Secret Sin In the Bible, sin is described as either lawlessness (The New American Bible for Catholics, 1 John 3:4) or as rebellion against God (The New American Bible for Catholics, Deuteronomy 9:7). In both short stories, “Young Goodman Brown” and “The Minister’s Black Veil,” Nathaniel Hawthorne introduced the subject of secret sin, quiet lawlessness or rebellion. By examining the theme of secret sin in each story, then comparing and contrasting this theme, one can glimpse how secret sin affects the life of a follower and the life of a leader in the church. Nathaniel Hawthorne’s “Young Goodman Brown” displays secret sin as portrayed in the secrecy and duplicity of the townspeople. Their impiety is out where others can see it with a simple invitation, yet it is normally hidden from the mainstream. Young Goodman Brown discovered that although many of the townsfolk are active members of the church during the day, they take …show more content…
In “Young Goodman Brown,” although the townspeople are rather open to each other in the devil’s ceremony, they hide their true spiritual alignments from the rest of the town. While their secret sin is daunting devil worship, the main characters are sympathetic and the story has moments of overall irony and satire. The story ends with ambiguity regarding whether the incident occurred or not, thereby questioning the validity of the “secret” sin. In “The Minister’s Black Veil,” the reverend openly wears his black veil, but refuses to divulge why. The overall mood is consistently somber and grim. Despite the church leader’s piety and upstanding reputation, his character is suspected, ostracized, and goes to his grave lonely. His secret sin is always presumed to be horrible, yet never shown to exist. In both stories, the secret sin is never confirmed, and both main characters’ lives are irrevocably
In “The Minister’s Black Veil”, Mr. Hooper’s wife begs him to take off the veil but to no avail. The secret sins symbolized by the black veil, he wears will not go away on earth so in turn he refuses to take it off. As a result, his wife leaves him. In “Young Goodman Brown”, Goodman Brown leaves his wife, Faith, at night. Goodman Brown is leaving because he wants to commit an evil deed in the night. In the gloomy and evil night, Faith describes herself as “A lone woman is troubled with such dreams and such thoughts that she’s afeard of herself sometimes” (36). His wife is a symbol of Goodman Brown’s faith which waivers because of his secret sin. Also pertaining to Faith, Goodman Brown discovers his wife was worshipping the devil. Their relationship suffers as a result. The author describes,“Often walking suddenly at midnight, he shrank from the bosom of Faith”(45). Goodman Brown is not able to see his wife in the same light because he is afraid of her secret sin. He ends up dying as an alone and downcast
One’s self image of morals allows a person to accurately determine what they believe is wrong and vice-versa as is the case with Young Goodman Brown; the protagonist in Nathaniel Hawthorne’s story “Young Goodman Brown” who sees a disturbing vision in which all of the supposedly good townsfolk enter into a pact with the devil. In Goodman Brown’s vision, while following the unholy worshippers to their meeting place, he proclaims “With heaven above and fa...
Nathaniel Hawthorne's "The Minister's Black Veil" illustrates the dangers of secret sin. Allowing guilt from things done in the past, things that cannot be changed, can ruin lives. The life of the secret-carrier will be devastated, along with the lives of that person's most loved ones. Hawthorne uses various types of figurative language in his works to portray his message. "The Minister's Black Veil” is no exception; Hawthorne uses symbolism and suggestion to add depth and mystery.
“By the sympathy of your human hearts for sin ye shall scent out all the places--whether in church, bedchamber, street, field, or forest--where crime has been committed, and shall exult to behold the whole earth one stain of guilt, one mighty blood spot” (Hawthorne pg. 21). “Young Goodman Brown”, an American short story by Nathaniel Hawthorne, does well to blend together a dark, mysterious storyline with a lesson fixated upon the battle between good and evil. Hawthorne was born into Salem, Massachusetts, a small village whose citizens had once accused and executed each other for being “witches.” During these times, the conflict between good and evil and its effect upon one’s overall happiness took its toll upon the lives of the Puritans of
Nathaniel Hawthorne was an extraordinary writer, who used real life experiences in every one of his stories. However, growing up in a Puritan society during a reformation gave Hawthorne a distorted view on God’s character. Hawthorne was intelligent, but by no means a people person, which created a pathway for him to become an author. There were a few key points in his life growing in a religion zealous society that lead him to abandon his faith. Hence, the short story of “Young Goodman Brown” representing that humans are cynical and evil, and the dangers of losing your faith in God.
