The disillusion of ideal and the irony of reality----
Sinclair Ross, was a Canadian writer, best known for his stories which are set on the prairie and portray the struggle of the prairie farmers and their families during the drought and depression of the 1930s. One of the remarkable aspects of his art is his ability to merge inner and outer landscape. The outer situation always mirrors the inner worlds of the characters. In , Ross use the Dust Bowl (also known as the Dirty Thirties, was a period of severe dust storms that greatly damaged the ecology and agriculture of Canada) as the setting, in order to highlight the harsh living conditions of humans, and then explore the sexual conflict, so that the human tragedy can be depicted by protagonists
…show more content…
For five years Paul and Ellen have been dried out; now a three-day sandstorm leaves the land once more a desert. Paul, grimly enduring the years of drought and dust and continuing to hope that the land will come back, is not aware of the extent of his wife 's desperation. The growing rift between Paul and Ellen is evidenced by their bitter quarrelling. Ellen feels caged, trapped by wind, dust and her own inability to marriage. However, in order to show machismo Paul does not show his tenderness and emotion to his wife even when his wife needs them most. He does not care about his wife and pays no attention to what she suggests. Most ironically, he’d rather went to the stall and communicated feeling and emotions with mares not long after ruthlessly refusing Ellen’s begging of stay. At the end, his machismo inevitably results in the family 's tragedy. The tragedy has happened although Paul at last becomes aware of what has happened and understands his wife. Nobody can change the harsh
Brush’s choice of words is the primary indicator of a shift in the story’s direction. It begins by describing the couple as ‘unmistakingly married’ and ‘nothing conspicuous about them’. However, later on it describes the husband as ‘indignant’ and his words as ‘curt’. The wife is described as ‘pathetic’ and ‘heart-broken’. This choice of words insinuates the true nature of the couple
Saskatchewan’s literary history is rife with stories of harsh weather, rough climates, and the insurmountable difficulties of depending on an unforgiving landscape. One author who left a strong mark on the landscape of Saskatchewan literature was Sinclair Ross. Born in Shellbrooke, Saskatchewan at the turn of the century, Ross experienced first-hand the harsh realities of living in an agrarian province during the Great Depression of the 1930s. As such, much of Ross’s writing reflects his experiences with the weather, especially his short stories “The Painted Door” and “The Lamp at Noon.” Like many of Ross’s stories, these two tales depict
Grant Wood was a Regionalist artist who continually endeavored to capture the idyllic beauty of America’s farmlands. In 1930 he had been roaming through his hometown in Iowa searching for inspiration when he stumbled upon a house that left him spellbound. From this encounter came America’s iconic American Gothic. Not long after Wood’s masterpiece was complete the once ideal countryside and the people who tended to it were overcome by despair and suffering as the Great Depression came to be. It was a time of economic distress that affected nearly every nation. America’s stock market crashed in 1929 and by 1933 millions of Americans were found without work and consequently without adequate food, shelter, and other necessities. In 1935, things took a turn for the worst as severe winds and dust storms destroyed the southern Great Plains in the event that became known as the Dust Bowl. Farmers, who had been able to fall back on their crops during past depressions, were hit especially hard. With no work or way or other source of income, many farms were foreclosed, leaving countless families hungry and homeless. Ben Shahn, a Lithuanian-born man who had a deep passion for social injustice, captures the well-known hopelessness of the Great Depression through his photograph Rural Rehabilitation Client. Shahn and Wood use their art to depict the desperation of everyday farmers in America due to the terrors and adverse repercussions that the Great Depression incited.
