The most important performance I’ve ever been in was my recent performance as Aeneas in “Dido and Aeneas” by Henry Purcell with Lawrence Opera Theatre. Not only that, but it certainly was the most interesting show I’ve ever been in because as well. This production wasn’t performed in the traditional style, but performed being set in an insane asylum. The director was fearful that we wouldn’t be on board with this idea, but when we first heard it we were all excited and willing to work with whatever the director had to throw at us. The director gave us room to do what we wanted in terms of gestures and character choices and made it a productive and welcoming environment. Every individual in the opera was given the task of assigning a specific mental disorder that caused the character to end up in the insane asylum in the first place. I assigned Aeneas as having Schizophrenia, and that the Gods and the spirit were actually just voices in his head. I would listen to simulations of …show more content…
Personally, this performance was an example of how we can use music to express difficult topics to discuss otherwise. Not only this, it influences us as performers to dig into the subject material in order to put on a convincing act for the audience to be enveloped in. An example of this was during “Jove’s commands shall be obeyed…”, when Aeneas has just heard from a spirit that Jove has commanded him to leave Dido, resulting in a fight between Dido and Aeneas. In this production, I had the spirit be more of a voice in my head, and struggling between what he should do or should not do. This was able to express to the audience the pain suffered by someone with a mental illness, and the overall struggle in general. Because of this performance in particular, I have a better understand of how music can be utilized these complex topics and perform them in a way where audiences better understand the ideas
The Aeneid by Vergil is a long-standing epic poem with brief historical connections that was contributed to the Roman people’s beginnings. Of course, the main character, Aeneas has to have had some turning point within the poem that he became Roman rather than Trojan, at least within the eyes of the readers and listeners. This turning point is within Book IV when Aeneas has remembered his fate of creating a great city in Italy, and has to leave Dido and Carthage behind. This scene contributes to Aeneas now becoming a true Roman, at least in the ideals of one, because he has continued to be ‘Pious Aeneas’ and is securing his son’s future with following his fate. As an extra factor, Aeneas is also persisting as a heroic character by putting
In the dedication of Henry Purcell’s opera, Dioclesian, to the Duke of Somerset, he declared, "As Poetry is the harmony of Words, so Music is that of Notes; and as Poetry is a rise above Prose and Oratory, so is Music the exaltation of Poetry. Both of them may excel apart, but sure they are most excellent when they are joined, because nothing is then wanting to either of their perfections: for thus they appear like wit and beauty in the same person." Henry Purcell was a prolific English composer of Baroque opera, church music, cantatas, instrumental works, and more. Not only did he have a vast understanding of music and composition, but he also understood the obligation to form a connection between the music and the text. Purcell’s compositional ability is demonstrated in his opera Dido and Aeneas, which contains common Baroque characteristics that define his style. Even though he used distinct “Purcell-isms” in Dido and Aeneas, there is still a definite connection to the structure of Venus and Adonis by John Blow.
Throughout the musical, the prowess of each individual performer was on display. Every performer, with the exception of Kristine, expressed a power and vibrato that was breathtaking; the highest notes lilting and the lowest notes thundering. I was in awe during a majority of the performances because of the commanding singing in each performer.
The dominant factor in an epic is the heroic main character. This character often is the son of a god or goddess and is favored by the gods. Heroic characters are also always hounded by constant tragedy which drives them to fulfill their fates. Most heroic characters are high in social status and share close contacts with the gods. All of these qualities of heroic characters show up in the characters of Aeneas from The Aeneid and Gilgamesh from the Epic of Gilgamesh.
Both the Odyssey and the Aeneid represent their cultures very well, but they express different ideas on what one should strive for in life. There are also different forces that pushed both epics to be written. The Aeneid expresses the Roman idea of pietas which means to show extreme respect for one’s ancestors. We see this in Aeneas when he is pictured caring his father away from burning Troy. He has pietas because he cared so much for his father that in fleeing from Troy he took up his father over his shoulder to save his from certain death. This is not the only major idea in the Aeneid. There is also a very political focus. The Roman were very interested in politics which comes through in the Aeneid. The Odyssey has the Greek idea of arete trapped somewhere among the many themes. Arete is a strive for perfection in both mind and body. It is a much more personal and individual idea than the Roman pietas. In the most basic seance the Aeneid and the Romans have a much more political focus and duty to the state ( republic ) than the Greeks who honor tradition , family , and arete.
The Odyssey and The Aeneid are both classic pieces of literature that have impacted the modern academic world. These two stories have compelling similarities, however, they also have copious differences. Both stories follow a hero after the Trojan War, one searching for the comfort of his wife and son, another determined to establish an empire and fulfill his destiny.