During Goodman Brown’s journey, he recognized Goody Cloyse, his catechism teacher, the preacher, and Deacon Gookin is going to the devil’s meeting. However, after seeing his church members at the devil’s meeting, Goodman says, “My Faith is gone! and There is no good on earth; and sin is but a name. Come devil! for to thee is this world given” (Hawthorne 27). “But, where is Faith?”, asked Goodman Brown (Hawthorne 29). As hope came into his heart, he trembled when he found the pink ribbon of his wife, Faith, in the forest. At that moment, Goodman Brown lost his faith in his family and church members. Goodman becomes unforgiving of others and believes only evil can be created from evil and there is nothing that anyone can do to change it. Here, Hawthorne demonstrates that a naive faith in our family, friends, and church member’s righteousness could lead to distrust. While, “Young Goodman Brown” lives a long life with Faith, he never loses his meanness toward humanity and the evil in the world, “for his dying hour was gloom” (Hawthorne
The gothic characteristics that are found in Edgar Allan Poe’s “The Fall of the House of Usher” and Nathaniel Hawthorne’s “The Minister’s Black Veil” delve into the dark side of the human mind where secret sin shrouds the main characters in self anguish and insanity. Both Poe and Hawthorne focus on how much of a burden hiding sins from people can be, and how the human mind grows weak and tired from carrying such a burden. Poe illustrates that with his perturbed character Roderick Usher who was rotting from the inside like his “mansion of gloom” (Poe 323). Hawthorne dives deep into the mind of one Mr. Hooper, a minister, a man admired by all, until he starts wearing a black veil to conceal his face because “ The subject had reference to secret sin” (Hawthorne 311) . An analysis of both Mr. Hooper and Roderick Usher show through their speech, actions, behaviors, and interaction with other humans, the daily strain of hiding sin from one another.
In both “Roger Malvin's Burial” and “The Minister's Black Veil,” Nathaniel Hawthorne centralizes the themes of sin, guilt, and repentance. Both are very much set in terms of what defines sin and, in turn, what would constitute action leaving an opening for forgiveness, and both leave many a question unanswered in the story being told. The main question for us becomes, then, one of applicability. Does either story hold a message, if so, what? In considering the two, it may be that they do indeed hold a message, but maybe that message is not one that Hawthorne himself could ever have intended. In this paper I will deal with the themes of guilt, sin, repentance and how Hawthorne developed them in both stories.
Nathaniel Hawthorne was a prolific writer, weaving some of the best-known stories in American literature. While Hawthorne’s works tend to focus around the Puritan themes of sin, he was usually critical of Puritan ideals. Some of Hawthorne’s works (“Young Goodman Brown”, “The Minister’s Black Veil”, and The Scarlet Letter) have characters living life outside of their Puritan communities and can be classified as outsider narratives. Young Goodman Brown, Reverend Hooper, Arthur Dimmesdale, and Hester Prynne are all outsiders in their communities, but what makes the characters unique is that they chose to be outsiders.
