Hello . My names Ellie and I’ll be talking about two Aussie movies that both contain mateship . These two movies are red dog and crocodile Dundee . Mateship has been shown through the actions of the characters throughout both of these iconic films. Mateship has been betrayed as an icon throughout both of these films. Mateship has been shown through the actions of the characters in both films through there tone of voice used with each other, the way the characters have a friendly nature to each other, the actions of body language that show that they all get along and the honesty in each character from both films. Mateship was shown in crocodile Dundee with Mick’s happy nature and kind attitude. Mateship was shown in red dog with the way the town all came together to keep red dog out of trouble. These …show more content…
Throughout crocodile Dundee Mick shows mateship towards every person he meets. Mick looks out for Sue when there in the outback not because he has to but because he wants to. During red dog the town help each other find red when he goes missing. Not because they were told to but because they wanted to. These scenes all show that mateship isn’t forced or asked of someone. Mateship is natural and something that we do without knowing because it’s the way we do things. Red dog is about a dog who finds his master after everyone in town tried to own him. But when red’s master passed red’s human friends would give him company. They all helped red throughout the years and they didn’t stop even when red had passed himself. During crocodile Dundee, Sue Charlton came out to walk about creek to find Mick Dundee. A long there travels in the outback Mick is always there helping Sue even though he doesn’t have to. When Mick travels new York Sue helps him out bit by bit. Even though she is not consistent with helping Mick she’s there when he needs her. In both films the characters are all there for each
The film Jindabyne, is a story about death, marriage, and race in an Australian town in New South Wales called Jindabyne. In the film, four men go fishing, and one of them discovers the dead body of a young indigenous girl. Instead of reporting what they found to the police immediately, they decide to stay and continue fishing. They decide that there is nothing they could do for her, so they tie her legs to a tree and continue with their fishing, reporting the death only when they return home. After they are done with their weekend of fishing and report the incident, conflict starts, as the men are criticized for not respecting the dead. Through the story of the town’s reaction to the four fishermen’s response to the dead girl, the movie shows Australia to be fragmented and divided over white-indigenous relations.
Inside the group of mate-ship held by the boys at black-rock the truth about the death of Tracey is withheld information and was quoted to not be spoken about. “I don’t wanna hear names, just zip it alright”. People outside of the group, e.g. Police Officers, general public urge the boys, particularly Jared, to tell the truth. But to no avail, with his friendship with Ricko and the boys in Jeopardy he continues to lie about the issue to all those around. This poses the sense of consensus that all the boys in the group unanimously agree to ‘back each other up’. In ‘Property Of The Clan’ personification is used immensely to provide personal meaning to the boys in the group. In particular, the word ‘Mate’ is used excessively as a sense of belonging. This is notably used by Ricko. Often ‘Mate’ is highlighted as a tool of blackmail to Jared. "They're your mates. Forget about it”. His use of the ‘Mate’ reminds him that he belongs to the clan and must heed to there calls despite constant outside pressure from family and authority. Throughout the duration of the play the pressure grows exceedingly too strong for Jared to handle and even though he is hesitant to want to lose his mates he feels as though as he should tell the truth, and does so. "I'm not a dobber, but I had to tell someone”. Jared shows great courage in breaking out of this negative sense of mate-ship and coming
For example, Johnny is physically the smallest of the group and Dally is always the one there to look out for him and help him with everything that is going on. Dally never has these parent/guardian like feelings for anyone else in the group, he clearly likes and cares for Johnny the most. Even Ponyboy realizes it when he says, “Dally is tougher than I am. Why can I take it and Dally can’t? And then I knew. Johnny was the only thing Dally loved. And now Johnny was gone”(152). Pony makes it crystal clear that Dallas cares for each other unconditionally. Similarly, Johnny has great affection and care for Dally. He realizes he can always look up to Dallas for anything and Dallas always has his back whenever Johnny is in need of some help or advice. When Ponyboy says, “Johnny worshiped the ground Dallas walked on, and I have never heard Johnny talk back to anyone, much less his hero ”(25). Like Dallas, Johnny looks up to Dally as his hero and care so greatly about him. Very much alike with each other, Dally and Johnny Both care for each other unconditionally. Therefore, Dally and Johnny are genuinely similar in many
With a society that frequently emphasizes love and relationships, the movie When Harry Met Sally follows a theme of finding that individual that person is willing to spend their time together for life. The film story is about two new graduates, Harry and Sally, and their journey to finding themselves through relationships, friendships and the encounters with each other 's overs the years. Harry and Sally explored their contrasting perspectives in which each gender hold regarding relationships. Throughout the film, When Harry Met Sally, it exemplified relationship development theories, models, and the maintenance of a relationship. All which demonstrates the interpersonal communication used in the film.
In the movie, The Castle mateship is portrayed in minuscule acts of kindness to large acts of intrepidity. A more diminutive act of mateship is when Dale goes and optically discerns his brother Wayne who is in jail every Monday. Every Monday no matter what? This might be considered brotherhood by some but not every brother would go and see the black sheep
In the case of Ann and Angus (K101,Unit 1,pp.14-19), this was an informal type of home care based on the previous and existing relationship between Ann and her step-father Angus. Liz Forbat (K101,Unit 1,p.27) interviewed 6 pairs of people involved in family care and believed that people became carer and cared for in the context of an existing relationship so the strengths and weakness of those relationships were played out in the care relationship. Ann had the right skills to make a successful care relationship with Angus as she loved and supported him and still allowed Angus to remain an individual and respected his beliefs and preferences. Though her own relationships with her other family members were under pressure and her own life had drastically changed. However, while Ann was caring for Angus she was crossing the normal boundaries of her previous...
