Satire In Cannery Row

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When Steinbeck turns to describe the inhabitants of Cannery Row he describes them with the same zoologist eye and sees them in a tide pool with the same seductions, appetites and survival instincts. Like Sea of Cortez, Cannery Row is linked as well to American romantic literature of the nineteenth century. The inhabitants of the Row are romantics in their casual defiance of traditional society. Mack, his boys, and others live in a relatively independent existence, illustrating Emerson’s dictum of doing your own thing. Others appear less hedonic than dreamy and mysterious, thereby contributing to the romantic aura. Doc may or may not be considered a Thoreauvian character, but as a scientist he finds in the tide pools evidence for nature’s laws …show more content…

The tide pool image, figuratively a part of the community, bears resemblance to Thoreau’s pond and possible to Melville’s ocean. These and other romantic elements tend to be ironic, for not many things in the novel are truly heroic or exceptional. Steinbeck’s reply to Malcolm Cowley that Cannery Row was indeed a “poisoned cream puff” attests to the other side of the coin ( Lisca, The Wide World, p. 198). That other side is satire directed at most aspects of life in Cannery Row. There is obvious ridicule in references to middle-class and upper-class men who slip unseen into Dora’s place, to owners and administrators of canneries who drive sheltered in big cars to and from their offices in the Row, and to police and city officials who require big donations from Dora is she is to stay in business. Middle-class respectability such as ambition, perseverance, industry, and dependability receive their comeuppance because Mack, Eddie, Albert, and the Mallorys put little faith in standards of the arrived or the almost-arrived. Yet the Row figures do not escape reproach because they are not above displays of selfishness, dishonesty, and immaturity. Mack’s rejection of William, the bouncer and pimp, leads to the

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