In “The Minister’s Black Veil,” for example, Hawthorne describes how, “perhaps the palefaced congregation was almost as fearful a sight to the minister, as his black veil to them”(2). This directly contrasts the “light” faces of the members of the congregation with the darkness of the minister’s veil. By stating that the minister was just as afraid of the people as the people were of him, Hawthorne indicates that the people fear the minister due to the abrupt reveal of his mysterious sin, but the minister also somewhat fears the people and the secrets they hold deep within their hearts. The people of the town are supposedly pure and innocent, yet it is clear that many of the citizens carry the burden of their own evils. Although the minister boldly comes forward with his own sin, he still feels the pain of the loneliness, scorn, and spite that has come with his statement. Hawthorne represents the discomfort the guilty townspeople feel when in the presence of Mr. Hooper when he describes how they were, “conscious of lighter spirits the moment they lost sight of the black veil” (3). Once again, this use of light and dark imagery supports Hawthorne’s argument that people, even those who claim to be pure and innocent, are capable of sin. The townspeople in Mr. Hooper’s community feel the burden of their own sins when they come in
The same thing happens in “The Minister’s Black Veil,” except the reader does not know exactly what secret sin makes Reverend Hooper begin to don the black veil. Many scholars believe that this has something to do with the funeral of the young lady at the beginning of the story. The opinions range from believing that Reverend Hooper loved the girl in secret, to Poe’s believe that Reverend Hooper may have actually been the cause of the girl’s death (Newman 204). Whatever the reason, the minister’s wearing of the veil taints his view of everyone else around him, making all of them look like they are wearing veils as well (Hawthorne 107).
Nathanial Hawthorne, an American author during the 19th century witnessed the power of sin to wreak havoc not only to an individual but a whole community. His novel The Scarlet Letter expresses this very idea by exposing the follies of mankind and the potentially detrimental effects of sin trough Hester Prynne, Reverend Arthur Dimmesdale, and Roger Chillingworth who all affected by sin in different ways. Utilizing powerful symbols and light/dark imagery, Hawthorne conveys to the readers, through these characters, the power of how one’s response to sin can positively change an individual or gradually destroy one by spreading like a contagious disease and ultimately consuming the victim.
First, we will start with Goodman Brown. He is the main character in Nathaniel Hawthorne’s short story titled “Young Goodman Brown”. “Hawthorne could not escape the influence of Puritan society” (McCabe). I think that Hawthorne’s own past is and complications are reveled in his story about Goodman Brown. I believe that Goodman Brown has had a rough past and is trying to reach beyond his past in order to reach heaven. Goodman has some major problems with his wife, Faith, and everyone else in his community. I think that he is seeing everyone as perfect people, but he is having impure thoughts about himself and his past. In order to deal with these problems within himself, he is making up that everyone has this awful bad side. When he goes into the forest, he believes he is talking to the devil with looks much like his grandfather. The devil is feeding him bad thoughts about everyone he knows, even his own father and his wife Faith. Next, I believe that Goodman Brown has had a rough past and in order for him to overcome this within himself he must search for attention. This attention may not be needed from his wife or community members, I believe it is needed from him. He is feeling overwhelmed with obligations from his wife and peers that he has no time to decide whether this type of life is right for him. So, in search for the answer to his questions about life, he turns to the devil and takes his...
“Young Goodman Brown”, by Nathaniel Hawthorne, delves into the classic battle between good and evil; taking the protagonist, Goodman Brown, on a journey to test the resolve of his faith. Goodman ventures out on his expedition deep into the sinister forest, in order to repudiate the attempt of the devil to sway him from Christianity; a test he believes his devout faith is prepared to confront. Goodman Brown is forever altered in ways unforeseeable by taking a stroll with the ultimate antagonist, the devil himself. The prevailing theme in this literary work, which is common in Hawthorne’s gothic writing, is the realization that evil can infect people who seem perfectly respectable. Throughout the course of his journey, Goodman Brown discovers that even highly reputable people of Salem are vulnerable to the forces of darkness.
Nathaniel Hawthorne’s allegorical story “Young Goodman Brown” is set in Salem, Massachusetts during the late sixteen hundreds in a time of religious hysteria and only a few generations after the infamous witch trials. Although "Young Goodman Brown" is a fictional tale, it is based on the cynical environment of Salem during this time period. The short story is filled with many literary elements, leading you to question what did exactly happen to the main character at the conclusion. When analyzing a story like "Young Goodman Brown", one must recognize that the story is at whole symbolic. In the text, symbols are used to uncover the truth of the characters. The role of Faith as both a character and a spiritual element are crucial to both the story and the character of Young Goodman Brown.