader (Contemporary Literary Criticism 5: 468). This punctuating phrase forces the reader to look at the novel's deaths one after the other.
“Slaughterhouse-Five” is an anti-war novel. It describes a flesh-and-blood world. Main character is Billy Pilgrim, he is a time traveler in this book, his first name Billy is from the greatest novelist in the USA in 19 century’s novel “Billy Budd” ; and his last name is from “The Pilgrim’s Progress” by John Bunyan. Differently, the main character in “The Pilgrim’s Progress” ’s traveling has meaning and discovering, Billy Pilgrim’s traveling just has violence and escape. In the novel “Slaughterhouse-Five” by Kurt Vonnegut ’s main character, Billy Pilgrim is sane and his time travel is half in his mind half is real. He is looked so innocent and weakness, there is a sentence which is spoken by Billy Pilgrim “So it goes.” (2) This quotation shows that a poignant sense of helplessness.