We see this with Owen Meany when John tells us that Owen “gave me more than he ever took from me” (A Prayer for Owen Meany 2.509-511). Even with the death of John’s mother at the hands of Owen these too prove to be the best of friends. A friend is someone who is “A positive influence on your life” (What is Friendship? Friendship.about.com), this friendship proves this theory by the boys helping John finding his identity and Owen’s destiny. Along with friendship in the novel we see the importance of family and the role that it plays throughout the novel. John does not know who is father is but that doesn’t matter because Dan Needham plays the role of a father and he does a great job doing so. Throughout the novel we see examples of how Owen and John are more like brothers than friends. Also, we learn from A Prayer for Owen Meany that sometimes those who are not blood-related may be closer than
From when they met, the impression of mateship was there and it continued to build stronger and stronger all the way through the film. Little thing they would say to each other or would do to each other just really represents the feeling of that theme. The catch phrase that you notice so many times during the movie, although getting serious each time, is when one would say “I’ll see you when I see you” and then the other would reply with “Not if I see you first”. These types of things drill into your mind that they are great friends and would stick up for each other no matter what. It’s the epitome of the theme mateship and these two characters show it the whole way through the movie. Near the beginning of the film when Frank and Archy are traipsing across the vast outback of Australia, you see both with a suitcase in hand because, like all young men at this time, they thought they were off on a great adventure together as mates. Of course when they get to Gallipoli that whole mindset changes but the mateship is always going to be there between them. You can’t take away good old Aussie mateship. So Frank and Archy really represented that theme. Obviously the reader of this essay can now see how this movie is wholly based around the theme
In “An Individual Assignment”, the prisoner Dugaev realizes that “cold, hunger, and sleeplessness rendered any friendship impossible” (22). He also understands that the foundations of friendship “had to be laid before living conditions reach that last border beyond which no human emotion was left to man” (22). These are the reasons that friendship, unless beneficial to both parties involved, is rare in Kolyma. If you are past the point where you are capable of human emotion, how is it possible to be a friend to someone? Prisoners’ actions are driven out of need, the need to relieve any small part of that cold, hunger, or tiredness. This goes to show that these men no longer know compassion, and that the only motive that might drive them to help someone else when subject to such extreme conditions is that if helping that person somehow benefits themselves as well. However, some of the stories show instances when friendship is possible, but that is only when conditions are bearable, such as in the hospital. In “Dominoes,” the narrator has a different type of relationship with Andrei Mihailovich, his doctor than he has with most of his other fellow prisoners. Though not quite yet a friendship, it is still a rarity among all of the stories, and the only reason that it is possible is because the narrator of the story is no longer under extreme conditions and is instead in the hospital. There, he
Friendship is essential to the cohesiveness of modern society. Problems may be shaped whenever they have different opinions of what is right. In the movie Gun Crazy and Thelma and Louise, it demonstrates how significant friendship is and how being outlaws drives them closer together. Throughout the movie their perspective transforms on what home is to them.
Hook--Tupac Shakur and The Notorious B.I.G. (Christopher Wallace) were different in many ways, but there were also some major similarities between them. While they were both extremely influential rappers in their day, there was a lot of fighting between them considering the fact that Tupac was a West Coast rapper, and Biggie --The Notorious B.I.G.-- was an East Coast rapper. Tupac tended to be a lot more poetic and respectful to women he had better lyrics than Biggie, but Tupac had little flow.
Mateship in Australian Films Mateship has long been a major aspect of the national image as projected by Australian films, yet the moralities of mateship and the image of men as mates did not go unchallenged. Australian cinema as a significant part of the whole industry of image-makers in the country. the way it portrays mateship, the single most important mythic element. in the cultural identity of Australia, is worth analysing. This paper reviews the historical background of mateship in Australia and its contemporary development.
Writing in “Fact, Not Fiction: Questioning Our Assumptions About Crane’s ‘The Open Boat,’” Stefanie Eye Bates remarks, “By mentioning the men’s friendship, the atmosphere of congeniality and fraternity, the captain’s calm voice and the comfort the others took in it, Crane fully explains how he draws the conclusion that ‘although no one said it was so,’ the sense of unity was felt by all” (73). Since this bond of brotherhood is felt by all the men in the boat, but not discussed, it manifests in small ways as the men interact with each other. They are never irritated or upset with each other, no matter how tired or sore they are. Whenever one man is too tired to row, the next man takes over without complaining. When the correspondent thinks that he is the only person awake on the boat, and he sees and hears the shark in the water, the narrator says, “Nevertheless, it is true that he did not want to be alone with the thing. He wished one of his companions to awaken by chance and keep him company with it” (Crane 212). In reference to this scene, Shulman remarks that “the central theme of community [is] touchingly rendered here because the correspondent does not awaken his exhausted companions” (451). Nobody makes any statements about the bond that the men develop, but it is evident in small things like this, where the correspondent lets the other men sleep
When the film genres of zombie action and buddy cop film are discussed it is within reason to assume the primary target audience is male. It is also not unreasonable to assume that the same audience probably wouldn't choose to see a film about male friendships. However, the history of films suggests that the genre of buddy films provide male audiences with just this. In the journal article “Contemporary Hollywood Masculinity and the Double-Protagonist Film” David Greven states “The 'buddy' is an extension of the cultural cliche of 'male bonding,' a situation in which men can fantasize about being released from there repressions imposed by the company of women. In film, the 'buddy' allows adventure, joking, safe community, marginalization of women, and an apparent absence of sexuality”.
...tionships in a appositive or negative way, all depending how we choose to compare the Hollywood romance to our real-life romance.