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Effects of music on memorization
The Relationship between Human and Nature
The Relationship between Human and Nature
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Recommended: Effects of music on memorization
Early Friday morning, Memorial Weekend, 1994, I decide to adventure into the unknown by taking a journey to the Joshua Tree Inn, specifically room number eight, where on September 19th, 1973 Gram Parsons surrendered silently to drugs and alcohol. I have goose bumps. From Silver Lake to Joshua Tree, I travel the 134 to the 210 east, then cross over to route 57, and finally merge to the familiar 10 highway as my hometowns Eagle Rock and Glendora drift by. Not only do road trips bring solitude but also the rhythm of the highway clears my head. My faithful grey Toyota cruises along with her sweet stereo system loudly playing Tom Petty’s “American Girl” and I sing freely with abandonment until another car pulls up next to me. Now I count the endless trees that line the side of the freeway – the same trees that I counted as a childe when my dad would drive us to Edwards Air Force Base. The pavement and I become one and the crowded suburbs fade swiftly into both truck-stops and smaller sparse communities. Memories flood. I was 13 years old and upset with my older sister because she had painted our bedroom lime-green. Our twin beds were separated by a glow in the dark poster of “the keep on truck in'’” icon announcing, “Stop the world I want to get off”. I listened with sadness to The Beatles White album until my loneliness disappeared. A freeway sign abruptly snaps me back to the not so familiar vast high-desert, therefore signaling my exit. Quickly responding, I turn into the nearest gas station sliding up to an empty gas pump. Although hesitate I enter the Circle K; the sand, desolation, and orange beige clothing troubles me. “What makes me so different? “, I wonder grabbing a bottled water and salted cashews. While leaving I notice ... ... middle of paper ... .... Blackbirds fly over the desert sand. I search for peace by the ghost of a man whose songs gave a bit of truth and all the sadness he knew. Blackbirds fly over the desert sky. I search for the truth by the ghost of a man. This mysterious wonderland with its natural gardens and rugged ridges can deliberately lose an individual. I imagine I see Gram’s ghost sitting contentedly in an old barbers chair high up on the granite and kindly wonder why no one has put up a plaque or marker. To Gram I warmly say, “From the other side of life you gave me strength and hope.” I went into the flame through the eye of the needle and out of the darkness. Forever I love this kindred spirit who haunted me and now realize that the familiarity in Gram’s voice reflects mine. I sympathetically paid my respects and buried my troubles, and now it was time to begin my long drive home.
Every story, every book, every legend, every belief and every poem have a reason and a background that creates them. Some might be based on historical events, some might be based on every culture´s beliefs, and some others might be based on personal experiences of the authors. When a person writes a literary piece, that person is looking for a way to express her opinion or her feelings about a certain situation. A good example is the poem “Southern Mansion” by Arna Bonptems. The main intention of “Southern Mansion” could have been to complain, or to stand against the discrimination and exploitation of black people throughout history. However, as one starts to read, to avoid thinking about unnatural beings wandering around the scene that is depicted is impossible. The poem “Southern Mansion” represents a vivid image of a typical ghost story which includes the traditional element of the haunted house. This image is recreated by the two prominent and contradictory elements constantly presented through the poem: sound and silence. The elements are used in two leading ways, each one separate to represent sound or silence, and together to represent sound and silence at the same time. The poem mixes the two elements in order to create the spooky environment.
Apart from the novel's thematic development, McCarthy's setting and his detailed description of the ornate beauty of the desert southwest is deserving of praise. A lyrical quality and refined beauty are apparent in the novel's description. McCarthy's extended accounts of the pristine beauty of the desert can be seen as an artistic and visually appealing piece work apart from the plot of the novel. Such memorable accounts seem to be a lone highlight in a shockingly disturbing book (Moran 37).
The rolling hills and untouched prairies of the Old West were, by and large, replaced with modern infrastructures and communities by the time Raymond Chandler and Thomas Pynchon got around to writing The Big Sleep and Crying of Lot 49. As the “New West” became the “Noir West” liberality transformed into something more along the lines of uniformity. The now more urban landscapes of the Noir West began to call for a different kind of toughness, one based on mental rather than physical strength. It wasn’t enough to be strong and free spirited anymore; being a “Cowboy of Noir” required more mental acuteness than anything else, as both authors (Chandler and Pynchon) demonstrate with Philip Marlowe and Oedipa Maas.
The story recaps a troubled woman’s 1,000-mile backpacking journey through the Pacific Crest Trail. After her mother’s death, Cheryl Strayed found herself in a concerning drug addiction, a less than perfect marriage, and immersed in sexual promiscuity. Revaluating her decisions into self-ruin, Strayed made an impulse decision to hike the Western edge of the United States, from the Mexican border to the Canadian Border. She then recorded her journey from mid-life crisis to self-awareness.
Music speaks to every generation of teenagers, adults, and even kids. It becomes a language that once heard, transforms strangers into friends. Throughout “Sonny’s Blues” the music played by Sonny becomes his escape from the drugs, the day, and even his life. Sonny struggles with drugs, a fear of rejection, and the fact that he is a man. Having people there during a time of solitude is nice but one day, growing up is a part of being an adult. Whether life draws people towards becoming a jazz musician or an algebra teacher, everyone is dealing with the same hell, just different
In an attempt to overcome writers’ block, Jack Kerouac, alongside Neal Cassady, explored the American West in a series of adventures that spanned from 1947 to 1950. On the Road is the “lovechild” of Kerouac and Cassady’s escapades, fueled by jazz, poetry, and drug use. Its political and aesthetic dimensions are thoroughly complex, yet intertwined. On the Road portrays the story of a personal quest in search of meaning and belonging in a time when conformity was praised and outsiders were scorned. It was during this ...