There has been much debate on who is the greatest hero of the ancient world. There has also been much dispute on which is the greatest epic poem of the ancient world. However, comparing The Aeneid to The Odyssey is entirely a difficult task itself. Odysseus' journeys, both physical and emotional, are essential in the overall work because it defines The Odyssey as an epic poem. Aeneas also shares a similar experience as Odysseus as well. Both stories are similar in countless ways because they both undergo comparable experiences on their travels and their life journeys. With that being said, they both demonstrated leadership in their own way. However, it is difficult to determine who the best leader actually is. Both men exhibit great leadership skills; therefore, causing a challenge for some in determining which the greater epic is. After analyzing both texts, it is possible to conclude that Aeneas is the better leader, but The Odyssey is the greater epic.
Hope, desperation, relief, and joy were the emotional aspects that I grasped onto during the piece. While there was not a literal story, it was relatable and real. The dance was visually beautiful, because the lighting, costumes, silk, and choreography worked together to create a picture of water. Yet, the music and idea behind the dance gave the intense and emotional aspect. Each of these elements worked together to create a piece that was mesmerizing and light
There are two main fashions in which the Aeneid is read by Scholars today. The main difference between these two theories is each's respective treating of Aeneas' obstacles. The first views Aeneas as a classic epic hero, that is, to view him as fated to the grand destiny of founding Rome, and Aeneas carries out that destiny successfully, in spite of a few unfortunate hardships. The other view regards the obstructions that Aeneas is subjected to as, instead, evidence from the gods and other powers that Aeneas' quest is, as purported in an essay by Steven Farron, “brutal and destructive” (34), instead of trivial occurrences. This view referred to as the dark reading of the Aeneid. One of the best known circumstances in the Aeneid is Aeneas correspondence with Dido. This period in the Aeneid is often used to evidence an argument for one of the two readings, as the text gives important specifics about both Aeneas and his quest there. However, given a close reading of the text, the flawed relationship between Dido and Aeneas better endorses the dark reading.
We have read two myths of great heroes this semester, Virgil’s The Aeneid and Homer’s The Odyssey. In both of these tales we get to go along with two great heroes on their journey home and all of the troubles that they face. Although these stories tell us about two great heroes and their journey there are a lot of differences. In this paper I will compare and contrast scenes from both myths and suggest a reason that this borrowing was appropriate for what Vergil was trying to do with his version of the myth.
Aristotle argues that friendship is a vital part of life. It serves not only as a means to bond individuals together, but also a necessity in achieving overall happiness. Aristotle comments on the various types of friendships that exist, and the role they each play in society. He explains three overarching types; utility, pleasure, and complete friendship. Yet, with family, friendship is different than it is with companionship. As Aristotle states in his piece, Nicomachean Ethics on friendship in families, “they all seem to depend on paternal friendship” (Aristotle, 1161b18). In The Aeneid, Aeneas and Anchises’ relationship, perfectly embodies this. The father son bond does not distinctly resemble one of the three types, rather it is a friendship in of itself; a paternal friendship.
The myth of Romulus and Remus, as well as the myth of Aeneas contribute to the emergence of Rome and its people. Romulus and Remus are credited with founding of the city of Rome itself, while Aeneas was credited with the founding of the Roman race (Ott, 105). The history of Rome cannot be told without both of these myths being a part of the story. Each has both similarities and vast differences to the other. When Gods are involved punishment and reward seem to go hand-in-hand.
This piece truly had some magic and emotion engraved into it. Due to the fact that Ella Fitzgerald and Carmen bradford had such strong ties built a platform for the piece to be played on. The story itself, that Carmen told, made me feel proud of what she went through to achieve such success and reminds me to keep chasing my dreams. I think Ella would have been more than proud to witness such a great reenactment of her own piece by a close friend. I felt like I was part of the great bond and was happy to support them. The ensemble did good in playing their part for the piece but Carmen really took the show by singing the piece so well. The song brought admiration through the crowd, showing their full support. Learning about Ella Fitzgerald in class also provided background and relatable content to what Carmen was
Odysseus and Aeneas are very alike in some ways and very different. They are both epic heroes except that one is Greek and the other is a Trojan. Odysseus is from the Greek tale The Oddessy, which was written by the famous Greek poet Homer. His quest is to find his way back home after a long journey. Aeneas is from the roman tale The Aenied, written by Virgil a famous Roman poet. Aeneas’s mission is to find a new home for him and his family. Both these characters had many similarities and differences in their ways of fighting.
When discussing the fate of Aeneas, a thought provoking question is posed that is commonly debated. If Aeneas is commanded by fate, does he have free will? It is important to approach this question with a solid understand of fate. There are two common sides to the debate of whether Aeneas had free will or not. One view believes Aeneas had no choice but to follow his destiny because he was commanded by fate, and prophesied to found the race that will one day build Rome. The other side states Aeneas did indeed have free will, and even though his fate was set, room is available within his fate for events to change. One can argue Aeneas makes some of his own choices, but no particular detail of his life is untouched. Destiny determines that the Trojans will found a city in Italy, but it does not stipulate how that will happen. This is where room is left for free will. After much research and considering the views of many commentators and the proof they showed, the answer can simply be found by going back to the text of The Aeneid.