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What makes Frankenstein a horror story
Understanding frankenstein novel
Frankenstein analysis mary shelley
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Recommended: What makes Frankenstein a horror story
Scene Analysis of Mary Shelley's Frankenstein Frankenstein was a novel written by Mary Shelley in 1832. At the time
when 'Frankenstein' was written gothic novels were very popular and so
this novel was seen to be very popular. In 1994 the 'Frankenstein'
novel was turned into a movie by Kenneth Branagh, starring Kenneth
Branagh himself as Victor Frankenstein. The film used many techniques
that make a film become part of the horror genre. Such as Music and
sound, language, weather, violence, color, special effects, camera
angles and symbolism. I have studied three scenes of the film in
class. These scenes have all the information we need to know about
horror and what makes this film belong to the horror genre. In this
assignment I am going to show how the film Frankenstein belongs to the
horror genre.
The first scene begins in the artic where a ship is caught in a bad
storm and all the men are panicking. The scene uses lots of different
techniques to build up horror. It uses the music and lightning to go
with the picture and terror. They use fast, loud and exciting music to
show the panic of the people on the ship. There are fast close up and
distance camera shots. The uncontrollable situation goes with the
music and brings up excitement into the picture. The panic and tension
in this scene is brought by the storm, lighting and the large waves
created by the sea, which causes the ship to go of course. You can see
fear on the faces of the crewmembers. The captain of the ship is very
determined and his ambition forces the crewmembers to obe...
... middle of paper ...
...then rips her heart right from her stomach. This
is the violence presented in such terrifying ways in which lead
'Frankenstein' to the horror genre text. It shows blood and violence,
which really brings the horror and tension. Victor notices Elizabeth's
door open and realizes what the monster is there. As he goes in he
sees the monster holding Elizabeth's heart in his hand. There is blood
all over the monsters hand and the heart still beating.
I have analyzed the three scenes and focused on the main points in
each scene which show that the film 'Frankenstein' belongs to the
horror genre. Many techniques have been used in the film which makes
this film belong to the horror genre. The scenes I analyzed contained
blood, music, atmosphere, violence and special effects. The scenes
create tension and fear for its audience.
Works Cited Shelley, Mary. Frankenstein. 1818. Ed. J. Paul Hunter. Norton Critical Edition. New York: Norton, 1996.
of the event. It seems that the ships crew and the lower class passengers were
In the novel Frankenstein, Mary Shelley tells us a story about a man called Victor Frankenstein who creates a Creature which he later decides he does not like. The novel Frankenstein is written in an Epistolary form - a story which is written in a letter form - and the letters are written from an English explorer, Robert Walton, to his sister Margaret Saville. Robert is on an expedition to the North Pole, whilst on the expedition; Robert is completely surrounded by ice and finds a man who is in very poor shape and taken on board: Victor Frankenstein. As soon as Victor’s health improves, he tells Robert his story of his life. Victor describes how he discovers the secret of bringing to life lifeless matter and, by assembling different body parts, creates a monster who guaranteed revenge on his creator after being unwanted from humanity.
Shelley, Mary. Frankenstein: the original 1818 text. 2nd ed. Ed. D.L. Macdonald and Kathleen Scherf. Peterborough: Broadview, 1999.
Frankenstein, a novel by Mary Shelley, illustrates the trials including Victor Frankenstein's triumphs, a character who owned a lovely with memorable life experiences that shaped the independent college student he became. Despite Victor growing up in a welcoming setting, he struggled to find the intellectual purpose of acquiring a college education in his physical science interest to generate the likelihood of reviving a dead corpse with electricity to acquire the comfortability to feel like God. Mary Shelley used diction and imagery to convey shifts in mood that supported the plot of chapters one through five in Frankenstein to inundate the reader with the feelings the characters of the story were facing.
Shelley, Mary. Frankenstein: A Norton Critical Edition. Ed. J. Paul Hunter. New York: W. W.
Letters Frankenstein This passage is out of letter three, paragraph three. I chose this paragraph because it sounded interesting and it plays a very important part in this novel. Mary Shelley wrote this novel during the Industrial Revolution. The characters in this passage approached the North Pole, challenging the Northern Sea in July.
In the novel Frankenstein, the author, Mary Shelley writes about a scientist named Victor Frankenstein who brings to life a human- like creature. Viewing this book through a psychoanalytic lens uncovers the many layers that make up this text and the characters. The psychoanalytic theory deals with a person’s underlying desire, most famously, the oedipal complex. The oedipal complex is the belief that all people possess the desire to partake in affectionate relations with a parent of the opposite sex. In Frankenstein, Shelley uses Victors conscious and subconscious to suggest that Victor possesses the oedipal complex, and that he feels intense guilt for the monster that he has brought to life.
Shelley, Mary. “Frankenstein.” In A Norton Critical Edition. New York: W. W. Norton & Company, Inc. 1996.
Analysis of Mary Shelley's Frankenstein. Analyzing a book can be a killer. Especially when it contains tons of subtle little messages and hints that are not picked up unless one really dissects the material. Mary Shelley's Frankenstein is a prime example.
This philosophical analysis focuses on the main character of Mary Shelley’s Frankenstein, the Monster, and how his crime of killing a young boy and framing an innocent bystander is explained through the arguments made by Mengzi concerning evil natures. This parallel will be made by showing the progression of the Monster from good to evil nature and how his motivation to ruin his creator’s life tainted his fundamental heart. I will first briefly address the action as portrayed in Frankenstein and then discuss how Mengzi’s ideas explain the change in the Monster’s nature.
From the beginning of time in history, women have always been portrayed as and seen as the submissive sex. Women especially during the time period of the 1800s were characterized as passive, disposable, and serving an utilitarian function. Mary Shelley’s Frankenstein is a prime example displaying the depiction of women. The women in Frankenstein represent the treatment of women in the early 1800’s. Shelley’s incorporation of suffering and death of her female characters portrays that in the 1800’s it was acceptable. The women in the novel are treated as property and have minimal rights in comparison to the male characters. The feminist critic would find that in Frankenstein the women characters are treated like second class citizens. The three brutal murders of the innocent women are gothic elements which illustrates that women are inferior in the novel. Mary Shelley, through her novel Frankenstein, was able to give the reader a good sense of women’s role as the submissive sex, through the characters experiences of horrific events including but not limited to brutal murder and degradation, which is illuminated by her personal life experiences and time period of romanticism.
Frankenstein by Mary Shelly is an old classic that has been enjoyed by many generations. Despite the fact that the novel was written over a hundred years ago, it is not only beautifully written but also enthralling and well composed. At the young age of eighteen, Mary Shelly raises questions about education and knowledge to which are answered through the well written characters in the novel. The Monster, who is a creation of another character, is highlighted as an individual who goes through an intellectual change.
During this scene the director goes for a full helicopter beauty shot that captures the ship in all its’ glory (1:19:03). The scene celebrates the ship and Jack giving the audience a joyful feeling, like nothing could ever turn wrong. This was done in order to make the audience appreciate the full beauty of the ship before the catastrophe, in order to understand the peril that was the Titanic’s sinking. The scene was originally filmed on a rotating turntable, and as the camera zooms out the character's transition from real people to CGI characters when you can’t see them. These effects and visuals are used to further enhance the scene of a movie. Having these visual aids helps build the drama of the scene, so the visual aspect is heavily relied on. If it weren’t for the effects and angles, you would not be able to understand how the passengers felt on the “Unsinkable” ship, and just how bad the situation was when they