“Winter lies too long in country towns; hangs on until it is stale and shabby, old and sullen” (“Brainy Quotes” 1). In Edith Wharton’s framed novel, Ethan Frome, the main protagonist encounters “lost opportunity, failed romance, and disappointed dreams” with a regretful ending (Lilburn 1). Ethan Frome lives in the isolated fictional town of Starkfield, Massachusetts with his irritable spouse, Zenobia Frome. Ever since marriage, Zenobia, also referred to as Zeena, revolves around her illness. Furthermore, she is prone to silence, rage, and querulously shouting. Ethan has dreams of leaving Starkfield and selling his plantation, however he views caring for his wife as a duty and main priority. One day, Zeena’s cousin, Mattie Silver, comes to assist the Frome’s with their daily tasks. Immediately, Mattie’s attractive and youthful energy resuscitates Ethan’s outlook on life. She brings a light to Starkfield and instantaneously steals Ethan’s heart; although, Ethan’s quiet demeanor and lack of expression causing his affection to be surreptitious. As Zeena’s health worsens, she becomes fearful and wishes to seek advice from a doctor in a town called Bettsbridge giving Ethan and Mattie privacy for one night. Unfortunately, the night turns out to be a disastrous and uncomfortable evening. Neither Ethan nor Mattie speaks a word regarding their love for one another. Additionally, during their dinner, the pet cat leaps on the table and sends a pickle dish straight to the floor crashing into pieces. To make matters worse, the pickle dish is a favored wedding gift that is cherished by Zeena. Later, Zeena discovers it is broken and it sends her anger over the edge. Furious, Zeena demands for a more efficient “hired girl” to complete the tasks ar...
The Dust Bowl was the name given to the Great Plains area in the 1930s. Much of the region was an agricultural area and relied on it for most of their economy. Combined with The Great Depression and the dust storms, farmers in the Great Plains area were severely hurt. These farmers were seeking opportunity elsewhere near the Pacific where they were mistreated by the others already there. The mistreatment is a form of disenfranchisement, by excluding and segregating a group of people from the rest of society. The disenfranchisement of the Oklahoma farmers during the 1930s was caused by a combination of the Dust Bowl and the Great Depression which led to the farmers being forced to move west where they were mistreated because there were not enough jobs.
The “Dust Bowl: The Southern Plains in the 1930s”, was written by Donald Worster, who admits wanted to write the book for selfish reasons, so that he would have a reason o visit the Southern Plains again. In the book he discusses the events of the “dirty thirties” in the Dust Bowl region and how it affected other areas in America. “Dust Bowl” was a term coined by a journalist and used to describe the area that was in the southern planes in the states of Kansas, Colorado, New Mexico, Oklahoma and Texas, between the years of 1931 and 1939. This area experienced massive dust storms, which left dust covering everything in its wake. These dust storms were so severe at times that it made it so that the visibility in the area was so low to where people
The Dust Bowl grazed across the Midwest of the United States, destroying the ecology and agriculture of the United States and Canadian Prairies"1. The Midwest had been experiencing a severe drought when the wind started to collect any loose dry dirt building up gigantic dust clouds. The 1920 's were so prosperous with many new inventions and lifestyles being adapted. Farmers now had the aid of a tractor to help plow the fields faster and farther.2 Was the newly plowed dirt the cause of the Dust Bowl, historian, Professor R. Douglas Hurt seems to think so.
The Grapes of Wrath is a classic piece of American literature that provides an in depth analysis of the great dust bowl. The author, John Steinbeck, illustrated the everyday life of a migrant farmer from the perspective of the Joad family. By describing many important motifs, Steinbeck illustrates the many social and economic transformations that America experienced in the 1930’s. These themes include race, religion, gender, and class. The changes that occurred during this time period forever changed the American way of life.
The Dust Bowl was "the darkest moment in the twentieth-century life of the southern plains," (pg. 4) as described by Donald Worster in his book "The Dust Bowl." It was a time of drought, famine, and poverty that existed in the 1930's. It's cause, as Worster presents in a very thorough manner, was a chain of events that was perpetuated by the basic capitalistic society's "need" for expansion and consumption. Considered by some as one of the worst ecological catastrophes in the history of man, Worster argues that the Dust Bowl was created not by nature's work, but by an American culture that was working exactly the way it was planned. In essence, the Dust Bowl was the effect of a society, which deliberately set out to take all it could from the earth while giving next to nothing back.