His expertise may attract an array of readers, both newcomers and old-timers. It seems that his intended audience might be those who share his love of the desert and also those who want to know more. The essay is quasi-organized like an educational brochure or an expert interview with an inveterate desert denizen. An unintended audience of course might include the fledgling environmental activists who were emerging in the 1960s to fight for the protection of wilderness. Because of its focus on natural history, the article and the anthology, Desert Solitaire, in which it was published, might...
The year is1965, 8 years into the Vietnam war and 2 years in the shadow of a presidential assassination, marked the inception of an artistic vision, cut to Vinyl. Bob Dylan’s Highway 61 revisited is a testament to the state of America in the 1960s, using poetic devices, and engaging rock and roll music to capture the imagination of a breadth of people, unwittingly, it would seem, brought change to the minds of Americans. Opening their eyes to what was happening and inflicting a sense of new found justice in their hearts, Living vicariously through Bob Dylan’s intense imagery, due to the events unfolding in that period, People latched on to Dylan’s lyrics and imposed their own expression and feeling onto his songs.
“Sonny’s Blues” is a short story in which James Baldwin, the author, presents an existential world where suffering characterizes a man’s basic state. The theme of tragedy and suffering can be transformed into a communal art form, such as blues music. Blues music serves as a catalyst for change because the narrator starts to understand not only the music but also himself and his relationship with Sonny. The narrator’s view of his brother begins to change; he understands that Sonny uses music as an outlet for his suffering and pain. This story illustrates a wide critical examination.
In April of 1992 a young man named Chris McCandless, from a prosperous and loving family, hitchhiked across the country to Alaska. He gave $25,000 of his savings to charity, left his car and nearly all of his possessions. He burned all the cash he had in his wallet, and created a new life. Four months later, his body was found in an abandoned bus. Jon Krakauer constructed a journalistic account of McCandless’s story. Bordering on obsession, Krakauer looks for the clues to the mystery that is Chris McCandless. What he finds is the intense pull of the wilderness on our imagination, the appeal of high-risk activities to young men. When McCandless's mistakes turn out to be fatal he is dismissed for his naiveté. He was said by some to have a death wish, but wanting to die and wanting to see what one is capable of are too very different things. I began to ask myself if Chris really wasn’t as crazy as some people thought. Then I realized it was quite possible that the reason people thought he was crazy was because he had died trying to fulfill his dream. If he had walked away from his adventure like Krakauer, people would have praised him rather than ridicule. So I asked the question, “How does Krakauer’s life parallel Chris McCandlesses?”
"Burn, burn, burn," says Kerouac, and that is what the Beats were all about. From the all-night, smoke-filled jazz clubs of the Lower East Side of Manhattan, to the trendy bars of San Francisco, the artists known as the ‘Beats’ were interested in one thing, and only one thing: living. To them, life was a series of adventures to be lived. Going from one high to the next, in search of that thing that will, in the end, transform them into that "blue centerlight" about which everyone says "Awww!" But a few questions must be addressed regarding the Beats. Was theirs the correct choice? Was the fun they had worth the pain that they caused, and the pain that they had to endure? And ultimately, what impact did the Beats have on society as a whole, and was that impact, is that impact, positive or negative? Jack Kerouac, the most prominent of all Beat poets, and the gang hanging out at the famous 115th Street apartment helped to mold two generations of young Americans, and have made a permanent impression on the landscape of American culture through their literature, and most of all, through their lives, and their desire to live. This is the contribution of the Beats: a legacy of s...
“Hotel California” by The Eagles has been the recipient of much speculation since its release in 1976. Although many other interpretations exist including some which claim this song to be referencing drugs, much evidence suggests that “Hotel California” is, at least partly, making a statement about the lifestyle of drug and alcohol users particularly in the large cities of California. As with many songs, duality of meaning exists in “Hotel California.”
Allen Ginsberg’s “A Supermarket in California” paints a vivid scene in the minds of readers and uses allusions and symbols in order to express the wrongs of society, such as consumerism and negative views of homosexuality. However, for having such radical beliefs during a time period in which members of society conformed to strict ideas, the speaker, along with many individuals, are alienated and in turn, wish for extreme change and even another life. Ginsberg conveys a vital message that carries through to the year 2010 even more. Materialism does not make a person, it is insignificant. What is imperative is the natural world; beauty, individuality, and real human interactions as these are concepts that make an individual.
Otis sat at his tattered corner booth, the pale pink and teal upholstery ripped and worn by all those who had rested there before him. His charcoal-grey hair was oily and unkept as if he hadn’t known the pleasure of a shower or a comb since his early days in the war. His once green army jacket, faded to a light grey, covered the untucked, torn, and sweat-stained Goodwill T-shirt under it. He wore an old pair of denim blue jeans that were shredded in the knees and rested three inches above his boney ankles; exposing the charity he depended upon. His eyes, filled with loneliness and despair as if he had realized a lack of purpose in his life, were set in bags of black and purple rings two layers deep. His long, slender nose was set above a full crooked mouth with little lines at the corners giving his face the character of someone who used to smile often, but the firm set of his square jaw revealed a portrait of a man who knew only failure.
In the poem, “When Lilacs Last in the Dooryard Bloom’d” by Walt Whitman, He interrupts the rest of the poem for his bird to belt out a song, a song about death. The speaker of the poem was charmed by the song. Whitman uses this poem to push across a new, unmentioned image of death as the “dark mother always gliding near with soft feet.”