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Essay ideas about movies
Techniques used in film analysis
Essay ideas about movies
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Distinctively visual refers to the actions of a composer to employ specific visuals that effectively represent that composer’s particular message through imagery. Time is a constant force that continually challenges individuals and in turn is a significant factor in resulting future actions. This notion has been displayed in through the cinematic styling of Tom Tykwer in his post-Cold War film "run Lola run”. Comparatively in the still shot poster of the iconic film "back to the future", time is also a significant theme depicted in this text. However unlike run Lola run, the choice of format in addition to its title alludes to the human desire to revert the past and individuals actions in order to change the future. Although being created in different decades and through distinctly different visual techniques, both directors identify the theme of time and portray the different ideas that this theme suggests. “This picture is pure camera: motion and emotion, no other medium can convey those things …show more content…
In the Back to the Future poster, the tittle uses its size and aesthetics to draw the audience’s attention and inform the reader about the genre and general themes of the film. Font and colours intrigue the reader and the layout makes the veiwer follow a reading path towards the broken sentences which give context and refers to the visual image. Run Lola run applies salience points in the introduction through camera panning in to the creature’s mouth, accompanied by upbeat techno music. The transition is made into a bright background with many moving people. The significant points are presented through editing techniques which blur out the insignificant bystanders and contrasts the certain individuals that are included throughout the film. The creators uses this to catch the viewer’s eye while binding techniques into the story, and over all highlight important
Throughout the film, Marker used the still photographs as the connection to the man’s memories and to show the relationship between the past and the future. With that one shot of motion scene, it created the association between time, space and memories. Before the film turned to motion scene of the woman waking up, and blinking, there were series of still images of the woman tossing and turni...
Immediately upon viewing either film, the viewer is struck with the unique visual style each presents. This impression is likely the defining image one is left with after viewing the entire film. Each took a different approach in using visuals to stage the environment and context of the plot. Blade Runner styles Dick’s vision of Los Angeles circa 2019 as a futuristic film noir, with an anachronistic mix of technology combined with dark angles and shadows. Virtually all of the visual styles of this environment happened pre-production; that is, they do not rely heavily on computer editing after filming to achieve the desired effect. The opening scene involving the interrogation of Leon in a dark, smoky, high-ceilinged room could be lifted right out of a 1950s mystery film. The detective then pulls out ...
According to the semiotic theory, everything in a cinematic image is also a sign which meaning can be generated by different reading of it. Due to the components of the signifier and the signified as a sign, they all work together sufficiently to function in encoding the information in order to let the spectators to decode the carried meaning. The semiotic approach can help us to better understand Speed Racer in the American popular...
During the opening six minutes of Nicholas Roeg’s film Don’t Look Now, the viewer experiences a dynamic mixture of film techniques that form the first part of the narrative. Using metaphor and imagery, Roeg constructs a vivid and unique portrayal of his parallel storyline. The opening six minutes help set up a distinct stylistic premise. In contrast to a novel or play, the sequence in Don’t Look Now is only accessible through cinema because it allows the viewer to interact with the medium and follow along with the different camera angles. The cinematography and music also guide the viewer along, and help project the characters’ emotions onto the audience because they change frequently. The film techniques and choppy editing style used in Don’t Look Now convey a sense of control of the director over the audience and put us entirely at his mercy, because we have to experience time and space as he wants us to as opposed to in an entirely serial manner.
To begin, Tarkovsky’s cinema is not about historical realism or exposing the everyday as it really is. Cinema is unavoidably an especially paranoid representation of experience. Sculpture hewn in time resembles everyday events no more than wood sculpture does stumps. What makes Tarkovsky interesting might be gotten at in terms of doors and windows. Dalle Vacche[1] approaches the array of moments and differences in the style:
The film Wendy and Lucy, directed by Kelly Reichardt, presents a sparse narrative. The film has been criticised for its lack of background story, and as a short film, much of the story is left to the viewer to infer from what is presented in the plot. However, Wendy and Lucy is able to depict the intimate relationship between Wendy and her dog as well as reflecting more broadly on the everyday, and commenting on the current economic state of the film’s setting in America. This essay will examine how film form contributes to the viewer’s awareness of the story in Wendy and Lucy and allows a deeper understanding of the themes presented. The aspects of mise-en-scene, shot and editing and sound in the film will be explored.
The manipulation of time affects our understanding by allowing us to go with Lola on all three runs, by allowing us to see all of the different options and outcomes. It gives us a deeper understanding of the characters both major and minor after each run. For example. You learn different things about her father and his mistress in each of the runs. You learn different things about Lola in each of the runs. And in between each of the runs you get a scene between Lola and Manny talking about their relationship, and the way that they feel about each other.
their dependence, whether it is on technology or a cultural manipulation, and proceed towards discovering self-determination and having control of their own fate.
Saul Bass and Steven Chorney are just two of the designers that tremendously influenced one of the most exciting forms of advertising and design. Both of these designers are well known for contributing unique designs to the film industry. They supplied their artistic talent by creating movie posters and title sequences, which are important because they set expectations and make an audience excited for motion pictures. Often people say the phrase “never judge a book by its cover”, but in the film industry the posters and trailers can sometimes affect the outcome of success or failure a movie has.
The first sets of the visual analysis are on drunk driving and drug use. All of these pictures relate to drunk driving and drug use and why it is bad for us to drive under the influence of alcohol or drugs. In the first visual set, there are drunk driving and drug use advertisement pictures that are more effective than the others.
Therefore, the distinctive visual techniques employed by the composer provide a vehicle for the respondent to understand the ideas and themes prompted by people and their experiences. Tykwer’s film, Run Lola Run demonstrates the effect of the distinctive visual in Lola’s exploration of the themes of chance and time, whilst Mackellar’s poem ‘My Country’ provides the audience with an evocative experience of the Australian environment.
...successful collaboration of sound, colour, camera positioning and lighting are instrumental in portraying these themes. The techniques used heighten the suspense, drama and mood of each scene and enhance the film in order to convey to the spectator the intended messages.
Stanley Kubrick is a name that has remained relevant throughout the years. Movies like 2001: A Space Odyssey, The Shining, Full Metal Jacket, and many others have made an impact on how films are made, but more importantly, the thematic elements of Kubrick’s films is what translated so well to the screen. Kubrick developed stylistic innovations in his films such as one-point perspective, realistic lighting, and distinctive dialogue. All of these stylistic strategies served to amplify the common themes found in his films that dealt with enduring issues like war, which Kubrick argued is part of human nature. Not only was Kubrick a film director who made an impact on filmmaking history, but his innovative ideas have also made an impact on society
The visual construction plays an important role in establishing the plot and enticing viewers to a dystopian story. It is the finishing touches which makes a movie a masterpiece. The combination of visual effects including montages, camera angles and tempo was structured brilliantly in the I am Legend and as a result was successful in demonstrating key qualities of a dystopian fiction.
Children of men is a dystopian film set in the year 2027. Many themes about destruction in the future are seen throughout the movie. Just like any book or film, these themes can be depicted through the setting, plot, and actions of the characters. In cinemas, however, there is opportunity to use technology. Different camera angles, sounds, and the concept of diegetic and nondiegetic aspects serve the same purpose as the literary techniques readers use to realize themes. In Children of Men, the use of tracking shots, and the different types of sound help the viewer gain an understanding of the theme of life versus death and Theo’s true purpose