Suffering from the death of a close friend, the boy tries to ignore his feelings and jokes on his sister. His friend was a mental patient who threw himself off a building. Being really young and unable to cope with this tragedy, the boy jokes to his sister about the bridge collapsing. "The mention of the suicide and of the bridge collapsing set a depressing tone for the rest of the story" (Baker 170). Arguments about Raisinettes force the father to settle it by saying, "you will both spoil your lunch." As their day continues, their arguments become more serious and present concern for the father who is trying to understand his children better. In complete agreement with Justin Oeltzes’ paper, "A Sad Story," I also feel that this dark foreshadowing of time to come is an indication of the author’s direct intention to write a sad story.
In ‘Paul’s Case’ Paul has created a fantasy world in which he becomes entranced, even to the point of lying to classmates about the tales of grandeur and close friendships that he had made with the members of the stock company. This fantasy falls apart around him as “the principle went to Paul’s father, and Paul was taken out of school and put to work. The manager at Carnegie Hall was told to get another usher in his stead; the doorkeeper at the theater was warned not to admit him to the house” (Cather 8). The fantasy fell apart further when the stories he had told his classmates reached the ears of the women of the stock company, who unlike their lavish descriptions from Paul were actually hardworking women supporting their families. Unable to cope with the reality of working for Denny & Carson, he stole the money he was supposed to deposit in the bank to live the life of luxury in New York. Only a person who felt backed into a corner would attempt something so unsound. After his eight days in paradise, he is again backed into a corner by the reality of his middle class upbringing, and the dwindling time he has before his father reaches New York to find him. The final way out for Paul is his suicide, for which an explanation would be “In the end, he fails to find his security, for it was his grandiose “picture making mechanism” that made his life so deardful.” (Saari). With all the securities of his fantasy life finally gone, his mental instability fully comes to light as he jumps in front of the train to end his
In the beginning of the story, Paul seems to be a typical teenage boy: in trouble for causing problems in the classroom. As the story progresses, the reader can infer that Paul is rather withdrawn. He would rather live in his fantasy world than face reality. Paul dreaded returning home after the Carnegie Hall performances. He loathed his "ugly sleeping chamber with the yellow walls," but most of all, he feared his father. This is the first sign that he has a troubled homelife. Next, the reader learns that Paul has no mother, and that his father holds a neighbor boy up to Paul as "a model" . The lack of affection that Paul received at home caused him to look elsewhere for the attention that he craved.
Mrs. Mallard’s repressed married life is a secret that she keeps to herself. She is not open and honest with her sister Josephine who has shown nothing but concern. This is clearly evident in the great care that her sister and husband’s friend Richard show to break the news of her husband’s tragic death as gently as they can. They think that she is so much in love with him that hearing the news of his death would aggravate her poor heart condition and lead to death. Little do they know that she did not love him dearly at all and in fact took the news in a very positive way, opening her arms to welcome a new life without her husband. This can be seen in the fact that when she storms into her room and her focus shifts drastically from that of her husband’s death to nature that is symbolic of new life and possibilities awaiting her. Her senses came to life; they come alive to the beauty in the nature. Her eyes could reach the vastness of the sky; she could smell the delicious breath of rain in the air; and ears became attentive to a song f...
The conflict of this story is shown with Paul trying to deal with his father’s death in the Portrait of an Invisible Man, and his divorce in The Book of Memory. As Paul received the sudden news of his father’s death, he was taken back by the fact he actually passed away. Paul then made the trip with his wife to clear out his father’s possessions from the house, so they could pu...
The men return to work the next day with a new distraction on their minds. The weather has changed suddenly and is no longer attractive to sun bathers. Without the presence of the woman on the roof there are no sexual thoughts to preoccupy them. For Tom and Stanley, the consequences of their actions are forgotten and only evident in their new levels of understanding.